Making Merit Making Art

Their work, both celebrated and controversial, depicts stories from the Buddha's lives in otherworldly landscapes punctuated with sly references to this-worldly politics and popular culture. Schooled in international art trends, the artists reverse an Orientalist narrative of the Asian Other, telling their own stories to diverse audiences and subsuming Western spaces into a Buddhist worldview."--BOOK JACKET.

"This anthropological study addresses religion and gender relations through the lens of the lives, actions and role in Thai society of an order of Buddhist nuns (mae chii). It presents a unique ethnography of these Thai Buddhist nuns, examines what it implies to be a female ascetic in contemporary Thailand and analyses how the ordained state for women fits into the wider gender patterns found in Thai society. The study also deals with the nuns' agency in creating religious space and authority for women. In addition, it raises questions about how the position of Thai Buddhist nuns outside the Buddhist sanhga affects their religious legitimacy and describes recent moves to restore a Theravada order of female monks." -- BACK COVER.

Books on mural painting in Thailand have tended to focus on works commissioned by royalty or other elites from the centers of power. This volume is the first to examine a vibrant sub-school of painting from the rural heartland of the Northeastern Region, also known as Isan. It is a multifaceted and empathetic study of these lovely and lively paintings, and will appeal to anyone interested in the Mekong Region as well as to scholars of art history, Buddhism, and anthropology in Southeast Asia.

Every 3rd issue is a quarterly cumulation.

This book explores contemporary practices within the new institution of international meditation centers in Thailand. It discusses the development of the lay vipassana meditation movement in Thailand and relates Thai Buddhism to contemporary processes of commodification and globalisation. Through an examination of how meditation centers are promoted internationally, the author considers how Thai Buddhism is translated for and embodied within international tourists who participate in meditation retreats in Thailand. Shedding new light on the decontextualization of religious practices, and raising new questions concerning tourism and religion, this book focuses on the nature of cultural exchange, spiritual tourism, and religious choice in modernity. With an aim of reframing questions of religious modernity, each chapter offers a new perspective on the phenomenon of spiritual seeking in Thailand. Offering an analysis of why meditation practices appeal to non-Buddhists, this book contends that religions do not travel as whole entities but instead that partial elements resonate with different cultures, and are appropriated over time.

A look at how prominent Indian visual artists created modern art for the postcolonial nation in the years between India's independence in 1947 and 1980.