Malle On Malle

Malle discusses his career and development as an artist, reflected in his direction of films and production of many documentaries. He talks about the recurrent themes of his work and the people he has worked with.

Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors. In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor.

This sumptuous, large-format book, featuring the illustrations of contemporary Greek painter Konstantin Kakanias, explores the art of perfumery and the stellar array of perfumers Malle has brought to his house during his first decade.

Clara’s at a breaking point. She’s got writer’s block, her friends ask a lot without giving much, her psychologist is useless, and her demanding publishing job leaves little time for self care. She seeks solace in the community around her, yet, while her friends provide support and comfort, she is often left feeling empty, unable to express an underlying depression that leaves her immobilized and stifles any attempts at completing her poetry collection. In This is How I Disappear, Mirion Malle paints an empathetic portait of a young woman wrestling with psychological stress and the trauma following an experience of sexual assault. Malle displays frankness and a remarkable emotional intelligence as she explores depression, isolation, and self-harm in her expertly-drawn novel. Her heroine battles an onslaught of painful emotions and while Clara can provide consolation to those around her, she finds it difficult to bestow the same understanding unto herself. Only when she allows her community to guide her towards self-love does she find relief. Filled with 21st century idioms and social media communication, This Is How I Disappear opens a window into the lives of young people as they face a barrage of mental health hurdles. Scenes of sisterhood, fun nights out singing karaoke, and impromptu FaceTime therapy sessions show how this generation is coping, connecting, and healing together.

This critical analysis of the work of Louis Malle, director of 'Au Revoir les Enfants' and 'My Dinner with André', focuses on the most challenging aspects of his oeuvre, such as his portayals of Nazi-occupied France.

"This primer on feminism and media literacy teaches young readers why it matters The League of Super Feminists is an energetic and fierce comic for tweens and younger teens. Cartoonist Mirion Malle guides readers through some of the central tenets of feminism and media literacy including consent, intersectionality, privilege, body image, inclusivity and more; all demystified in the form of a witty, down-to-earth dialogue that encourages questioning the stories we're told about identity. Malle’s insightful and humorous comics transport lofty concepts from the ivory tower to the eternally safer space of open discussion. Making reference to the Bechdel test in film and Peggy McIntosh’s dissection of white privilege through the metaphor of the “invisible knapsack,” The League of Super Feminists is an asset to the classroom, library, and household alike. Knights and princesses present problems associated with consent; superheroes reveal problematic stereotypes associated with gender; and grumpy onlookers show just how insidious cat-calling culture can be. No matter how women dress, Malle explains, there seems to always be someone ready to call it out. The League of Super Feminists articulates with both poise and clarity how unconscious biases and problematic thought processes can have tragic results. Why does feminism matter? Are feminists man-haters? How do race and feminism intersect? Malle answers these questions for young readers, in a comic that is as playful and hilarious as it is necessary."

Born into the world of perfume (his grandfather was the founder of Parfums Christian Dior), Frédéric Malle's deep knowledge of scents and his radical vision of perfumes led him, in 2000, to establish Éditions de Parfums Frédéric Malle, a house for perfumers where fragrances are conceived as haute couture creations. At a time when the self-service sale of perfumes was on the rise, Malle chose to open a boutique that would provide a luxurious setting for the perfumes he "publishes" with the world's greatest perfumers. Malle's determination has been to champion the art of perfumery itself, granting perfumers total and complete freedom to create, furnishing them with exceptional raw materials and releasing all boundaries and constraints, restoring the art of perfume making to its former glory. This October, to mark the twentieth anniversary of Frédéric Malle's quest for beauty and creative freedom, Rizzoli will publish Éditions de Parfums Frédéric Malle: The First Twenty Years. A necessary addition to the libraries of industry masters, this volume is an exploration of the inspirations and vision of one of the great protagonists of contemporary perfume. 2020 marks a historic date for the house: twenty years of audacity and creativity. Twenty years of shifting paradigms in the exacting world of perfumery. In Éditions de Parfums Frédéric Malle: The First Twenty Years, Malle offers readers an intimate glimpse into his brand's saga and shares the stories behind four of his most successful scents in graphic-novel form. Journalist Marion Vignal delves into Malle's lifelong devotion to perfume, personal history, and myriad inspirations to uncover the evolution of his precise olfactory aesthetics, while imagery of perfume bottles, sketches, advertising campaigns, and photos of boutiques explores his comprehensive vision. With art direction by Patrick Li, the book features an eclectic palette of imagery from the personal archives of the founder, as well as illustrations, unique sketches and authentic stories about Malle's collaboration with Perfumers. Éditions de Parfums Frédéric Malle: The First Twenty Years is an invitation to a sensorial journey that will delight perfume lovers everywhere. This volume invites faithful connoisseurs of haute perfumery and lovers of fine craftsmanship alike to join in celebrating an authentic, audacious, exacting, and rich brand.

An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.