Mambo A Conversation With The Gods

"Mambo is a musical form and dance style that developed originally in Cuba, with further significant developments by Cuban and Puerto Rican musicians in Mexico and the USA. The word "mambo" means "conversation with the gods" in Kikongo, the language spoken by Central African slaves taken to Cuba." Join Tito Aguilar & Alandra Martinez, two mambo enthusiasts & historians, as they provide an excellent overview of all things Mambo. Covering the history, derivative genres, key figures, important albums & much, much more. This edition serves as an excellent reference source.

On summer nights Marisol helps out in Papi's music store. As customers come and go, they share memories of the Latin music and dance of their various homelands, expressed in a dazzling array of poetry. The diversity of Latin American music is brought to life in poems that swivel, sway, and sizzle with the rhythms of merengue, vallenatos, salsa, and samba. Back matter includes a map, author's note, and further information about the musical heritage of Latin America.

This title in the American Dance Floor series provides an overview of the origins, development, and current status of Latin social dancing in the United States. Latin dance and music have had a widespread influence upon the development of other social dance and music styles in the United States. As a result, Latin dance styles are among the most important dance forms in America. Latin Dance addresses every major style of Latin dance, describing the basic steps that characterize it as well as its rhythmic pace and time signature, and examining its development from European, African, and Amerindian influences. The author explains the range of styles and expression to be found in Latin dances primarily within the context of couples social dancing, the popularity of salsa today, and the broader social meanings and implications of their multicultural origins from the 1600s to the present. The historic connection between exhibition Latin dance and American modern dance through vaudeville is explained as well.

Music Fundamentals: A Balanced Approach, Third Edition combines a textbook and integrated workbook with an interactive website for those who want to learn the basics of reading music. Intended for students with little or no prior knowledge of music theory, it offers a patient approach to understanding and mastering the building blocks of musical practice and structure. Musical examples range from Elvis Presley songs to Filipino ballads to Beethoven symphonies, offering a balanced mixture of global, classical, and popular music. The new edition includes: Additional vocabulary features and review exercises Additional musical selections and 1-, 2-, or 3-hand rhythmic exercises The addition of guitar tablature A revised text design that more clearly designates the different types of exercises and makes the Workbook pages easier to write on An improved companion website with added mobile functionality The author’s balanced approach to beginning music theory engages student interest while demonstrating how music theory concepts apply not only to the Western classical canon but also to popular and world music. With the beginner student in mind, Music Fundamentals: A Balanced Approach, Third Edition is a comprehensive text for understanding the foundations of music theory.

At the end of WWII, themes in music shifted from soldiers' experiences at war to coming home, marrying their sweethearts, and returning to civilian life. The music itself also shifted, with crooners such as Bing Crosby and Frank Sinatra replacing the Big Bands of years past. Country music, jazz, and gospel continued to evolve, and rhythm and blues and the new rock and roll were also popular during this time. Music is not created without being influenced by the political events and societal changes of its time, and the Music of the Postwar Era is no exception. *includes combined musical charts for the years 1945-1959 *approximately 20 black and white images of the singers and musicians who represent the era's music

This provocative look at the connections—and conflicts—between Latinos and African Americans in the United States assesses the challenges facing both groups as they strive to achieve the American dream. Latino and African American communities in the United States share neighborhoods, similar family values, and many of the same challenges faced by minorities, yet are often at odds about their distinctive cultures and position in society. This book looks at the social and political history of both groups, pointing out their differences and similarities, and exploring their perceived role in America's social strata. Author Karen Juanita Carrillo delves into the often-controversial issues that have undermined Afro-Latino race relations in this country, including how the war on poverty led to competition and animosity, how the legacy of slavery bears on their relationship, and how prejudices among new immigrants inflame existing tensions. The book features a multitude of views and perspectives on what it means to be American for Latino and African American populations. Its extensive discussion of immigrant groups includes those arriving from Mexico, Puerto Rico, Cuba, El Salvador, Dominican Republic, Guatemala, Colombia, Honduras, Ecuador and Peru.

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.