Mammon

In his first full-length book Justin Welby looks at the subject of money and materialism. Designed for study in the weeks of Lent leading up to Easter, Dethroning Mammon reflects on the impact of our own attitudes, and of the pressures that surround us, on how we handle the power of money, called Mammon in this book. Who will be on the throne of our lives? Who will direct our actions and attitudes? Is it Jesus Christ, who brings truth, hope and freedom? Or is it Mammon, so attractive, so clear, but leading us into paths that tangle, trip and deceive? Archbishop Justin explores the tensions that arise in a society dominated by Mammon's modern aliases, economics and finance, and by the pressures of our culture to conform to Mammon's expectations. Following the Gospels towards Easter, this book asks the reader what it means to dethrone Mammon in the values and priorities of our civilisation and in our own existence. In Dethroning Mammon, Archbishop Justin challenges us to use Lent as a time of learning to trust in the abundance and grace of God.

“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century

This book explores the multiple dimensions of the antebellum Kansas tempest as a microcosm of the larger history of sectional conflict and reconciliation. It shows, through an examination of the antislavery ends and means of the American Missionary Association, the American Home Missionary Society, and the New England Emigrant Aid Company, that the northeastern free-state contingent in Kansas represented a wide spectrum of opinion on black bondage, ranging from racially egalitarian Christian abolitionist absolutism on the one hand to free labor pragmatism on the other. Nevertheless, Yankee confrontations with the allegedly parallel unprogressive forces of "slavery, rum, and Romanism" in the territory evoked compelling public images of civilization and savagery, freedom and dependence that broadened the appeal of antislavery politics in the free North on the eve of the Civil War. At the same time, For God and Mammon analyzes the ideology and dynamics of proslavery activism in Kansas, demonstrating how clashing conceptions of republicanism and capitalism helped frame the terms of debate over slavery. Finally, the book argues that the sharp polarities of slavery discourse in Kansas obscured a more ambiguous reality. Southerners resorted to fraudulent voting and appealed to anti-abolitionism, nativism, and racism not only to battle Northern elements but to score points over their proslavery whiggish rivals as well. Schisms within a competitive, business-minded pro-Southern elite contained the seeds of Mammon's triumph over political ideology in some proslavery circles and facilitated a sectional truce at the African American's expense even before the slavery question had faded from thepolitical horizon of the territory.

Michael Hague is an American illustrator and writer, primarily of children's fantasy books. He has illustrated such classics such as The Wind in the Willows, The Wizard of Oz, The Hobbit and the stories of Hans Christian Andersen. He is renowned for the intricate and realistic detail he brings to his work, and the rich colors he chooses. A horrifyingly beautiful vampire story, this lavishly illustrated adventure starts on the streets of 1920s London and ends at the gates of Hell. A horrifyingly beautiful vampire story, this lavishly illustrated adventure starts on the streets of 1920s London and ends at the gates of Hell. Writer Jonathan Meeks is captivated by the story of Dracula. On a quest for immortality, to discover if there is truth at the heart of the vampire myth, Meeks discovers there is far more truth in fiction.

In Jesus and the Politics of Mammon, Phelps uses contemporary critical theory, continental philosophy, and theology to develop a radical reading of Jesus. Phelps argues that theological traditions have on the whole blunted Jesus' teachings, particularly in regard to money and related concerns of political economy. Focusing on the distinction between God and Mammon, Phelps suggests instead that Jesus' teachings result in a politics that is anti-money, anti-work, and anti-family. Although Jesus does not provide a specific program for this politics, his teachings incite readers to think otherwise with respect to these institutions.

'The Face of Mammon' studies the coins of 16th-century England as they are articulated in literary writing. It argues that the coinage of the 16th century is a very different object from the money that we know in that modern money is the object of a discourse, economics, that had not yet taken shape.

Decoding Mammon is an exposition of the negative assessment of money implied in Jesus' statement, "You cannot serve God and Mammon." On the basis of the theology enshrined in the Old and New Testaments and in the long-term tradition of the church, it is claimed that problems associated with money do not arise simply from the way it is used, but from the nature of money itself. Despite the fact that money has enabled great economic development, and in contrast with the general consensus of governments, economists, and many theologians that money is either a positive or neutral instrument, the book seeks to show that money is a deeply flawed instrument, created by fallen human beings, and fashioned over the years to suit the interests of those in power rather than the needs of people in general. It is argued that money should only be allowed to operate within severe restrictions, and that any reformulation of the global economy as a result of the recent financial crisis needs to be based on this understanding.