Mammoth Books Presents Out And Back

"My cousin-by-marriage Sean Lavery, knowing my love for weird and outré websites, sent me a link to the Dark Roasted Blend site (www.darkroastedblend.com)," reveals the author, "where I found several pages featuring photographs of abandoned places. "My imagination was fired by pictures taken at Chippewa Lake Park in Medina, Ohio, which opened in 1878 and was abandoned in 1978, with the buildings and rides left to rot where they stood, and I began looking around for some information about the park. "I've always had a fondness for amusement parks, ever since I was a child visiting Vancouver's Pacific National Exhibition with my father and my brother: an annual trip which was one of the red-letter days on my childhood calendar. The photographs of Chippewa Lake Park were equal parts eerie and sad, for anyone who has ever thrilled to the sights and sounds of a midway, and the story sprang, almost fully-formed, into my head; one of the few times that's happened." To see some of the pictures that inspired the following story, visit: www.defunctparks.com/parks/OH/ChippewaLake/chippewa-lake.htm.

Substitutions - Michael Marshall Smith Michael Marshall Smith recalls: "This story came about in the simplest way, the way I always enjoy most - something happening in real life that makes you think 'What if?' "Our household gets a lot of its food via an online delivery service, and one day when I was unpacking what had just been dropped at our house I gradually realised there was something...not quite right about the contents of the bags. "There's two things that are strange about that experience. The first is that - given that every household is likely to buy at least some things in common - you don't realise straight away that you've been given the wrong shopping. You don't immediately think 'This is wrong', more like . . . 'This is weird'. The second is how personal it is, gaining accidental access to this very tangible evocation of some other family's life. You can't help but wonder about the people the food was really destined for. "In real life, I just called up the delivery guy and got it sorted out: but in fiction, you might tackle things slightly differently . . ." Out Back - Garry Kilworth "'Out Back' was written for a group of friends," Kilworth recalls, "who appear as characters in the story under their initials, as I do myself. Those who know me well will recognise the protagonists. "Iken is a real village on the edge of the marshes behind Snape Maltings in Suffolk. Two years ago I wandered along the periphery of the reed beds which stretch down towards the coast as a green and golden sea, the waves created by the winds that blow across the flatlands. Looking at the church that sits on a knoll above the marshes I thought, 'This is a perfect setting for a horror story.' And so . . ." City of the Dog - John Langan "This story arose from my desire to see what I could do with the figure of the ghoul," reveals Langan, "and as I've tried to indicate within the narrative, I drew inspiration both from H.P. Lovecraft ('Pickman's Model') and Caitlín R. Kiernan (Daughter of Hounds). "The miserable years in New York State's capital, though, were mine alone."

The summer before her junior year, paleontology geek Natalie Page lands a coveted internship at an Ice Age dig site near Austin, Texas. Natalie, who’s also a plus-size fashion blogger, depends on the retro style and persona she developed to shield herself from her former bullies, but vintage dresses and designer heels aren’t compatible with digging for fossils. But nothing is going to dampen her spirit. She’s exactly where she wants to be, and gets to work with her hero, the host of the most popular paleontology podcast in the world. And then there’s Chase, the intern, who’s seriously cute, and Cody, a local boy who’d be even cuter if he were less of a grouch. It’s a summer that promises to be about more than just mammoths. Until it isn’t. When Natalie’s paleontologist hero turns out to be anything but, and steals the credit for one of her accomplishments, she has to unearth the confidence she needs to stand out in a field dominated by men. To do this, she’ll have to let her true self shine, even if that means defying the rules and risking her life for the sake of a major discovery. While sifting through dirt, she finds more than fossils—she finds out that she is truly awesome.

In this grizzly anthology of the undead, four fascinatingly horrid dystopian universes are described, with zombies taking centre stage. Included are: What Will Come After - Scott Edelman In this most personal of zombie stories, the author imagines himself as the protagonist, looking ahead to what would happen after his own death . . . and rebirth. Christmas with the Dead - Joe R. Lansdale The ultimate in holiday horror stories. Fort Clay, Louisiana: A Tragical History - Albert E. Cowdrey When a young photographer welcomes an elderly man to her house to see the book she has published about a long-deserted 19th century military fort on the Mississippi, watery southern horrors emerge from the past. When the Zombies Win - Karina Sumner-Smith The ultimate in dystopian what-ifs, Karina Sumner-Smith's story is set after the zombie apocalypse has reached its zenith. When there's no one left to infect, where do the zombies turn?

122 fantastic stories from Britain's best crime writers For ten years the Mammoth Best British Crime series has been publishing an annual volume of the most outstanding crime and mystery short fiction published in the UK. Over 400 stories by the very best writers in the field have been published. Contributors have included, among many others, Mark Billingham, Liza Cody, Roger Jon Ellory, Reginald Hill, Peter James, Simon Kernick, Alexander McCall Smith, Val McDermid, John Mortimer, Anne Perry, Ian Rankin, Derek Raymond and Andrew Taylor. On several occasions, stories published in The Mammoth Book of Best British Crime have won some of the most prestigious awards in the field, including the Crime Writers Association Short Story Dagger, The Mystery Writers of America Edgar award and the Anthony award, while countless others have featured on the respective shortlists. This truly bumper collection of over 120 stories, an omnibus edition of Volumes 7, 8 and 9, showcases as ever the impressive breadth of crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of the society in which we live, but, above all, there is an abundance of first-class entertainment. Over 1600 pages of outstanding crime fiction by: Lin Anderson, Kate Atkinson, Ian Ayris, Ray Banks, Robert Barnard, Colin Bateman, Mark Billingham, Nigel Bird, Tony Black, Stephen Booth, Paul D. Brazill, Simon Brett, Gerard Brennan, Christopher Brookmyre, Alison Bruce, Ken Bruen, Declan Burke, Col Bury, Tom Cain, Ann Cleeves, Liza Cody, Natasha Cooper, Bernie Crosthwaite, Judith Cutler, Colin Dexter, Martin Edwards, Matthew J. Elliott, Kate Ellis, R. J. Ellory, Chris Ewan, Christopher Fowler, Simon R. Green, Jon Courtenay Grimwood, Allan Guthrie, Sophie Hannah, John Harvey, Mick Herron, David Hewson, Reginald Hill, Matt Hilton, Kate Horsley, Peter James, Paul Johnston, L. Kennedy, Bill Kirton, John Lawton, Simon Levack, Michael Z. Lewin, Toby Litt, Peter Lovesey, Phil Lovesey, Stuart MacBride, Adrian Magson, Barry Maitland, Alexander McCall Smith, Keith McCarthy, Val McDermid, Brian McGilloway, Denise Mina, Steve Mosby, Edward Marston, Amy Myers, Barbara Nadel, Stuart Neville, Christine Poulson, Ian Rankin, Sarah Rayne, Peter Robinson, Nicholas Royle, Zoë Sharp, Roz Southey, Sally Spedding, Jay Stringer, Andrew Taylor, Marilyn Todd, Peter Turnbull, L. C. Tyler, Simon Kernick, Nick Quantrill, Sheila Quigley, Louise Welsh, Marc Werner and Kevin Wignall.

"I wrote 'Christmas with the Dead' simply because I wanted to write a holiday horror story," Lansdale admits. "This was the result."

Black Country - Joel Lane "'Black Country' is one of a sequence of weird crime stories set in the West Midlands that I've been working on for years," says Joel Lane. "A collection of them is forthcoming with the title Where Furnaces Burn. 'Black Country' is also a sequel to my earlier story 'The Lost District', which describes another narrator's experience of Clayheath. "I'd like to thank The Nightingales and Gul Y. Davis, whose words influenced this story. It was originally published as a chapbook by Nightjar Press, with an enigmatic cover illustration by Birmingham photographer Trav28." We All Fall Down - Kirstyn McDermott "I carried the bones of this story around for quite a few years before I finally stumbled upon its beating heart," explains the author. "In my head was the image of a doll house, huge and not quite right, and a woman searching desperately for something concealed inside. But I could never work a story around it that didn't seem twee. Doll houses, you know? "But then Emma and Holly appeared - trapped within their own fractured, futile relationship - and everything just, well, fell together. Beautifully. Awfully. And now I have a doll house story. Of a kind." Telling - Steve Rasnic Tem "As for the following story," reveals Steve Rasnic Tem, "it began with a dreadful image at the end of a dream. I couldn't remember the other details of that dream, but I was determined to find out where that image might have come from." A Revelation of Cormorants - Mark Valentine "'A Revelation of Cormorants' first appeared in the excellent series of chapbooks published by Nicholas Royle's Nightjar Press," explains Valentine, "and I first encountered the dark grace of the cormorant while visiting Galloway with Jo." Just Outside Our Windows, Deep Inside Our Walls - Brian Hodge "I hardly ever write extended fragments of things and then leave them indefinitely," Brian Hodge reveals, "but that's how 'Just Outside Our Windows, Deep Inside Our Walls' got started. "I first wrote the part about the fantasised magic show, plus the earliest bit about Roni moving in, after rereading a Thomas Ligotti collection. It may not be apparent to anyone else, but some flavour of his lingered in me for a little while and wanted to come out, and the magic show was the result. "Then it sat idle for three years or so before I knew what more to do with it. Maybe because I had to forget about how it had begun and get back to being myself again."

I don't like writing at home much," admits Shearman. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries. "And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect. "A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare. "I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy.