Mamo

Orla O’Reilly, the youngest in a long line of hedge witches, is compelled to return home after the death of her grandmother, Mamo. In the wake of her Mamo’s passing, seas are impossible to fish, crops have soured, even Jo Manalo’s attic is taken over by a poltergeist! And to make matter worse it appears that the cause is Mamo, or her mislaid bones that is. Can Orla shoulder the responsibility of quieting her Mamo’s spirit, saving her hometown, and will she have to step up as the new witch of Haresden like Mamo always wanted? Collects Mamo #1-5.

Mamo’s final trick is revealed! Will Orla be able to escape the trap her grandmother set from beyond the grave? And with tensions rising, will Orla and Jo’s burgeoning friendship survive, or is Orla going to have to face Mamo’s angry spirit all on her own? Orla struggles with the fact that if she saves Haresden, she’ll be stuck there forever, but if she doesn’t, the town will fall to chaos and be destroyed. Which will she choose, or is her destiny already written?

Hedge witch Orla has returned home after her grandmother's death to find that her mislaid bones are wreaking havoc all across Haresden! Mamo's graves must be brought together in order to give her spirit and the town some peace. Can Orla shoulder the responsibility of quieting her Mamo's spirit and saving her hometown?

BOOM! Studios is proud to showcase the incredible artistic vision of Sas Milledge! Can Orla O'Reilly embrace her destiny in order to bridge the divide between humanity and the faerie world? Orla, the youngest in a long line of hedge witches, finds herself pulled back to her hometown after the death of her grandmother - Mamo. Without Mamo managing magical relationships between the townsfolk and the fae, the seas are impossible to fish, the crops have soured... and Jo Manalo's attic has been taken over by a poltergeist! Now, Orla and Jo will both be pulled into worlds they never wanted to be part of. Can the two girls work together to save the town? Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) debuts her first original series perfect for fans of The Last Witch and Sabrina The Teenage Witch that answers the question of how we all reconcile our responsibilities with our dreams for our own future.

The graphic novel Are You Listening? is an intimate and emotionally soaring story about friendship, grief, and healing from Eisner Award winner Tillie Walden. Bea is on the run. And then, she runs into Lou. This chance encounter sends them on a journey through West Texas, where strange things follow them wherever they go. The landscape morphs into an unsettling world, a mysterious cat joins them, and they are haunted by a group of threatening men. To stay safe, Bea and Lou must trust each other as they are driven to confront buried truths. The two women share their stories of loss and heartbreak—and a startling revelation about sexual assault—culminating in an exquisite example of human connection. This magical realistic adventure from the celebrated comics creator of Spinning and On a Sunbeam will stay with readers long after the final gorgeously illustrated page. 2020 Eisner Award Winner, Best Graphic Album--New A Chicago Public Library Best of the Best Book of 2019 A National Public Radio (NPR) Best Book of 2019 An O Magazine Best LGBTQ Book of 2019 One of The Comics Beat's Best Comics of 2019 A Lambda Literary Award Finalist

DIVExamines the medical, social, and legal dimensions of the use of assisted reproductive technologies by lesbian women./div

The internationally bestselling, “gorgeously moving, old-fashioned novel” about a woman’s life, loves, and self-discovery on the eve the Great War (O, The Oprah Magazine). Grania O’Neill, the daughter of hardworking Irish hoteliers in small-town Ontario, is five years old when she emerges from a bout of scarlet fever profoundly deaf—suddenly sealed off from the world that was just beginning to open for her. While her guilt-plagued mother cannot accept it, Grania finds allies in her grandmother and her older sister, Tress. It isn’t until she’s enrolled in the Ontario School for the Deaf in Belleville, that Grania truly begins to thrive. In time, she falls for Jim Lloyd, a hearing man with whom Grania creates a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim leaves to serve as a stretcher bearer on the blood-soaked battlefields of Flanders. During this long war of attrition, Jim and Grania’s letters back and forth—both real and imagined—attempt to sustain their young love in a world as brutal as it is hopeful. Winner of the Commonwealth Book Prize, Frances Itani’s debut novel is a “brilliantly lucid and masterfully sustained” ode to language—how it can console, imprison, and liberate—with “the integrity of an achieved artistic vision, the kind of power that is generally associated with the gracious, crystalline prose of Grace Paley, the flagrantly good, good lines of Robert Lowell and W. H. Auden’s poetry” (Kaye Gibbons, author of A Virtuous Woman).