Man Is The Cruelest Animal

Man is the Cruelest Animal features four main themes and essays on the human-animal link: History, Cruelty, Activism and Perspectives. Each theme is comprised of four peer-reviewed essays. In History, the centuries-old animal protection societies that preceded the modern animal rights movement of the 1970s are described. Cruelty highlights what drives animal activist campaigns, especially practices involving the (ab)use of animals in food production, research, entertainment and hunting. Activism analyses the strategies—persuasion, protest, non-cooperation and interference—and the associated tactics of animal activists in the USA, the UK and Australia. Perspectives identifies some of the conflicts involving counter movements against the theory and practice of animal rights and the prospect of achieving common cause in resolving the worst features of human-animal interactions. The concluding section of the book is in two parts: Part 1 focuses on Pandemics and Life Chances, a topic that is of obvious relevance in the current era, while Part 2 features an annotated guide to recommended reading on the four main themes covered in the book.

From an award-winning historian, the outlandish story of the man who gave rights to animals. In Gilded Age America, people and animals lived cheek-by-jowl in environments that were dirty and dangerous to man and beast alike. The industrial city brought suffering, but it also inspired a compassion for animals that fueled a controversial anti-cruelty movement. From the center of these debates, Henry Bergh launched a shocking campaign to grant rights to animals. A Traitor to His Species is revelatory social history, awash with colorful characters. Cheered on by thousands of men and women who joined his cause, Bergh fought with robber barons, Five Points gangs, and legendary impresario P.T. Barnum, as they pushed for new laws to protect trolley horses, livestock, stray dogs, and other animals. Raucous and entertaining, A Traitor to His Species tells the story of a remarkable man who gave voice to the voiceless and shaped our modern relationship with animals.

"Thus Spoke Zarathustra" became the book Reza Abedini would carry everywhere with him. A compact, hard-cover edition in Farsi, the little black book contains all five parts of Nietzsche's most curious philosophical parabolas, in tight rows of Persian script. Zarathustra has fed directly into Abedini's graphic design work, explicitly or implicitly, for years. With this artist's book, he is, in a sense, going back to the source, offering a visual interpretation of Nietzsche's seminal text with a series of prints first started almost 20 years ago. Through them, Abedini traces his connection to this book through time, to Iranian and religious symbols, and to the visual Western world that continues to dominate Art History. If we listen to Zarathustra's preaching, then this life is all that we have, and there is nothing else. In Abedini's prints, riddled with symbolism, references, and a sarcastic bite, we can discover a fragment of what this life consists of. https://booklyn.org/catalog/zarathustra/.

"And God said, Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth." --Genesis 1:24-26 In this crucial passage from the Old Testament, God grants mankind power over animals. But with this privilege comes the grave responsibility to respect life, to treat animals with simple dignity and compassion. Somewhere along the way, something has gone wrong. In Dominion, we witness the annual convention of Safari Club International, an organization whose wealthier members will pay up to $20,000 to hunt an elephant, a lion or another animal, either abroad or in American "safari ranches," where the animals are fenced in pens. We attend the annual International Whaling Commission conference, where the skewed politics of the whaling industry come to light, and the focus is on developing more lethal, but not more merciful, methods of harvesting "living marine resources." And we visit a gargantuan American "factory farm," where animals are treated as mere product and raised in conditions of mass confinement, bred for passivity and bulk, inseminated and fed with machines, kept in tightly confined stalls for the entirety of their lives, and slaughtered in a way that maximizes profits and minimizes decency. Throughout Dominion, Scully counters the hypocritical arguments that attempt to excuse animal abuse: from those who argue that the Bible's message permits mankind to use animals as it pleases, to the hunter's argument that through hunting animal populations are controlled, to the popular and "scientifically proven" notions that animals cannot feel pain, experience no emotions, and are not conscious of their own lives. The result is eye opening, painful and infuriating, insightful and rewarding. Dominion is a plea for human benevolence and mercy, a scathing attack on those who would dismiss animal activists as mere sentimentalists, and a demand for reform from the government down to the individual. Matthew Scully has created a groundbreaking work, a book of lasting power and importance for all of us.

Persuasive and humane, this classic offers Schopenhauer's fullest examination of ethical themes. A defiance of Kant's ethics of duty, it proclaims compassion as the basis of morality and outlines a perspective on ethics in which passion and desire correspond to different moral characters, behaviors, and worldviews.

Winner of the 2012 Anisfield-Wolf Book Award for Nonfiction A revelatory look at why we dehumanize each other, with stunning examples from world history as well as today's headlines "Brute." "Cockroach." "Lice." "Vermin." "Dog." "Beast." These and other monikers are constantly in use to refer to other humans—for political, religious, ethnic, or sexist reasons. Human beings have a tendency to regard members of their own kind as less than human. This tendency has made atrocities like the Holocaust, the genocide in Rwanda, and the slave trade possible, and yet we still find it in phenomena such as xenophobia, homophobia, military propaganda, and racism. Less Than Human draws on a rich mix of history, psychology, biology, anthropology and philosophy to document the pervasiveness of dehumanization, describe its forms, and explain why we so often resort to it. David Livingstone Smith posits that this behavior is rooted in human nature, but gives us hope in also stating that biological traits are malleable, showing us that change is possible. Less Than Human is a chilling indictment of our nature, and is as timely as it is relevant.

Pulitzer Prize–winning author Will Durant chronicles the lives and ideas of several key philosophical thinkers throughout history in this informative yet eminently readable text. An essential read for anyone fascinated by the development of Western philosophy.

"An important contribution to studies of eighteenth-century culture and to literary history and theory and for those with an interest in horror, sentimentality, the invention of the modern individual, and ethics of 'the human.'" -Daniel Cottom, David A. Burr Chair of Letters, University of Oklahoma Cruel Delight: Enlightenment Culture and the Inhuman investigates the fascination with joyful malice in eighteenth-century Europe and how this obsession helped inform the very meaning of humanity. Steintrager reveals how the understanding of cruelty moved from an inexplicable, apparently paradoxical "inhuman" pleasure in the misfortune of others to an eminently human trait stemming from will and freedom. His study ranges from ethical philosophy and its elaboration of moral monstrosity as the negation of sentimental benevolence, to depictions of cruelty-of children mistreating animals, scientists engaged in vivisection, and the painful procedures of early surgery-in works such as William Hogarth's "The Four Stages of Cruelty," to the conflict between humane sympathy and radical liberty illustrated by the writings of the Marquis de Sade. In each instance, the wish to deny a place for cruelty in an enlightened world reveals a darker side: a deep investment in depravity, a need to reenact brutality in the name of combating it, and, ultimately, an erotic attachment to suffering.