Mandolin Songbook 15 Songs By Robert Johnson

Liederbuch (in deutsch und english) mit 15 Songs von Robert Johnson - einfach notiert für die Mandoline. Robert Leroy Johnson (1911-1938) war ein US-amerikanischer Bluesmusiker. Er gilt im Blues als einer der bekanntesten Gitarristen, Sänger und Songwriter, man nennt ihn auch den "King of the Delta Blues". Johnson nahm in in den Jahren 1936 und 1937 29 Songs in 41 Takes auf. Sein Verdienst liegt vor allem in der Umwandlung der frühen Bluesmusik von Charlie Patton, Son House und Skip James zu einem neuen Stil, der dann von Musikern wie Muddy Waters und Elmore James aufgegriffen wurde. Eine weitere Besonderheit der Lieder Johnsons besteht darin, dass er sich teilweise mit Gesang und Gitarrenspiel in verschiedenen Rhythmen bewegte. So entstand der Eindruck, als ob mehrere Personen spielten. Der "Rolling Stone" listete Johnson auf Rang 23 der 100 größten Songwriter sowie auf Rang 71 der 100 größten Gitarristen aller Zeiten. Die Melodien der Songs sind in Tabulatur und klassischer Notenschrift notiert. Die vertonten Lieder sind in einem Soundplayer mit regelbarer Abspielgeschwindigkeit online verfügbar. Videos erklären das Notenlesen, Webadresse und Zugangsdaten im Buch. Für leicht fortgeschrittene und fortgeschrittene SpielerInnen! Songbook with 15 Songs by Robert Johnson, notated for the Mandolin. Robert Leroy Johnson (1911-1938) was an American Blues musician. He is considered one of the most famous guitarists, singers and songwriters in the Blues, he is also called the "King of the Delta Blues". Johnson recorded 29 songs in 41 takes in 1936 and 1937. His main achievement lies in transforming the early Blues music of Charlie Patton, Son House and Skip James into a new style, which was then taken up by musicians such as Muddy Waters and Elmore James. Another special feature of Johnson's songs is that he sometimes sang and played the Guitar in different rhythms. This gave the impression that several people were playing. The "Rolling Stone" ranked Johnson 23rd on the list of the 100 greatest songwriters and 71st on the list of the 100 greatest guitarists of all time. The melodies of the songs are notated in tablature and classical notation. The sounds of the songs are available online in a sound player with adjustable playback speed. Videos explain how to read music, web address and access data in the book. For slightly advanced and advanced players! Song list: Crossroads / Hell hound on my trail / Dust my broom / From four until late / I'm a steady rollin' man / Rambling on my mind / Kindhearted woman Blues / Last fair deal gone down / Little queen of spades / Love in vain / Malted milk / When you got a good friend / Sweet home Chicago / Travelling riverside Blues / Walkin' Blues

(Piano/Vocal/Guitar Artist Songbook). Our first piano/vocal/guitar collection for the songs of this blues legend! Including 29 classics: Come On in My Kitchen * Cross Road Blues (Crossroads) * Dead Shrimp Blues * Drunken Hearted Man * Hell Hound on My Trail * I Believe I'll Dust My Broom * Kind Hearted Woman Blues * Me and the Devil Blues * Ramblin' on My Mind * Sweet Home Chicago * Terraplane Blues * When You Got a Good Friend * and more.

An exploration of the 29 songs that form the complete recorded works of this seminal blues artist. Transcriptions in standard notation and guitar tablature give new insight into Johnson's unique guitar and vocal styles. Includes a special section on the music and playing techniques covering standard chord forms and open tunings.

(Banjo). 15 classics from the blues legend arranged for banjo, including: Cross Road Blues (Crossroads) * Drunken Hearted Man * From Four Until Late * Hell Hound on My Trail * I Believe I'll Dust My Broom * I'm a Steady Rollin' Man (Steady Rollin' Man) * Kind Hearted Woman Blues * Love in Vain Blues * Me and the Devil Blues * Ramblin' on My Mind * Stop Breakin' down Blues * Sweet Home Chicago * They're Red Hot * 32-20 Blues * Walkin' Blues.

Examines the processes of compostion, learning, and performance used by Southern black folk blues singers.

During the 1940s, country music was rapidly evolving from traditional songs and string band styles to honky-tonk, western swing, and bluegrass, via radio, records, and film. The Blue Sky Boys, brothers Bill (1917-2008) and Earl (1919-1998) Bolick, resisted the trend, preferring to perform folk and parlor songs, southern hymns, and new compositions that enhanced their trademark intimacy and warmth. They were still in their teens when they became professional musicians to avoid laboring in Depression-era North Carolina cotton mills. Their instantly recognizable style was fully formed by 1936, when even their first records captured soulful harmonies accented with spare guitar and mandolin accompaniments. They inspired imitators, but none could duplicate the Blue Sky Boys' emotional appeal or their distinctive Catawba County accents. Even their last records in the 1970sretained their unique magical sound decades after other country brother duets had come and gone. In this absorbing account, Dick Spottswood combines excerpts from Bill Bolick's numerous spoken interviews and written accounts of his music, life, and career into a single narrative that presents much of the story in Bill's own voice. Spottswood reveals fascinating nuggets about broadcasting, recording, and surviving in the 1930s world of country music. He describes how the growing industry both aided and thwarted the Bolick brothers' career, and how World War II nearly finished it. The book features a complete, extensively annotated list of Blue Sky Boys songs, an updated discography that includes surviving unpublished records, and dozens of vintage photos and sheet music covers.