Mannequins

Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both? We thought we'd play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first. "Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.

This play, by Futurist poet Bruno Jasienski, is an outstanding example of the joining of left-wing politics and avant-garde interest in human mechanization that characterized the experimental theatre of Poland in the inter-war years. Stalinism and the purges cut short Jasienski's career and prevented productions of his play for many years - except for a brilliant constructivist staging in Prague in 1933. The Mannequins' Ball can now take its place along with Capek's R.U.R. as one of the major twentieth-century dramas making use of the themes and techniques of human automata. Reproduced in this volume are the eight woodcuts by Moor which accompanied the original Moscow publication in 1931.

"Walking Mannequins explores clothing retail workers' experiences in stores oriented toward teens and twenty-somethings using interviews. We aim to understand how employers regulate beauty- and brand-oriented 'aesthetic labor,' how workers must look and act to evoke the brand they represent. We find that workers deal with ever-changing schedules and constant surveillance. Racial hierarchies are visible both in the body rules that workers must follow and their relationships with managers, coworkers, and customers. By focusing on the intersection of race, gender, and new surveillance technologies, Walking Mannequins contributes to existing research on inequality and labor in the twenty-first century"--

"Walking Mannequins explores clothing retail workers' experiences in stores oriented toward teens and twenty-somethings using interviews. We aim to understand how employers regulate beauty- and brand-oriented 'aesthetic labor,' how workers must look and act to evoke the brand they represent. We find that workers deal with ever-changing schedules and constant surveillance. Racial hierarchies are visible both in the body rules that workers must follow and their relationships with managers, coworkers, and customers. By focusing on the intersection of race, gender, and new surveillance technologies, Walking Mannequins contributes to existing research on inequality and labor in the twenty-first century"--

The Village of Lambuck. 1966. A girl, Miranda Wilson, is missing. Sylvia Day, unmarried and lonely, who runs the Sylvia Day Detective Agency, joins forces with the police, the very dishy new man in town, Detective Inspector Nathan Royle, who is determined to solve the case. A body is found in the river, which, surprisingly, turns out to be a mannequin with the face of the missing girl, a clue cleverly hidden on its body leading them to the next mannequin, and then the next and the next. Miranda Wilson’s diary refers to “R,” who she was to meet on the day she went missing. There are several “R’s” in the mix, one of whom is a man Sylvia has been seeing. Should she confess this to the Inspector or wait and see what is revealed about the other “R’s” before spilling the beans? Who has fashioned the mannequin with the face of the missing girl? Tendrils of clues that need to be painstakingly knitted together. As the clues lead them closer and closer to the missing girl, will Miranda Wilson be found unharmed, and will romance blossom between Sylvia and Nathan despite Sylvia’s insecurities? Will they ever get their very own happy ever after?

Detective Inspector Silas Quinn investigates one of the strangest cases of his career... London, 1914. Called out to investigate the murder of an employee of the House of Brackley, an upmarket Kensington department store, Silas finds himself investigating one of the most bizarre cases of his career. For the chief murder suspect is a monkey. One of the store’s fashion models has been found dead on her bed, strangled with a red silk scarf. The room is locked from the inside, the only other occupant being a monkey in a red fez hat. While he is sceptical of the theory that the monkey is the killer, Quinn suspects it holds the key to the mystery. But where has it disappeared to? And how will he ever get to the truth when faced with the maelstrom of resentment and thwarted passion that is the mannequin house? A thrill-a-minute historical mystery full of intrigue, perfect for fans of C. J. Sansom, S. G. MacLean and Abir Mukherjee. Praise for R. N. Morris ‘A classic whodunnit plot with emotion and psychological depth’ Publishers Weekly ‘A challenging, utterly fascinating read’ Booklist ‘His sense of the historical moment is strong’ Kirkus Reviews