Manu The Boy Who Loved Birds

Winner of the 2021 Silver Medal for Best Illustrator, Moonbeam Children's Book Awards On a school trip to Honolulu’s Bishop Museum, Manu and his classmates are excited to see an ancient skirt made with a million yellow feathers from the ‘ō‘ō, a bird native to Hawai‘i that had gone extinct long ago. Manu knew his full name, Manu‘ō‘ōmauloa, meant “May the ‘ō‘ō bird live on” but never understood: Why was he named after a native forest bird that no longer existed? Manu told his parents he wanted to know more about ‘ō‘ō birds and together they searched the internet. The next day, his teacher shared more facts with the class. There was so much to learn! As his mind fills with new discoveries, Manu has vivid dreams of his namesake bird. After a surprise visit to Hawai‘i Island where the family sees native forest birds in their natural setting, Manu finally understands the meaning of his name, and that he can help the birds and promote a healthy forest. Manu, the Boy Who Loved Birds is a story about extinction, conservation, and culture, told through a child’s experience and curiosity. Readers learn along with Manu about the extinct honeyeater for which he was named, his Hawaiian heritage, and the relationship between animals and habitat. An afterword includes in-depth information on Hawai‘i’s forest birds and featherwork in old Hawai‘i, a glossary, and a list of things to do to help. Illustrated with eye-catching, full-color block prints, the book accurately depicts and incorporates natural science and culture in a whimsical way, showing how we can all make a difference for wildlife. The book is also available in a Hawaiian-language edition, ‘O Manu, ke Keiki Aloha Manu, translated by Blaine Namahana Tolentino (ISBN 9780824883430).

A book about happiness, gratitude, and enjoying the here and now.

On a magical, faraway island,Where raging rivers flowed,Giant, jagged mountains,Loomed over fjords below.As the animals prepare for their annual talent show, Manu learns about the greatest talent of all. An uplifting tale reminding us of the difference we can make if we all spread a little kindness.

“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic

Moe‘uhane, the Hawaiian word for dream, means "soul sleep." Hawaiians of old believed they communicated with ‘auma-kua, their ancestral guardians, while sleeping, and this important relationship was sustained through dreaming. During "soul sleep," people received messages of guidance from the gods; romantic relationships blossomed; prophecies were made; cures were revealed. Dreams provided inspiration, conveying songs and dances that were remembered and performed upon waking. Specialists interpreted dreams, which were referred to and analyzed whenever important decisions were to be made. Having no written language, Hawaiians passed their history and life lessons down in the form of legends, which were committed to memory and told and retold. And within these stories are a multitude of dreams--as in a famous legend of the goddess Pele, who travels in a dream to meet and entrance the high chief Lohi‘au. Dreams continue to play an important role in modern Hawaiian culture and are considered by some to have as powerful an influence today as in ancient times. In this companion volume to her award-winning Hawaiian Legends of the Guardian Spirits, artist Caren Loebel-Fried retells and illuminates nine dream stories from Hawai‘i's past that are sure to please readers young and old, kama‘aina and malihini, alike.

Poetry. Caribbean Studies. Ida Faubert (1882--1969) is a 20th-century Haitian-French poet considered a Caribbean--and especially Haitian--literary foremother. An English-language volume of Faubert's makes her work more widely accessible to students, scholars, and readers of Latin-American, African-diasporic, Caribbean and Haitian letters; and more generally available to readers of poetry and the poetry of women. Born in Port-au-Prince and reared in Paris, Faubert neither easily fit socially-prescribed categories for women of color in France or Haiti, nor conformed to them--living and burning through France's Belle Ã%poque, world wars, and Haiti's Indigenist revolt in art. Bicultural, biracial, privileged, and complex, Faubert was a deft writer and socialite who promoted and participated in the movements of Haitian writers and literature in Haiti and France. While her work is garnering growing critical attention, she is seen as one of Haiti's great women poets.

Ancient Hawaiians lived in a world where all of nature was alive with the spirits of their ancestors. These aumakua have lived on through the ages as family guardians and take on many natural forms, thus linking many Hawaiians to the animals, plants, and natural phenomena of their island home. Individuals have a reciprocal relationship with their guardian spirits and offer worship and sacrifice in return for protection, inspiration, and guidance. Hawaiian Legends of the Guardian Spirits is told in words and pictures by award-winning artist Caren Loebel-Fried. The ancient legends are brought to life in sixty beautiful block prints, many vibrantly colored, and narrated in a lively "read-aloud" style, just as storytellers of old may have told them hundreds of years ago. Notes are included, reflecting the careful and extensive research done for this volume at the Bishop Museum Library and Archives in Honolulu and at the American Museum of Natural History in New York. A short section on the process of creating the block prints that illustrate the book is also included. The matching poster of "A Chance Meeting with the Iiwi" measures 22 x 28 inches.