March Sisters On Life Death And Little Women

Four acclaimed female authors—including Pulitzer Prize winner Jane Smiley and In the Dream House author Carmen Carmen Maria Machado—reflect on their lifelong engagement with Louisa May Alcott’s classic novel of girlhood and growing up. Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong lifelong personal engagement with Alcott’s novel Little Women—what it has meant to them and why it still matters. Each takes her subject as one of the four March sisters, reflecting on their stories and what they can teach us about life. Meg March by Kate Bolick: The New York Times–bestselling author of Spinster finds parallels in oldest sister Meg’s brush with glamour at the Moffats’ ball and her own complicated relationship with clothes. Jo March by Jenny Zhang: The short story writer of Sour Heart confesses to liking Jo least among the sisters when she first read the novel as a girl, uncomfortable in finding so much of herself in a character she feared was too unfeminine. Beth March by Carmen Maria Machado: The In the Dream House author writes about the real-life tragedy of Lizzie Alcott, the inspiration for third sister Beth, and the horror story that can result from not being the author of your own life's narrative. Amy March by Jane Smiley: The Pulitzer Prize–winning author of A Thousand Acres rehabilitates the reputation of youngest sister Amy, whom she sees as a modern feminist role model for those of us who are, well, not like the fiery Jo. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.

Bestselling authors Margaret Stohl and Melissa de la Cruz bring us a romantic retelling of Little Women starring Jo March and her best friend, the boy next door, Theodore "Laurie" Laurence. 1869, Concord, Massachusetts: After the publication of her first novel, Jo March is shocked to discover her book of scribbles has become a bestseller, and her publisher and fans demand a sequel. While pressured into coming up with a story, she goes to New York with her dear friend Laurie for a week of inspiration--museums, operas, and even a once-in-a-lifetime reading by Charles Dickens himself! But Laurie has romance on his mind, and despite her growing feelings, Jo's desire to remain independent leads her to turn down his heartfelt marriage proposal and sends the poor boy off to college heartbroken. When Laurie returns to Concord with a sophisticated new girlfriend, will Jo finally communicate her true heart's desire or lose the love of her life forever?

Winner of the Pulitzer Prize--a powerful love story set against the backdrop of the Civil War, from the author of The Secret Chord. From Louisa May Alcott's beloved classic Little Women, Geraldine Brooks has animated the character of the absent father, March, and crafted a story "filled with the ache of love and marriage and with the power of war upon the mind and heart of one unforgettable man" (Sue Monk Kidd). With "pitch-perfect writing" (USA Today), Brooks follows March as he leaves behind his family to aid the Union cause in the Civil War. His experiences will utterly change his marriage and challenge his most ardently held beliefs. A lushly written, wholly original tale steeped in the details of another time, March secures Geraldine Brooks's place as a renowned author of historical fiction.

PBS and HBO documentary scriptwriter Harriet Reisen reveals the extraordinary woman behind the beloved American classic as never before. Louisa May Alcott is the perfect gift for fans of Little Women and of Greta Gerwig's adaptation starring Meryl Streep, Emma Watson, and Saoirse Ronan. “At last, Louisa May Alcott has the biography that admirers of Little Women might have hoped for.” —The Wall Street Journal's 10 Best Books of the Year A fresh, modern take on the remarkable Louisa May Alcott, Harriet Reisen's vivid biography explores the author's life in the context of her works, many of which are to some extent autobiographical. Although Alcott secretly wrote pulp fiction, harbored radical abolitionist views, and served as a Civil War nurse, her novels went on to sell more copies than those of Herman Melville and Henry James. Stories and details culled from Alcott's journals, together with revealing letters to family, friends, and publishers, plus recollections of her famous contemporaries, provide the basis for this lively account of the author's classic rags-to-riches tale.

Contributions by Beverly Lyon Clark, Christine Doyle, Gregory Eiselein, John Matteson, Joel Myerson, Sandra Harbert Petrulionis, Anne K. Phillips, Daniel Shealy, and Roberta Seelinger Trites As the golden age of children’s literature dawned in America in the mid-1860s, Louisa May Alcott’s Little Women, a work that many scholars view as one of the first realistic novels for young people, soon became a classic. Never out of print, Alcott’s tale of four sisters growing up in nineteenth-century New England has been published in more than fifty countries around the world. Over the century and a half since its publication, the novel has grown into a cherished book for girls and boys alike. Readers as diverse as Carson McCullers, Gloria Steinem, Theodore Roosevelt, Patti Smith, and J. K. Rowling have declared it a favorite. Little Women at 150, a collection of eight original essays by scholars whose research and writings over the past twenty years have helped elevate Alcott’s reputation in the academic community, examines anew the enduring popularity of the novel and explores the myriad complexities of Alcott’s most famous work. Examining key issues about philanthropy, class, feminism, Marxism, Transcendentalism, canon formation, domestic labor, marriage, and Australian literature, Little Women at 150 presents new perspectives on one of the United States’ most enduring novels. A historical and critical introduction discusses the creation and publication of the novel, briefly traces the scholarly critical response, and demonstrates how these new essays show us that Little Women and its illustrations still have riches to reveal to its readers in the twenty-first century.

Set in the early 1870s, this re-imagining of Louisa May Alcott¿s Little Women is for all who have ever wondered how things might have worked out differently for the beloved March sisters - the life Beth might have led, the books Jo might have written, the friends they might have made, and the courtship that might have been...Authoress Jo March has lost her elder sister Meg to matrimony. When the aristocratic Vaughns ¿ elegant Kate, boisterous Fred, thoughtful Frank, and feisty Grace ¿ re-enter their lives, it seems her younger sisters Beth and Amy, and even her closest friend Laurie, might soon follow suit.Yet despite the efforts of her great-aunt March, Jo is determined not to give up her liberty for any mortal man. What else is a writer to do but secure music lessons for her dearest sister, and befriend aspirant journalist Tommy Chamberlain?The Marches' neighbor Theodore ¿Laurie¿ Laurence was born with looks, talent, and wealth ¿ and Jo is convinced he has a promising future in which she has no part. He is as stubborn as Jo, and has loved her for as long as anyone can remember. But what will win a woman who won¿t marry for love or money?

On its 150th anniversary, discover the story of the beloved classic that has captured the imaginations of generations. Soon after publication on September 30, 1868, Little Women became an enormous bestseller and one of America’s favorite novels. Its popularity quickly spread throughout the world, and the book has become an international classic. When Anne Boyd Rioux read the novel in her twenties, she had a powerful reaction to the story. Through teaching the book, she has seen the same effect on many others. In Meg, Jo, Beth, Amy, Rioux recounts how Louisa May Alcott came to write Little Women, drawing inspiration for it from her own life. Rioux also examines why this tale of family and community ties, set while the Civil War tore America apart, has resonated through later wars, the Depression, and times of changing opportunities for women. Alcott’s novel has moved generations of women, many of them writers: Simone de Beauvoir, J. K. Rowling, bell hooks, Cynthia Ozick, Jane Smiley, Margo Jefferson, and Ursula K. Le Guin were inspired by Little Women, particularly its portrait of the iconoclastic young writer, Jo. Many have felt, as Anna Quindlen has declared, “Little Women changed my life.” Today, Rioux sees the novel’s beating heart in Alcott’s portrayal of family resilience and her honest look at the struggles of girls growing into women. In gauging its current status, Rioux shows why Little Women remains a book with such power that people carry its characters and spirit throughout their lives.