Mardi Gras

Pictorial history of carnival in New Orleans.

Delphine Denise likes things BIG. And what's bigger than a Mardi Gras prize? "Kids will connect with Delphine's holiday excitement, even when it causes trouble, and learn from the mistakes she makes."—Booklist Every year, Delphine Denise Debreaux and her friends ride their bikes together in the New Orleans Mardi Gras parade. But this year, there's a shiny prize for best float—and Delphine Denise just has to win it. How can her friends remind Delphine Denise what the parade is really all about? This joyful picture book, inspired by the author's own experience celebrating Mardi Gras in New Orleans as a child, explores the sights, sounds, smells, and tastes of the holiday. Full of vibrant and festive illustrations, this story reminds readers that winning isn't everything, and the best way to let the good times roll is in the company of friends.

Repetition, alliteration, and visual humor abound in this Mardi Gras themed riff on the iconic holiday song, perfect for emerging readers and early counters. As each day of the Mardi Gras season passes, a gift is given. Each of the many, many, many gifts is familiar to those who embrace the season's traditions. Coming in twos, twelves, fives and fours, the gifts include majestic masks, floats a rolling, golden shoes, and cherished cups. Colorful illustrations provide lots of additional hijinks and engagement in this soon-to-be-classic holiday tale!

A sociological study of the African American carnival revelers in New Orleans who dress in Native American-influenced costumes. One of the most dazzling elements of the Mardi Gras celebrations, the Mardi Gras Indians receive the attention and respect of carnival-goers for their elaborately beaded costumes and entertaining dances. But what few realize about the groups is that the parading is more than just for show. Costuming, dancing, and all the rituals of these groups are acts of cultural preservation that date back more than a century. In this book, author Michael P. Smith addresses the sociological issues surrounding the mislabeled and rarely understood Maroon groups now known as “Mardi Gras Indians.” His textual analysis of the culture examines its African origins and how the participants help to develop the African American cultural identity. He looks at how some African Americans resisted efforts to suppress traditions that are re-emerging in modern society. Researched and documented by generations of oral and written history, this work clearly outlines the mistaken identification of the Mardi Gras Indians as just an entertainment element of the carnival season. It also shows the vital role this traditional culture plays in the community, much as the black Spiritual Churches do, in preserving an authentic base for the unique cultural heritage of blacks in New Orleans. This work illustrates how the Mardi Gras Indians are a part of the New Orleans second-line tradition. A dynamic element of this book is the collection of more than one hundred color photos. These prints capture the striking beauty of spectacles with a purpose far greater than entertaining. Combined with authoritative text by Smith, the visual images round out this examination of the roots of the Mardi Gras Indians and current practices of the whole range of African American cultural societies and parading groups in the Crescent City.

Dinosaurs parade down the streets of New Orleans during the Mardi Gras carnival. Includes glossary and related craft activity.

A study of Cajun Mardi Gras and its traditional mask making

After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural studies, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.

Mardi Gras in Mobile began its carnival celebration years before the city of New Orleans was founded. In the 1700s, mystic societies formed in Mobile, such as the Societe de Saint Louis, believed to be the first in the New World. These curious organizations brought old-world traditions as they held celebrations like parades and balls with themes like Scandinavian mythology and the dream of Pythagoras. Today, more than 800,000 people annually take in the sights, sounds and attractions of the celebration. Historian and preservationist L. Craig Roberts, through extensive research and interviews, explores the captivating and charismatic history of Mardi Gras in the Port City.