Margarets Journal

Transcriptions of the diaries of a woman who lived in Glencoe, Hillsboro, Portland, and West Union, Oregon. Includes entries on daily chores, local travel, friends and local personalities.

So this is my attempt at a diary. I kept forgetting to write in it, but I did record some important stuff. Then I gave up eventually and just filled it up with interesting stuff. Plus there's lots of graffiti from Bane!

Over 200 skeches and photographs. Hidden in a drawer for over seventy years, Margaret Shaw's perfectly preserved sketchbook diaries from 1926 to 1928 record in watercolor and prose, the flora and fauna of an almost vanished world. In Shaw's charmed countryside, the eaves swarm with house martins, elm trees still grow tall and hedgerows are everywhere, full of "quarrelsome, noisy wrens."

Atlanta writer Margaret Mitchell (1900–1949) wrote Gone with the Wind (1936), one of the best-selling novels of all time. The Pulitzer Prize–winning novel was the basis of the 1939 film, the first movie to win more than five Academy Awards. Margaret Mitchell did not publish another novel after Gone with the Wind. Supporting the troops during World War II, assisting African-American students financially, serving in the American Red Cross, selling stamps and bonds, and helping others—usually anonymously—consumed her. This book reveals little-known facts about this altruistic woman. The Margaret Mitchell Encyclopedia documents Mitchell’s work, her life, her impact on Atlanta, the city’s memorials to her, her residences, details of her death, information about her family, the establishment of the Margaret Mitchell House against great odds, and her relationships with the Daughters of the Confederacy and the Junior League.

According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.

Sarah Margaret Fuller Ossoli (1810-1850) was an American journalist, critic, and women's rights advocate associated with the American transcendentalism movement. She was the first full-time American female book reviewer in journalism. Fuller was an advocate of women's rights and, in particular, women's education and the right to employment. Her book "Woman in the Nineteenth Century" is considered the first major feminist work in the United States. She encouraged many other reforms in society, including prison reform and the emancipation of slaves in the United States. Many other advocates for women's rights and feminism, including Susan B. Anthony, cite Fuller as a source of inspiration. Contents: Woman in the Nineteenth Century Summer on the Lakes in 1843 Memoirs Reviews Narrative Essays Poems Biography by Julia Ward Howe

Kylee's dead. Price is still getting over the trauma of her death. Still accepting life without her. That's when another ghost appears on campus. Except this time, she's haunting Margaret. The girl Price always feels sorry for because she's a target. He wants to be annoyed. He's done seeing dead people--except now Margaret is acting strange. She's acting like Kylee. Acting like she knows Price when . . . she doesn't. She can't. Now Price can't leave it alone. Is Kylee still there? Is Margaret channeling her somehow?