Maria Alba Collection

While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.

Author of Legend of the Dead, Coyote Returns, The Shadow Catcher, The Dark Canyon, The Mutes, and The Owl and the Raven San Juan Pueblo—the dead of winter. Police Chief Joseph Aquino has a suspicious drowning—the Director of the Pueblo Art Council. A gallery owner in Santa Fe is implicated . . . as is a local artist. As he digs deeper, Aquino faces mounting opposition from the new Pueblo Sheriff and the Tribal Council. Peeling back the layers of a 300-year-old legend, the police chief’s authority is challenged, his family threatened. In San Phillipe County, children are tormented by a shadow presence. A student is abducted. At a snowbound lodge, a shootout leaves a man dead. Complications mount as Sheriff Cliff Lansing attempts to unravel one clue after another. Tina Morales’ grandmother can only provide guidance from a distance . . . but she knows full well the Evil that Lansing and Morales now face. On the snowy banks of the Rio Grande, a haunting siren sings her melancholy lullaby. Lives are sacrificed. Lives are saved. All the while, The Weeping Woman beckons the living to join her beneath the waters.

The story of a female landowner during the Mexican Revolution and her relations with local peasants.

Essays on the use, and misuse, of the Middle Ages for political aims.

In Masculinity and Sexuality in Modern Mexico, historians and anthropologists explain how evolving notions of the meaning and practice of manhood have shaped Mexican history. In essays that range from Texas to Oaxaca and from the 1880s to the present, contributors write about file clerks and movie stars, wealthy world travelers and ordinary people whose adventures were confined to a bar in the middle of town. The Mexicans we meet in these essays lived out their identities through extraordinary events--committing terrible crimes, writing world-famous songs, and ruling the nation--but also in everyday activities like falling in love, raising families, getting dressed, and going to the movies. Thus, these essays in the history of masculinity connect the major topics of Mexican political history since 1880 to the history of daily life. Part of the Diálogos Series of Latin American Studies