Marion Mahony Griffin

Drawings by Marion Mahony Griffin with articles about the artist by Deborah Wood, David Van Zanten, Christopher Vernon, and Alison Fisher.

Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

She was the American woman who changed Australian history. She broke through barriers for women in architecture and spent 15 years working for Chicago architect Frank Lloyd Wright, in the formative years of the Prairie School of Architecture. Then she teamed up with Walter Burley Griffin working with him in winning the design contest for the new Australian capital city, Canberra. She was an architect, artist, environmentalist, social observer and community builder, yet her work has been constantly overshadowed by the famous men in her life. The first biography of Marion Mahony Griffin in her own right, Making Magic tells Marion's story. It dates back to the days of Abraham Lincoln who was friends with her grandparents as a travelling lawyer in Illinois. It follows the story of her life over three continents - America, Australia and India. And her love affair with her husband which produced such historic results. A woman with a fierce sense of idealism and a passion for nature, Marion always had a mind of her own. She developed fine artistic and architectural skills which helped to make Wright and then Griffin famous. A woman in a man's world, she made history with her pioneering role as a female architect. Her creative work was sheer magic. Faced with her own challenges, she drew on her energy and creativity to refashion her role in a new country. She was instrumental in setting up a unique community in the Sydney suburb of Castlecrag. Her paintings, drawings and descriptions of the Australian bushland produced another exercise in magic. Yet few know her real story. Making Magic comes as Marion's role is now being recognised with accolades in America and Australia. Northwestern University Professor David Van Zanten describes her as the Frida Kahlo of the Chicago school of architecture. "Everywhere and nowhere, forgotten then suddenly remembered, unique in her work." Drawing on her diaries and historical records in libraries in Australia and America, and conversations with Griffin experts home owners and others with links to Marion's life, Making Magic tells the story of a most unusual woman. It puts the case for her recognition as an important figure who emerged from Chicago's Prairie School of architecture and tells an inspiring story of a woman and her own special brand of magic. About the Author: Glenda Korporaal is a journalist and writer based in Sydney, Australia. She has lived in Canberra and Washington, DC, and has a Master of Arts (Economics) from George Washington University, Washington, DC. The author of four books, she has a long time fascination with the work of Frank Lloyd Wright and interest in the ties between Australia and America.

A visual and global chronicle of the triumphs, challenges, and impact of over 100 women in architecture, from early practitioners to contemporary leaders. Marion Mahony Griffin passed the architectural licensure exam in 1898 and created exquisite drawings that buoyed the reputation of Frank Lloyd Wright. Her story is one of the many told in The Women Who Changed Architecture, which sets the record straight on the transformative impact women have made on architecture. With in-depth profiles and stunning images, this is the most comprehensive look at women in architecture around the world, from the nineteenth century to today. Discover contemporary leaders, like MacArthur Fellow Jeanne Gang, spearheading sustainable design initiatives, reimagining cities as equitable spaces, and directing architecture schools. An essential read for architecture students, architects, and anyone interested in how buildings are created and the history behind them.

On 23 May 1912, American Walter Burley Griffin was announced to the world as the winner of the international design competition for the new Australian capital to be built on a sheep paddock they called Canberra. Almost a century later, Griffin's design - but most of all its implementation - is still hotly debated. Who was this man and what was his vision? How did he come to Canberra, what happened once the Australian establishment tore him to shreds, and what was the role of his wife, helpmate, fellow architect and equal creative partner, Marion Mahony Griffin? In this definitive new biography of Griffin husband and wife, Alasdair McGregor delineates the role each played in the production of their greatest works - Canberra, Castlecrag, Newman College and the rest - and charts their lives, from their childhoods and meeting in Chicago in the employ of the larger than life Frank Lloyd Wright, to their battles in Canberra, Melbourne and Sydney, and their swansong in India. This is a tale of many parts. It traces the lives of two individuals of great talent and vision and their fight against mediocrity. It is the story of the birth of Canberra, one that tells us as much about the Griffins as it does about ourselves and the troubled birth of the Australian national identity. It is a portrait of a pioneering woman who achieved extraordinary things but was rarely credited with that achievement. And it is an examination of the nature of fame in a young country uncertain of its position in the world. The Griffins' story resonates through the years, and their fight to see their idealistic vision realised is one that goes on in Australia today. 'This biography . . . is a treasure.' Dimity Reed, Sunday Age 'This handsome book . . . is the latest in a growing line of books about the Griffins, and it is perhaps the most successful to date.' Roger Pegrum, Canberra Times 'a meticulously detailed account of the Griffins' professional output.' Annabel Lawson, Australia Coast to Coast Country Style 'This belongs on every architect's bookshelf.' Susan Hewitt, West Magazine

“What caused a few women to counter the trends and choose these professions? What difficulties did they face in fields so new to them? And did the influences that marked their early histories reveal themselves in their work and careers? Anna Lewis’s book raises these questions, central for young people considering the future.” —Denise Scott Brown, cofounder of Venturi, Scott Brown and Associates Women of Steel and Stone tells the stories of 22 determined women who helped build the world we live in. Thoroughly researched and engaging profiles describe these builders’ and designers’ strengths, passions, and interests as they were growing up; where those traits took them; and what they achieved. Inspiring a new generation of girls who are increasingly encouraged to engage in STEM (Science, Technology, Engineering, Math) education and professions, the biographies stress work, perseverance, creativity, and overcoming challenges and obstacles. Set against the backdrop of landmark events such as the women’s suffrage movement, the civil rights movement, the industrial revolution, and more, the profiles offer not only important historical context but also a look at some of the celebrated architects and engineers working today. Sidebars on related topics, source notes, and a bibliography make this an invaluable resource for further study. Anna M. Lewis is an award-winning toy inventor and creativity advocate. Her company, Ideasplash, promotes child creativity through her writing, websites, and classes and presentations in schools. She has contributed to Appleseeds, Odyssey, and Toy Design Monthly and currently teaches for Young Rembrandts, an afterschool art program, as well as classes on cartooning, game design, arts and crafts, monster making, and painting.

Drawing the Future: Chicago Architecture on the International Stage, 1900–1925 is an illustrated catalog with companion essays for an exhibition of the same name at the Mary and Leigh Block Museum of Art at Northwestern University. Drawing the Future explores the creative ferment among Chicago architects in the early twentieth century, coinciding with similar visions around the world. The essays focus on the highlights of the exhibition. David Van Zanten profiles Walter Burley Griffin and Marion Mahony Griffin, Chicago architects who created an influential, prize-winning plan for Canberra, the new capital of Australia. Ashley Dunn looks at the two exhibits at the Musée des Arts Décoratifs in Paris, one devoted to the Griffins in 1914 and the other to the French architect Tony Garnier in 1925, demonstrating the impact of World War I on city planning and architecture. Leslie Coburn examines Chicago’s Neighborhood Center Competition of 1914–15, which sought to redress gaps in Daniel Burnham’s plan of 1909. The ambition and reach of Chicago architecture in this epoch would have lasting influence on cities of the future.