Mark Twain S Notebooks Journals Volume Ii 1877 1883

The twelve notebooks in volume 1 provided information about the eighteen years in which the most profound, even dramatic, changes took place in Clemens' life. He early achieved the limits of his boyhood ambition by becoming a steamboat pilot on the Mississippi River, a position there is no reason to believe he would have abandoned if the Civil War had not forced him to do so. In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. When the restricted experiences available to a local reporter had been thoroughly explored, he moved on as a traveling correspondent to the Sandwich Islands and then still farther to Europe and the Near East. The latter travels provided him with material for The Innocents Abroad, the book that established Mark Twain as a popular author with an international reputation in 1869. In 1872 he further exploited his personal history by publishing Roughing It and in the same year visited England to gather material on English people and institutions. He returned to England the following year, this time accompanied by his family and by a secretary who would record the observations printed as the last notebook in volume 1. Volume 2 of Mark Twain's Notebooks and Journals, documenting Clemens' activities in the years from 1877 to 1883, consists largely of the record of three trips which would serve as the source for three travel narratives: the excursion to Bermuda, a prolonged tour of Europe, and an evocative return to the Mississippi River. Despite the common impulse to preserve observations and impressions for literary use, the contents of the notebooks are remarkably different in their vitality-and the works which developed from the notes are correspondingly varied.

Volume III of Mark Twain's notebooks spans the years 1883 to 1891, a period during which Mark Twain's personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these years Life on the Mississippi, Adventures of Huckleberry Finn, and a Connecticut Yankee in King Arthur's Court appeared, revealing the diversity, depth, and vitality of Mark Twain's literary talents. With his speeches, his public performances, and his lecture tour of 1884/1885, he became the most recognizable of national figures. At the same time, Mark Twain's growing fame and prosperity allowed him to plunge deeply into the business world, a sphere not suited to his erratic energies. He created the subscription publish firm of Charles L. Webster & Company, Which published the most profitable book of its time, the Personal Memoirs of U.S. Grant. And he became the primary financial support for the ingenious but imperfectible Paige typesetter. Within a few years both the publishing company and the typesetter had taxed Mark Twain's patience, and pocket, beyond endurance. The near bankruptcy of the publishing firm and the debacle of the typesetter scheme finally resulted in 1891 in a drastic decision--to leave the house in Hartford, Connecticut, which had long been the symbol of Mark Twain's rising fortunes and idyllic family life, and move to Europe for an indefinite period in the hope of reducing the family's living expenses. The Clemens family would never return to the Hartford house, and the European stay would lengthen into an almost unbroken nine years of exile. Mark Twain's notebooks permit an intimate view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.

The twelve notebooks in volume 1 provided information about the eighteen years in which the most profound, even dramatic, changes took place in Clemens' life. He early achieved the limits of his boyhood ambition by becoming a steamboat pilot on the Mississippi River, a position there is no reason to believe he would have abandoned if the Civil War had not forced him to do so. In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. When the restricted experiences available to a local reporter had been thoroughly explored, he moved on as a traveling correspondent to the Sandwich Islands and then still farther to Europe and the Near East. The latter travels provided him with material for The Innocents Abroad, the book that established Mark Twain as a popular author with an international reputation in 1869. In 1872 he further exploited his personal history by publishing Roughing It and in the same year visited England to gather material on English people and institutions. He returned to England the following year, this time accompanied by his family and by a secretary who would record the observations printed as the last notebook in volume 1. Volume 2 of Mark Twain's Notebooks and Journals, documenting Clemens' activities in the years from 1877 to 1883, consists largely of the record of three trips which would serve as the source for three travel narratives: the excursion to Bermuda, a prolonged tour of Europe, and an evocative return to the Mississippi River. Despite the common impulse to preserve observations and impressions for literary use, the contents of the notebooks are remarkably different in their vitality-and the works which developed from the notes are correspondingly varied.

A reference guide to the great American author (1835-1910) for students and general readers. The approximately 740 entries, arranged alphabetically, are essentially a collection of articles, ranging significantly in length and covering a variety of topics pertaining to Twain's life, intellectual milieu, literary career, and achievements. Because so much of Twain's writing reflects Samuel Clemens's personal experience, particular attention is given to the interface between art and life, i.e., between imaginative reconstructions and their factual sources of inspiration. Each entry is accompanied by a selective bibliography to guide readers to sources of additional information. Annotation copyright by Book News, Inc., Portland, OR

Red sandstone, lumber, paper, cows, and college students feature prominently in Potsdam. With its selection of two hundred stunning photographs, the book records aspects of life in Potsdam from the mid-1800s to the mid-1900s. Located on the Racquette River between the St. Lawrence River and the Adirondack Mountains, the town is one often that were created in 1787 to promote settlement of New York State. Education has played an important role in Potsdam since 1816, when St. Lawrence Academy opened. The success of the academy led to the establishment in 1866 of a normal school, the forerunner of Potsdam College, with its renowned Crane School of Music.

In Sentimental Twain, Gregg Camfield examines the major and minor works of Mark Twain to redraw the boundaries between sentimentalism and realism in the second half of the nineteenth century. Beginning by taking the reactions to the question of race in Adventures of Huckleberry Finn as a test case, Camfield reveals that sentimental ethics persist, though buried, in American culture, and he argues that Americans' ambivalent responses to sentimentalism explain some of the continuing controversy surrounding Mark Twain's work. Specifically, he contends, insofar as the liberal agenda remains substantially sentimental—especially when dealing with issues of race—today's readers of Twain participate in the same dialectic between sentimental compassion and realistic cynicism that Twain himself confronted. Camfield then traces the cultural development of this ethical dialectic and follows Mark Twain's reactions to it, showing that Twain was a closet sentimentalist whose public attacks on sentimentalism veiled a deep longing for a more compassionate world. Throughout, Sentimental Twain is grounded in a discussion of philosophical contexts of nineteenth-century American sentimental literature, paying particular attention to the Scottish Common Sense philosophers but looking forward to the Pragmatism of William James.