Mark Twain Under Fire

Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.

Gathered from Twain's classic novels, diary entries, newspaper articles, and correspondence, this collection of wry quips and quotes offers the great humorist and storyteller's observations on animals, critics, politics, youth, and more.

The first biography of the little-known real-life Tom Sawyer, told through a harrowing account of Sawyer's involvement in the hunt for a serial arsonist who terrorized mid-nineteenth century San Francisco. When San Francisco Daily Morning Call reporter Mark Twain met Tom Sawyer in 1863, he was seeking a subject for his first novel. He learned that Sawyer was a volunteer firefighter, local hero, and a former “Torch Boy,” racing ahead of hand-drawn fire engines at night carrying torches to light the way. When a mysterious serial arsonist known as “The Lightkeeper” was in the process of burning San Francisco to the ground, Sawyer played a key role in stopping him, helping to contain what is now considered the most disastrous and costly series of fires ever experienced by an American metropolis. By chronicling how Sawyer took it upon himself to investigate, expose, and stop the arsonist, Black Fire details Sawyer’s remarkable life and illustrates why Twain would later feel compelled to name his iconic character after him when writing The Adventures of Tom Sawyer. A vivid portrayal of the gritty, corrupt, and violent world of the Gold Rush-era West, Black Fire is the most vibrant and thorough account of Sawyer’s relationship with Mark Twain, and of the devastating fires that baptized San Francisco.

The Cambridge Companion to Mark Twain offers new and thought provoking essays on an author of enduring pre-eminence in the American canon. The book is a collaborative project, assembled by scholars who have played crucial roles in the recent explosion of Twain criticism. Accessible enough to interest both experienced specialists and students new to Twain criticism, the essays examine Twain from a wide variety of critical perspectives, and include timely reflections by major critics on the hotly debated dynamics of race and slavery perceptible throughout his writing. The volume includes a chronology of Twain's life and a list of suggestions for further reading, to provide the students or general reader with sources for background as well as additional information.

Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.

A reference guide to the great American author (1835-1910) for students and general readers. The approximately 740 entries, arranged alphabetically, are essentially a collection of articles, ranging significantly in length and covering a variety of topics pertaining to Twain's life, intellectual milieu, literary career, and achievements. Because so much of Twain's writing reflects Samuel Clemens's personal experience, particular attention is given to the interface between art and life, i.e., between imaginative reconstructions and their factual sources of inspiration. Each entry is accompanied by a selective bibliography to guide readers to sources of additional information. Annotation copyright by Book News, Inc., Portland, OR

When the Civil War halted steamboat travel on the Mississippi River in 1861, an unemployed riverboat pilot named Samuel Clemens enlisted in the Missouri militia. After two weeks of service, Clemens abandoned his post and fled westward to begin a writing career—a turn of events that precipitated the rise to fame of the man who would become known as Mark Twain. The circumstances surrounding his departure are unclear; some view Twain as a deserter, while others call into question the nature of his commitment from the beginning. Twain defended himself in speeches and in print, offering varying accounts—with varying degrees of truth—of his confusion upon enrollment, his ignorance of the moral and political forces behind the war, and his claim to have killed a man while hiding in a corncrib. Regardless of the reason for his desertion, his personal experiences and the Civil War in general are recurring topics in Twain's speeches, fiction, and nonfiction. In addition to broaching the issue in longer works, such as Life on the Mississippi and The Gilded Age, Twain directly addresses it in shorter pieces such as "The Private History of a Campaign That Failed" and "A Curious Experience." Editor David Rachels unites these selections in Mark Twain's Civil War, offering Twain fans and Civil War scholars the unprecedented opportunity to read the entire array of Twain's Civil War-influenced literature in one volume. In addition to Twain's own pieces, Rachels includes an account of Twain's war career by his official biographer as well as a story by Absalom C. Grimes, a Confederate mail runner who claims to have served with Twain early in the war. An introduction by Rachels completes the text, which analyzes Twain's military stint and assesses the war's profound influence on one of America's most celebrated authors.

Selected from Mark Twain's typescript.