Marti Friedlander Portraits Of The Artists

For fifty years, Marti Friedlander (1928-2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century.From painters to potters, film makers to novelists, actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more.Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.

For fifty years, Marti Friedlander (1928–2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, and actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.

From journeys through various countries to New Zealand's transformation in the last half century, this is a riveting and comprehensive look at the work of photographer Marti Friedlander. Showing how this distinguished artist has not only recorded the places, events, and personalities of recent history, this engaging study also demonstrates how she brings subjectivity, empathy, and a distinctive eye to her subjects. From her arrival in New Zealand as a Jewish immigrant from England in 1958, this biography proves how her photographs—whether of artists, writers, protests, or street scenes—have consistently drawn out the key human dynamics of conflict, ambivalence, anger, and warmth. Beautifully illustrated amidst a world of throwaway images, this monograph provides evidence of how a sustained, inquiring, and attentive perspective for both the photographer and viewers can lead to new truths.

From a childhood spent in London's rough East End to a half-century in New Zealand photographing winemakers and artists, children and kuia, Marti Friedlander has lived a life marked by adventure, travel, and its fair share of challenges. It is also a life that has been defined by the art of observation and capturing on film. In Self Portrait, the renowned photographer tells her story for the first time. As clear and unflinching in her prose as she is in her photography, Friedlander describes growing up in a London orphanage, being Jewish, working in a Kensington photography studio, marrying a New Zealander, the challenges of moving to a new country, and a life spent photographing the ordinary and the extraordinary, from balloons and beaches to politicians and protests. She also explains how, with a stranger's eye, she captured the transformation of New Zealand life over the last half century. This is a rich meditation on one woman's photographic journey through the 20th century.

This book illustrates the richness of New Zealand's photographic tradition, from nineteenth-century portraits and landscapes to the latest contemporary art photography. It showcases more than 400 photographs from the collection of the Museum of New Zealand Te Papa Tongarewa.

"None of us had the faintest idea where we were going [but] during 1938–39 . . . the town [Christchurch] was made strangely interesting for anyone like myself, [with the] scattered arrival of ‘the refugees'. All at once there were people among us who were actually from Vienna, or Chemnitz, or Berlin . . . who knew the work of Schoenberg and Gropius." —Anthony Alpers, 1985 From the 1930s through the 1950s, a substantial number of forced migrants – refugees from Nazism, displaced people after World War II and escapees from Communist countries – arrived in New Zealand from Europe. Among them were an extraordinary group of artists and writers, photographers and architects whose European modernism radically reshaped the arts in this country. In words and pictures, Strangers Arrive tells their story. Ranging across the arts from photographer Irene Koppel to art dealer and printmaker Kees Hos, architect Imric Porsolt to writer Antigone Kefala, Leonard Bell takes us inside New Zealand's bookstores and coffeehouses, studios and galleries to introduce us to a compelling body of artistic work. He asks key questions. How were migrants received by New Zealanders? How did displacement and settlement in New Zealand transform their work? How did the arrival of European modernists intersect with the burgeoning nationalist movement in the arts in New Zealand? Strangers Arrive introduces us to a talented group of ‘aliens' who were critical catalysts for change in New Zealand culture.

A collection of photographs by New Zealand photographer, Marti Friedlander. The volume features 150 images in several groups: the moko photographs; portraits of artists and writers; Pacific images; New Zealand heritage (rural and urban); and ordinary and extraordinary New Zealanders.

Vincent O'Sullivan's compelling, nuanced portrait of the great New Zealand artist Ralph Hotere brings the man and his art to life. Ralph Hotere (Te Aupouri and Te Rarawa; 1931–2013) was one of Aotearoa’s most significant modern artists. Hotere invited the poet, novelist and biographer Vincent O’Sullivan to write his life story in 2005. Now, this book — the result of years of research and many conversations with Hotere and his fellow artists, collaborators, friends and family — provides a nuanced, compelling portrait of Hotere: the man, and the artist. "Vincent O’Sullivan has given us the remarkable story of a small boy, Hone Papita Raukura Hotere — born in 1931 near Mitimiti on the coastal edge of the Hokianga — who first becomes Rau, then Ralph, and eventually an iconic, stand-alone signature: HOTERE. I love the tale about Ralph being invited to explain his work to the Queen. It’s not hard to guess how he must have felt. Now he would simply be able to hand Her Majesty a copy of this book, give one of his quiet coughs, and say, ‘Here you go, this should do the trick’." — BILL MANHIRE "Ka rawe! This rangatira book by Vincent O’Sullivan leaves no doubt as to Ralph Hotere’s position on the paepae of New Zealand artists." — WITI IHIMAERA