Ralph Hotere The Dark Is Light Enough

Vincent O'Sullivan's compelling, nuanced portrait of the great New Zealand artist Ralph Hotere brings the man and his art to life. Ralph Hotere (Te Aupouri and Te Rarawa; 1931–2013) was one of Aotearoa’s most significant modern artists. Hotere invited the poet, novelist and biographer Vincent O’Sullivan to write his life story in 2005. Now, this book — the result of years of research and many conversations with Hotere and his fellow artists, collaborators, friends and family — provides a nuanced, compelling portrait of Hotere: the man, and the artist. "Vincent O’Sullivan has given us the remarkable story of a small boy, Hone Papita Raukura Hotere — born in 1931 near Mitimiti on the coastal edge of the Hokianga — who first becomes Rau, then Ralph, and eventually an iconic, stand-alone signature: HOTERE. I love the tale about Ralph being invited to explain his work to the Queen. It’s not hard to guess how he must have felt. Now he would simply be able to hand Her Majesty a copy of this book, give one of his quiet coughs, and say, ‘Here you go, this should do the trick’." — BILL MANHIRE "Ka rawe! This rangatira book by Vincent O’Sullivan leaves no doubt as to Ralph Hotere’s position on the paepae of New Zealand artists." — WITI IHIMAERA

"Ralph Hotere (Te Aupouri and Te Rarawa; 1931-2013) was one of Aotearoa's most significant modern artists. Hotere invited the poet, novelist and biographer Vincent O'Sullivan to write his life story in 2005. Now, this book - the result of years of research and many conversations with Hotere and his fellow artists, collaborators, friends and family - provides a nuanced, compelling portrait of Hotere: the man, and the artist"--Publisher information.

Authored by award-winning historian Jock Phillips, The History of New Zealand in 100 Objects is gripping, inclusive, often revelatory and deeply human. A colourful and characterful retelling of our shared past, relevant to today, particular to all of us. The sewing kete of an unknown 18th-century Maori woman; the Endeavour cannons that fired on waka in 1769; the bagpipes of an Irish publican Paddy Galvin; the school uniform of Harold Pond, a Napier Tech pupil in the Hawke’s Bay quake; the Biko shields that tried to protect protestors during the Springbok tour in 1981; Winston Reynolds’ remarkable home-made Hokitika television set, the oldest working TV in the country; the soccer ball that was a tribute to Tariq Omar, a victim of the Christchurch Mosque shootings, and so many more – these are items of quiet significance and great personal meaning, taonga carrying stories that together represent a dramatic, full-of-life history for everyday New Zealanders.

Sixty-eight writers and eight artists gather at a hui in a magnificent cave-like dwelling or meeting house. In the middle is a table, the tepu korero, from which the rangatira speak; they converse with honoured guests, and their rangatira-korero embody the tahuhu, the over-arching horizontal ridge pole, of the shelter. In a series of rich conversations, those present discuss our world in the second decade of this century; they look at decolonisation, indigeneity, climate change . . . this is what they see.Edited by Witi Ihimaera and Michelle Elvy, this fresh, exciting anthology features poetry, short fiction and creative non-fiction, as well as korero or conversations between writers and work by local and international artists. The lineup from Aoteraoa includes, among others, Alison Wong, Paula Morris, Anne Salmond, Tina Makereti, Ben Brown, David Eggleton, Cilla McQueen, Hinemoana Baker, Erik Kennedy, Ian Wedde, Nina Mingya Powles, Gregory O' Brien, Vincent O' Sullivan, Patricia Grace, Selina Tusitala Marsh and Whiti Hereaka. Guest writers from overseas include Aparecida Vilaç a, Jose-Luis Novo and Ru Freeman.

Ruth Ross is hardly a household name, yet most New Zealanders today owe the way they understand the Treaty of Waitangi — or te Tiriti o Waitangi as Ross called it — to this remarkable woman' s path-breaking historical research.Taking us on a journey from small university classes and a lively government department in the nation' s war-time capital to an economically poor but culturally rich Maori community in the far north, and from tiny schools and cloistered university offices to parliamentary committees and a legal tribunal, Attwood enables us to grasp how and why the place of the Treaty of Waitangi in New Zealand law, politics, society and culture has been transformed in the last seven decades.A frank and moving meditation on the making of history and its advantages and disadvantages for life in a democratic society, A Bloody Difficult Subject is a surprising story full of unforeseen circumstances, unexpected twists, unlikely turns and unanticipated outcomes.

A science educator in domestic chaos fetishises Scandinavian furniture and champagne flutes. A group of white-collar deadbeats attend a swinger's party in the era of drunk Muldoon. A pervasive smell seeps through the walls of a German housing block. A seabird performs at an open-mic night.Bug Week is a scalpel-clean examination of male entitlement, a dissection of death, an agar plate of mundanity. From 1960s Wellington to post-Communist Germany, Bug Week traverses the weird, the wry and the grotesque in a story collection of human taxonomy.

A generous selection from New Zealand's foremost writer of short stories. Peter Simpson in reviewing Owen Marshall's stories in the New Zealand Listener wrote: 'Marshall is held in uncommon affection by New Zealand readers - generally we admire and respect rather than love our writers.' This love is perhaps evoked not just by the superb quality of Marshall's writing but because his stories so precisely capture his fellow New Zealanders and their country. From the provinces to the cities, the remote landscapes to journeying overseas, Marshall's stories show a deep understanding of who and where we are. Sometimes he skewers the locals with sharp and sly comedy, in other stories there's an elegiac sadness or a grim reality, but always an insightful exploration of human emotions. From the substantial body of work created over the last thirty years, critic, writer and academic Vincent O'Sullivan has selected sixty stories that give a wide representation of Marshall's range. He once wrote that short stories should aspire to a combination of 'intransigence and poetry', both of which are evident in this fine selection. 'Marshall is a writer who speaks with equal intensity to the unbearable loveliness and malevolence of life.' - Carolyn Bliss, World Literature Today

"Blanche Edith Baughan (1870-1958) was one of New Zealand's first poets and travel writers - her poems were praised for their New Zealand vernacular and her travel writing introduced people here and overseas to our walks and wilderness areas. Born in England, Blanche emigrated to New Zealand in 1900, settling in Sumner and Banks Peninsula, where she embraced the freedom to write and think, and formed friendships with poets Jessie Mackay and Ursula Bethell. It was here that Blanche's interest in the environment and her advocacy for the vulnerable in society flourished. She became a botanist, conservationist and prison reformer, known for her fierce correspondence in defence of her causes"--Back cover.