Martial Culture In Medieval Towns

Nineteen short essays introduce the reader to the multifaceted martial culture of the pre-modern European town. The stories in this richly illustrated anthology describe the ownership, handling, symbolism, use, and materiality of medieval weapons in their social, political, and cultural context. Originally contributions to the research blog "Martial Culture in Medieval Towns", the selected and re-worked essays were edited to accompany the exhibition "Alarm! Culture, ownership, and use of weapons in the late medieval town" (Museum Altes Zeughaus / Old Arsenal Museum. Solothurn, 2022).

This study takes the sword beyond it functional role as a tool for killing, considering it as a cultural artifact and the broader meaning and significance it had to its bearer.

This book develops a new concept—“martial culture”—with which to problematize and reframe thinking surrounding the lifeways of US servicemembers, by exploring the values, beliefs, norms, and rituals they are exposed to and practice during military service. By reuniting the two concepts of servicemember and veteran into one overarching cultural model, the author shows how the concept of martial culture can be used to acknowledge the unbroken, holistic, multidimensional life cycle of an individual. Adopting a comparative mythological approach and drawing upon Roman, Navajo, Hindu, Norse, and Japanese myths that speak to the lived experiences of servicemembers, veterans, and their families, it weaves together ancient voices and contemporary servicemember experiential existences to offer new insight into the psychological experience of servicemembers. It will be of strong interest to psychologists who seek to develop their treatment of veterans by understanding the unique lifeway of service without judgement and offering a balanced, integrated spiritual connection, while pushing back against both inaccurate assumptions of martial lifeways and the influences of industrialized secular approaches to service. It will also appeal to those within the fields of military sociology and psychology.

The autonomy granted to local communities (such as towns, municipalities, and city-states) by larger, central powers (such as empires, kings, lords, and central states) is a recurrent feature of European history over time, from Antiquity to the contemporary period. This volume explores the political, social, and cultural aspects of this feature in a diachronic and comparative perspective, from the Roman Empire to today's city partnerships. To this end, it uses the concept of polycentric governance. Originally developed by political economist Vincent Ostrom in the 1960s and then expanded by the 2009 winner of the Nobel Prize in Economics, political scientist Elinor Ostrom, this concept characterises the interdependent system of relations between different actors involved in a process and, for that reason, it is frequently used in policy studies. This volume applies the concept of polycentric governance to historical studies as a heuristic device to analyse the multilayer systems into which cities were integrated at various points in European history, as well as the implications of the coexistence of different political structures. Fourteen chapters examine the structures, the dynamics, and the discourse of polycentric governance through various case studies from the Roman Empire, from medieval towns, from early modern Europe, and from contemporary cities. The volume suggests that for extended periods of time throughout European history, polycentric governance has played a pivotal role in the organisation and distribution of political power.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it. In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tournament arena. Previously believed to contain preliminary designs sketched by master armourers, the Thun-Hohenstein album is a bound collection of drawings by professional book painters depicting some of the most artistically and technologically innovative armours of the fifteenth and sixteenth centuries. Like a paper version of the princely armories that first formed during the 1500s, the album's images offered rich sites of meaning and memory. Their organization within the codex suggests the images' significance to their compiler. At the same time, the composition and details allow the reader to trace the transmission of recognizable armours, and the memories they embodied, from the anvil to the page. This book is the first to examine the album, and the armor it depicts, in their vibrant artistic and cultural context. In five thematic chapters, it moves from case studies of these drawings to explore the album's complex intersections with the genres of martial history, material culture, and literature. It also reveals the album's participation in cultures of remembrance that carried mythic, knightly personae constructed around powerful Habsburg princes forward in time from the Middle Ages into the early modern era, from the courts of the Holy Roman Empire to emerging urban audiences.

Despite occupying a prominent role in a key family during the War of the Roses, Anthony Woodville's life has been woefully ignored. This new biography changes that. Skewering misconceptions and bringing Woodville's story to the fore, this is an important reassessment of an important player in one of the most fascinating periods of our history.

During the Middle Ages, castles and other fortified buildings were a common feature of the European landscape. As central powers rose and fell, the insecurity of the times inspired a revival of fortifications first introduced in the Roman Empire. Despite limitations in construction techniques and manpower, medieval fortifications were continuously adapted to meet new political circumstances and weapons technology. Here is an illustrated guide to the architecture of medieval fortifications, from the first castles to the fortified cities of the 15th and 16th centuries. In hundreds of detailed and thoroughly researched pen-and-ink drawings, historian and artist Jean-Denis G. G. Lepage introduces the reader to the development and diversity of European medieval military architecture. Each drawing is accompanied by meticulous descriptions of types of buildings (e.g., motte-and-bailey castles), built-in defenses (arrow slits, pepper-pot towers), and particular castles and cities (the Mont-Saint-Michel, the city of Jerusalem). Elements of medieval warfare and weaponry are also covered in drawings and text.