Martin Amis

Martin Amis's dazzling autobiographical novel of a unique literary life seen through the lens of friendships, family, sex and love, is wise, warm, heartbreaking and funny: the heart-to-heart testimony of an incomparable writer. This is the portrait of an extraordinary life lived by a great writer. Martin Amis leads us through boisterous romantic entanglements and literary friendships, the encompassing ties of family to generously revealing details about how to write (from the master of prose style), and finally to the intimate sorrow of a death closely felt. Inside Story had its birth in a death--that of the author's closest friend, the beloved thinker and writer Christopher Hitchens. From their early days as young magazine staffers in London, reviewing romantic conquests and the latest literary gossip (not to mention ideas, books and where to lunch), Hitchens was Martin's wingman and adviser, especially in the matter of the alluringly amoral, unforgettable Phoebe Phelps--an obsession Martin must somehow put behind him if he is ever to find love, marriage, a plausible run at happiness. We meet the literary giants who influenced him--his father Kingsley Amis, his hero Saul Bellow, the weirdly self-finessing poet Philip Larkin, and significant literary women, from Iris Murdoch to Elizabeth Jane Howard. Moving among these greats to set his own path, Martin's quest is a tender, witty exploration of the hardest questions: how to live, how to be a husband and father, how to grieve, and how to die? In his search for answers, he surveys the horrors of the twentieth century, and the still-unfolding impact of 9/11 on the twenty-first, and considers what all this has taught him about how to be a writer. The result is a love letter to life and to the people in his life, which is simultaneously a wonder of literary invention--wise, meditative, heartbreaking, funny, and as engaging as a novel--that achieves a new level of confidentiality with readers.

NATIONAL BESTSELLER • A blackly comic late 20th-century murder mystery set against the looming end of the millennium, in which a woman tries to orchestrate her own extinction—from "one of the most gifted novelists of his generation" (TIME). “Lyrical and obscene, colloquial and rhapsodic." —The New York Times First published in 1989, London Fields is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded Y2K approaches, Nicola Six, a “black hole” of sex and self-loathing, has chosen her thirty-fifth birthday, November 5, 1999, as the date of her own murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, London Fields is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.

John Self is a consumer extraordinaire. Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. But John’s excesses haven’t gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success. 'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian

From one of England's most renowned authors, an unforgettable new novel that provides a searing portrait of life--and, shockingly, love--in a concentration camp. Once upon a time there was a king, and the king commissioned his favourite wizard to create a magic mirror. This mirror didn't show you your reflection. It showed you your soul--it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for 60 seconds without turning away. And no one could. The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are? In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

By turns outrageous and touching, an exuberant Dickensian satire of crime, celebrity, and modern culture from "one of the most gifted novelists of his generation” (TIME) “One of Amis’s funniest novels.” —The New Yorker Des Pepperdine is a boy out of place. He lives on the thirty-third floor of a London housing project; while his peers pick fights, Des retreats to the public library. What’s more, Des’s uncle and guardian, Lionel Asbo, is one of the most notorious petty criminals in the city. Yet Lionel, full of inept devotion to his nephew, dutifully teaches Des the essentials of becoming a man (always carry a knife; pornography is easier than dating; pit bulls should be fed Tabasco sauce). To survive these lessons, Des seeks solace in a covert romantic union that would fill Lionel with rage. But just as Des begins to lead a healthier life, Lionel wins £140 million in the lottery. The money ushers in a public-relations firm for Lionel, along with a cannily ambitious topless model–poet. Through it all, Lionel remains his vicious, oddly loyal self, and his problems, as well as Des’s, only seem to multiply.

Martin Amis is one of the most gifted and innovative writers of our time. With Experience, he discloses a private life every bit as unique and fascinating as his bestselling novels. He explores his relationship with his beloved father, novelist Kingsley Amis, and examines the life and legacy of his cousin, Lucy Partington, who was abducted and murdered by one of Britain's most notorious serial killers. Experience also dissects the literary scene, and includes Amis'portraits of Saul Bellow, Salman Rushdie, Allan Bloom, Philip Larkin, Robert Graves, and Ian McEwan, among others. Not since Nabokov's Speak, Memory has such an implausible life been recorded by such an inimitable talent.

In this novel a man's life is portrayed backwards, from death to birth, as are some of the scenes - for example, sex begins with climax, moves through foreplay and exhausts itself on flirtation. The plot is about a doctor whose story begins with his death. Shortlisted for the Booker Prize.

The year is 1970, and the youth of Europe are in the chaotic, ecstatic throes of the sexual revolution. Though blindly dedicated to the cause, its nubile foot soldiers have yet to realize this disturbing truth: that between the death of one social order and the birth of another, there exists a state of terrifying purgatory—or, as Alexander Herzen put it, a pregnant widow. Keith Nearing is stuck in an exquisite limbo. Twenty years old and on vacation from college, Keith and an assortment of his peers are spending the long, hot summer in a castle in Italy. The tragicomedy of manners that ensues will have an indelible effect on all its participants, and we witness, too, how it shapes Keith’s subsequent love life for decades to come. Bitingly funny, full of wit and pathos, The Pregnant Widow is a trenchant portrait of young lives being carried away on a sea of change.