Time S Arrow

A tale of a Nazi war criminal, told backwards. Tod T. Friendly, now living in a peaceful American suburb, once worked in the medical section of Auschwitz ...

Examines scientific theories pertaining to the measurement of earth's history.

In this icy, knife’s-edge story of a life that progresses backward through time, unfolding into one of the darkest episodes of the 20th century, Amis (“at his intriguing, heedful, and powerful best” —Time Out), finds a chillingly original approach to the Holocaust in fiction • From the acclaimed author of Zone of Interest "The narrative moves with irresistible momentum.... [Amis is] a daring, exacting writer willing to defy the odds in pursuit of his art." —Newsday Tod. T. Friendly is living his life in reverse. Doctor Friendly has just died, but he moves “out of blackest sleep” to find himself surrounded by doctors and on the deathbed of a man in whose body he is imprisoned. After weeks of improving in the hospital, he is sent home to his affable, melting-pot, primary-colors existence in suburban America. As Friendly breaks up with his lovers in a prelude to seducing them and mangles his patients before he sends them home, his life races backward toward the one appalling moment in modern history when such reversals make sense. From the fresh-cut lawns of his retirement to the hustle of New York, and then back to the boat which reverses his course to the war-torn Europe Friendly came from, Amis brings the steeliest nerve to the job of realizing the novel’s inevitable logic. Trapped in his body from grave to cradle, Friendly’s consciousness can only watch as he struggles to make sense of the good doctor’s most ambitious project yet—the final solution.

Why is the future so different from the past? Why does the past affect the future and not the other way around? What does quantum mechanics really tell us about the world? In this important and accessible book, Huw Price throws fascinating new light on some of the great mysteries of modern physics, and connects them in a wholly original way. Price begins with the mystery of the arrow of time. Why, for example, does disorder always increase, as required by the second law of thermodynamics? Price shows that, for over a century, most physicists have thought about these problems the wrong way. Misled by the human perspective from within time, which distorts and exaggerates the differences between past and future, they have fallen victim to what Price calls the "double standard fallacy": proposed explanations of the difference between the past and the future turn out to rely on a difference which has been slipped in at the beginning, when the physicists themselves treat the past and future in different ways. To avoid this fallacy, Price argues, we need to overcome our natural tendency to think about the past and the future differently. We need to imagine a point outside time -- an Archimedean "view from nowhen" -- from which to observe time in an unbiased way. Offering a lively criticism of many major modern physicists, including Richard Feynman and Stephen Hawking, Price shows that this fallacy remains common in physics today -- for example, when contemporary cosmologists theorize about the eventual fate of the universe. The "big bang" theory normally assumes that the beginning and end of the universe will be very different. But if we are to avoid the double standard fallacy, we need to consider time symmetrically, and take seriously the possibility that the arrow of time may reverse when the universe recollapses into a "big crunch." Price then turns to the greatest mystery of modern physics, the meaning of quantum theory. He argues that in missing the Archimedean viewpoint, modern physics has missed a radical and attractive solution to many of the apparent paradoxes of quantum physics. Many consequences of quantum theory appear counterintuitive, such as Schrodinger's Cat, whose condition seems undetermined until observed, and Bell's Theorem, which suggests a spooky "nonlocality," where events happening simultaneously in different places seem to affect each other directly. Price shows that these paradoxes can be avoided by allowing that at the quantum level the future does, indeed, affect the past. This demystifies nonlocality, and supports Einstein's unpopular intuition that quantum theory describes an objective world, existing independently of human observers: the Cat is alive or dead, even when nobody looks. So interpreted, Price argues, quantum mechanics is simply the kind of theory we ought to have expected in microphysics -- from the symmetric standpoint. Time's Arrow and Archimedes' Point presents an innovative and controversial view of time and contemporary physics. In this exciting book, Price urges physicists, philosophers, and anyone who has ever pondered the mysteries of time to look at the world from the fresh perspective of Archimedes' Point and gain a deeper understanding of ourselves, the universe around us, and our own place in time.

Exploration of Second Law of Thermodynamics details fundamental dynamic properties behind the construction of statistical mechanics. Geared toward physicists and applied mathematicians; suitable for advanced undergraduate, graduate courses. 1992 edition.

In a book that has become a milestone of scientific writing Dr. Blum uses "time's arrow," the second law of thermodynamics, as a key concept to show how the nature and evolution of the nonliving world place limits on the nature and evolution of life. He seeks to show that, from the beginning of the universe, physical and chemical laws have inexorably channeled the course of evolution so that possibilities were already limited when life first emerged. Originally published in 1951. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'If Duchamp or maybe Magritte wrote a novel it might look something like this remarkable little book of Padgett Powell's: immensely readable, ingenious, witty, and ultimately important-feeling in a way you can't quite describe but don't need to' Richard Ford Are your emotions pure? Are your nerves adjustable? How do you stand in relation to the potato? Should it still be Constantinople? Does a nameless horse make you more nervous or less nervous than a named horse? In your view, do children smell good? ... Does your doorbell ever ring? Is there sand in your craw? Is it a novel? Whatever it is, The Interrogative Mood is stubbornly memorable. Through a seemingly random but infinitely artful series of questions this small masterpiece mysteriously, elusively, hilariously, compellingly lights up life.

Brilliant, painful, dazzling, and funny as hell, Yellow Dog is Martin Amis’ highly anticipated first novel in seven years and a stunning return to the fictional form. When “dream husband” Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system -- one among many to be found in these pages. We are introduced to the inverted worlds of the “yellow” journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; and the porno tycoon, Cora Susan. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed “intrusion” that rivets the world -- because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of Yellow Dog. If, in the 21st century, the moral reality is changing, then the novel is changing too, whether it likes it or not. Yellow Dog is a model of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable. Patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny. Meo heard no footsteps; what he heard was the swish, the shingly soft-shoe of the hefted sap. Then the sharp two-finger prod on his shoulder. It wasn’t meant to happen like this. They expected him to turn and he didn’t turn -- he half-turned, then veered and ducked. So the blow intended merely to break his cheekbone or his jawbone was instead received by the cranium, that spacey bulge (in this instance still quite marriageably forested) where so many delicate and important powers are so trustingly encased. He crashed, he crunched to his knees, in obliterating defeat. . . . -- from Yellow Dog