Mary In Western Art

This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.

A Delicate Arthighlights the paintings and photography of six artists in Alberta who with passion and long moments of observation have made an inspired contribution to wildflower art. Covering a period of one hundred years to the present, the story behind these creators Mary Schäffer Warren, Mary Vaux Walcott, William Copeland McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also told. A blend of biography, botanical and regional art history and commentary by the artists themselves about their treasured subject, A Delicate Artis intended for the lay reader and is accompanied by sumptuous reproductions of the artwork and an alluring overall design that will appeal to anyone interested in art, mountain-life and gardening.

“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder Molly Peacock uncovers the history of neglected painter Mary Hiester Reid, a trailblazing artist who refused to choose between marriage and a career. Born into a patrician American family in the middle of the nineteenth century, Mary Hiester Reid was determined to be a painter and left behind women’s design schools to enter the art world of men. After she married fellow artist George Reid, she returned with him to his home country of Canada. There she set about creating over 300 stunning still life and landscape paintings, inhabiting a rich, if sometimes difficult, marriage, coping with a younger rival, exhibiting internationally, and becoming well-reviewed. She studied in Paris, traveled in Spain, and divided her time between Canada and the United States where she lived among America’s Arts and Crafts movement titans. She left slender written records; rather, her art became her diary and Flower Diary unfolds with an artwork for each episode of her life. In this sumptuous and precisely researched biography, celebrated poet and biographer Molly Peacock brings Mary Hiester Reid, foremother of painters such as Georgia O’Keefe, out of the shadows, revealing a fascinating, complex woman who insisted on her right to live as a married artist, not as a tragic heroine. Peacock uses her poet’s skill to create a structurally inventive portrait of this extraordinary woman whom modernism almost swept aside, weaving threads of her own marriage with Hiester Reid’s, following the history of empathy and examining how women manage the demands of creativity and domesticity, coping with relationships, stoves, and steamships, too. How do you make room for art when you must go to the market to buy a chicken for dinner? Hiester Reid had her answers, as Peacock gloriously discovers.

Imagine going on a tour of a world-class art museum with a talented and insightful curator. But instead of just focusing on the history, technique, and cultural significance of each piece, you have the opportunity to reflect on the spiritual aspects of the works, examining their religious significance and concentrating on the transcendental meaning conveyed by the artist. This is what you’ll find in this exquisitely produced book. It features fifteen pieces of art relating to Mary, with an extended reflection on each piece. The commentary is meditative, more reflection on the spiritual nature of the paintings’ subject than art critique. Sister Wendy writes with the deft hand of one who is formed in spirituality, art, and critical thinking. Her imagery is lush, creating a landscape where the sacred and profane live in comfortable coexistence through the medium of painting. For spiritual seekers and lovers of art, this book will offer a unique journey into the experiential nature of a well-rounded faith.

This book presents the richness of the traditions about Mary, yet at the same time offers crtical historical, theogical, and cultural analysis that allows the reader to take a fresh look at Mary with contemporary questions in mind.

"The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.