Mass No 3 In D Minor Lord Nelson Or Imperial Satb With Satb Soli Orch Latin English Language Edition

Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson's name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work's premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. 80 pages. Includes: Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei.

Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.

A Choral Worship Cantata in SATB with B Solo voicing, composed by Johann Sebastian Bach.

Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.