Masters Of Hawaiian Slack Key Guitar

Hawaiian slack key guitar (Ki Ho'alu) is one of the world's great acoustic guitar traditions. This tradition includes virtuoso guitar pieces, but the majority of songs played slack key are classic Hawaiian melodies either played as instrumentals or as accompaniment to vocals with instrumental breaks between the verses. the term slack key does not refer to a type of guitar, but rather to any guitar played in the slack key style, that is, in alternate tunings with slacked strings and fingerstyle technique. Acknowledged slack key master Keola Beamer is a member of a family known for its musical artistry for generations. We are fortunate to have him writing in conjunction with veteran Mel Bay author, educator and multi-instrumentalist Mark Nelson, who simply followed his love of the music to the Islands. Written in standard notation and tablature to accommodate numerous alternate tunings, this book is presented in four sections: 1) the most common tuning introduced by fairly easy songs; 2) Illustrations of how to build your own arrangements; 3) A presentation of various slack key tunings; and 4) A selection of duets in the slack key style. Historical and cultural insights are offered throughout in the spirit of aloha, producing an informative, musically enlightening book with soul and humor. the companion CD features tuning tracks and informal introductions of the audio content by the authors, plus some beautiful slack key music.

Hawaiian slack key guitar is one of the world’s great guitar traditions. Called ki ho‘alu in Hawaiian, it developed in the 19th century. Legend has it the first guitars were brought by cowboys imported from Alta California to deal with wild cattle. By day, the paniolo taught the Hawaiians to rope and ride, by night they serenaded them with the soft sounds of Spanish guitars... Written in tablature and standard musical notation, Old-Time Hawaiian Slack Key Guitar features 24 of the essential instrumentals every aspiring slack key player should know. These are the classic melodies–with a couple originals–played just as you’d hear them in a backyard party kani kapila–full of interesting twists and turns, sometimes richly complex, but always nahenahe–as natural and refreshing as an ocean breeze. Mark Kailana Nelson is an entertainer, musician and educator. His love for slack key guitar led him to travel to Hawai‘i and study with many of the masters of the art. Along with Keola Beamer, he is the author of Mel Bay’s Learn to Play Hawaiian Slack Key Guitar, the first widely-available slack key instruction manual. Famed Hawaiian educator Aunty Nona Beamer gave him the Hawaiian name Kailana–Gently Floating on the Sea–and encouraged Mark to continue to teach Hawaiian music to all who wish to learn. Includes: • Tablature and standard notation • Notes on tunings, reading music and tablature • Newly revised and correction transcriptions Learn to play: Pua Lena/Kealoha/E Huli Ho’i Mai/Hula O Makee, Mauna Loa/Pauoa Liko Ka Lehua, Kowali, Paniolo Slack Key, Ku’u Lei Awapuhi Melemele (My Yellow Ginger Lei), Ahe Lau Makani, Nanea Kou Maka i ka Le’ale’a, Moloka’i Waltz, Moana Chimes, Old Timer’s Hula/Slack Key Hula, Hula Blues, Taro Patch Blues, Tiare Tahiti, Kaulana Na Pua, Playful Popoki, ‘Ulupalakua, Kanaka Waiwai, Kimo’s Slack Key, Papakolea Suitable for intermediate guitarists. Includes access to online audio.

(Music Sales America). In this book/CD pack, guitar author Mark Hanson explains the acoustic fingerstyle playing of many of the greatest slack key artists. It features note-for-note transcriptions from Ray Kane, Sonny Chillingworth, Leonard Kwan, Cyril Pahinui, Ozzie Kotani and more. The book also includes explanations of tunes and tunings, plus an instructional CD, standard notation and tablature.

The Hawaiian word for slack key guitar, kī hō‛alu, means to “loosen the key” or retune some of the strings to create a harmonious sound with an open or alternate tuning. Slack key is a fingerpicking style characterized by strong alternating bass lines played with the thumb. While slack key can be played on any guitar, most players prefer a nylon- or steel-stringed acoustic instrument. This book presents 25 intermediate to advanced traditional and original tunes in the Hawaiian slack key style. Melodies are often harmonized in sixths or thirds played with or without double stops. Techniques like syncopated bass lines, hammer-ons, pull-offs, slides, and harmonics are tastefully employed to evoke the images of ocean breezes, swaying palms, hula dancers and white sandy beaches. The author writes, “Unless you grew up playing slack key, it’s hard to get from the material presented in most books and DVDs to a fluid, play-it-your-own-way style.” This book seeks to reveal the insights the author has gleaned from studying and jamming with some of the giants of the slack key style, and help you develop a style all your own. Includes access to online audio tracks of all 25 relaxing but challenging Hawaiian slack key tunes.

Written by a master of Hawaiian slack-key guitar, this text teaches the history,tunings, and other techniques found in slack-key guitar music. Because of the altered tunings in slack-key guitar music, all of the examples and exercises in this text have been written in tab only. Topics discussed are: right and left hand technique, alternating bass, slides, pull-offs, hammering, harmonics, and other slack-key related topics. Recordings of nine exercises from the book which demonstrates these techniques (with tunings) are provided on an accompanying audio online. Beautiful black and white photos of native Hawaiian musicians are scattered throughout the text

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don’t Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai‘i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai‘i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.