Mayhem Death

Presenting a wide range of relevant, translated texts on death, burial and commemoration in the Roman world, this book is organized thematically and supported by discussion of recent scholarship. The breadth of material included ensures that this sourcebook will shed light on the way death was thought about and dealt with in Roman society.

Mayhem are the most influential Black Metal band in the world, and obviously no strangers to controversy. Death Archives offer never before seen photographs and unique insight into one of music's most extreme subcultures. The Death Archives is a ravishingly illustrated first-person account of the birth of black metal in the Norwegian scene by Jorn "Necrobutcher" Stubberud, the founding member and ongoing bass player in Mayhem. During the band's ongoing career, now spanning thirty years, bass player and only surviving band member from the original line-up, Jorn "Necrobutcher" Stubberud, has collected enormous amounts of photographs, video diaries and memorabilia. In this unique documentary book, Stubberud shares the first groundbreaking years of Mayhem's existence including their first photo-sessions in full corpse regalia; recording sessions, and exclusive stills from live video footage of their earliest gigs. In Necrobutcher's Death Archives he shares rarely seen photos of the band before death of singer Pelle "Dead" Ohlin and murder of guitarist Oystein "Euronymous" Aarseth.

Hannah Green has been asked to manage a contract archaeology project and needs to teach her team about research design, survey methods, archival research, professional ethics, curation and field safety. This textbook-as-novel introduces the hows and whysof field methodology in an entertaining way.

A fascinating inside account of one of the most successful heavy metal bands of the past decade and a revealing personal journey through the wild highs and terrifying lows of rock 'n' roll from the cofounder of Five Finger Death Punch, Jeremy Spencer "Everything, including success, comes with a price." Hailed by the New York Times as "one of the most unexpectedly consistently popular bands," Five Finger Death Punch has become the heavyweight champ of the metal scene. In this soulful, inspiring, and entertaining memoir, Jeremy Spencer, the band's cofounder and drummer, takes us behind the scenes, on tour, and into the studio to tell the band's raucous story and his own. Death Punch'd is a detailed in-depth account of the group's origins and influences. With fierce honesty and self-deprecating playfulness, Jeremy details cutting the band's first demo and hitting the road to tour the world, providing snapshots of a life fueled by sex, booze, drugs, and a thrashing metal sound. He also reveals the fighting and tensions among highly opinionated musicians that grew increasingly out of control—battles that created both intense drama and the music fans love. In addition to pulling back the curtain on the band, Death Punch'd tells Jeremy's personal hard-charging, laugh-out-loud tale of how he left small-town Indiana with $150 in his pocket and rose to rock royalty—and how he nearly destroyed it all for a good time. Jeremy takes us back to his childhood in the eighties, introduces us to his down-to-earth family, and recalls adolescent exploits and a journey to addiction that landed him in rehab at sixteen—dangerous behavior that became bigger, bolder, and badder until Jeremy bottomed out before it was too late. Told in his unique, darkly humorous voice, filled with Jeremy's twisted take on how his rock 'n' roll dream turned nightmare, and including dozens of photos, Death Punch'd is a lively, no-holds-barred ride as well as a sincere and inspiring cautionary tale to help anyone who is struggling to battle demons and addictions of their own.

England has traditionally been understood as a latecomer to the use of forensic medicine in death investigation, lagging nearly two-hundred years behind other European authorities. Using the coroner's inquest as a lens, this book hopes to offer a fresh perspective on the process of death investigation in medieval England. The central premise of this book is that medical practitioners did participate in death investigation – although not in every inquest, or even most, and not necessarily in those investigations where we today would deem their advice most pertinent. The medieval relationship with death and disease, in particular, shaped coroners' and their jurors' understanding of the inquest's medical needs and led them to conclusions that can only be understood in context of the medieval world's holistic approach to health and medicine. Moreover, while the English resisted Southern Europe's penchant for autopsies, at times their findings reveal a solid understanding of internal medicine. By studying cause of death in the coroners' reports, this study sheds new light on subjects such as abortion by assault, bubonic plague, cruentation, epilepsy, insanity, senescence, and unnatural death.

War after Death considers forms of violence that regularly occur in actual wars but do not often factor into the stories we tell about war, which revolve invariably around killing and death. Recent history demonstrates that body counts are more necessary than ever, but the fact remains that war and death is only part of the story—an essential but ultimately subordinate part. Beyond killing, there is no war without attacks upon the built environment, ecosystems, personal property, artworks, archives, and intangible traditions. Destructive as it may be, such violence is difficult to classify because it does not pose a grave threat to human lives. Nonetheless, the book argues that destruction of the nonhuman or nonliving is a constitutive dimension of all violence—especially forms of extreme violence against the living such as torture and rape; and it examines how the language and practice of war are transformed when this dimension is taken into account. Finally, War after Death offers a rethinking of psychoanalytic approaches to war and the theory of the death drive that underlies them.