Meaning And Melancholia

Meaning and Melancholia: Life in the Age of Bewilderment sees Christopher Bollas apply his creative and innovative psychoanalytic thinking to various contemporary social, cultural and political themes. This book offers an incisive exploration of powerful trends within, and between, nations in the West over the past two hundred years. The author traces shifts in psychological forces and ‘frames of mind’, that have resulted in a crucial ‘intellectual climate change’. He contends that recent decades have seen rapid and significant transformations in how we define our ‘selves’, as a new emphasis on instant connectedness has come to replace reflectiveness and introspection. Bollas argues that this trend has culminated in the current rise of psychophobia; a fear of the mind and a rejection of depth psychologies that has paved the way for what he sees as hate based solutions to world problems, such as the victory of Trump in America and Brexit in the United Kingdom. He maintains that, if we are to counter the threat to democracy posed by these changes and refind a more balanced concept of the self within society, we must put psychological insight at the heart of a new kind of analysis of culture and society. This remarkable, thought-provoking book will appeal to anyone interested in politics, social policy and cultural studies, and in the gaining of insight into the ongoing challenges faced by the Western democracies and the global community.

Meaning and Melancholia: Life in the Age of Bewilderment sees Christopher Bollas apply his creative and innovative psychoanalytic thinking to various contemporary social, cultural and political themes. This book offers an incisive exploration of powerful trends within, and between, nations in the West over the past two hundred years. The author traces shifts in psychological forces and 'frames of mind', that have resulted in a crucial 'intellectual climate change'. He contends that recent decades have seen rapid and significant transformations in how we define our 'selves', as a new emphasis on instant connectedness has come to replace reflectiveness and introspection. Bollas argues that this trend has culminated in the current rise of psychophobia; a fear of the mind and a rejection of depth psychologies that has paved the way for what he sees as hate based solutions to world problems, such as the victory of Trump in America and Brexit in the United Kingdom. He maintains that, if we are to counter the threat to democracy posed by these changes and refind a more balanced concept of the self within society, we must put psychological insight at the heart of a new kind of analysis of culture and society. This remarkable, thought-provoking book will appeal to anyone interested in politics, social policy and cultural studies, and in the gaining of insight into the ongoing challenges faced by the Western democracies and the global community.

"Many schizophrenics experience their condition as one of radical incarceration, mind-altering medications, isolation, and dehumanization. At a time when the treatment of choice is anti-psychotic medication, world-renowned psychoanalyst Christopher Bollas shows that schizophrenics can be helped by much more humane treatments, and explains that they have a chance to survive and even reverse the process if they have someone to talk with them regularly and for a sustained period soon after they show signs of imminent breakdown. In this sensitive and evocative narrative, Bollas draws on his personal experiences working with schizophrenics since the 1960s. He offers his interpretation of how schizophrenia develops, typically in the teen years, as an adaptation during the difficult transition to adulthood."--Dust jacket.

In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.

What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation. To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers — including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more — and the resultant Freudian melancholia that ensues when the working-class subject leaves their origins to “become someone,” only to find that they lose themselves in the process. Part memoir, part cultural theory, and part polemic, The Melancholia of Class shows us how we can resist assimilation, uplifting and carrying our working-class origins and communities with us, as we break the barriers of the middle-class world. There are so many of us, all of us waiting. If we came together, who knows what we could do.

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique. Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

This book provides a comprehensive review of melancholia as a severe disorder of mood, associated with suicide, psychosis, and catatonia. The syndrome is defined with a clear diagnosis, prognosis, and range of management strategies. It challenges accepted doctrines and describes melancholia as a treatable and preventable mental illness.

Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of Dürer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies.