Meaningful Flesh Reflections On Religion And Nature For A Queer Planet

Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening for at least 25 years. People such as John Boswell began to examine the history of religious traditions with a queer eye, and soon after we had the indecent theology of Marcella Althaus Ried. Jay Johnston, one of the authors in this issue, is among those who have used the queer eye to interrogate authority within Christian theological traditions. At the same time, there have been many queer interrogations of "nature," perhaps most notably in the works of Joan Roughgarden and Ann Fausto-Sterling, and more recently in the works of Catriona Sandilands and Timothy Morton (an author in this volume). However, the intersections of religion, nature, and queer theory have been largely left untouched. With the exception of Dan Spencer, who writes the introduction for this volume and is one of the early pioneers in this realm of thought with his book Gay and Gaia (Pilgrim Press, 1996), and the work of Greta Gaard in developing a queer ecofeminist thought, religion and nature, or religion and ecology, have largely ignored the realm of queer theory. In part, the blinders to queer theory on the part of eco-thinkers (religious or otherwise) are similar to the blinders eco-thinkers have when it comes to postmodern thought in general: namely, if there are no absolute foundations, how does one create an environmental ethic and a "nature" to save? For this reason and many others, this volume on religion, nature, and queer theory is groundbreaking. Though these essays span many different disciplines and themes, they are all held together by the triple focus on religion, nature, and queer theory. Each of these essays offers a unique contribution to the intersection of religion, nature, and queer theory, and all of them challenge strict boundaries proposed in religious rhetoric and many discourses surrounding "nature." Carol Wayne White's essay draws from a queer reading of James Baldwin to develop an African American religious naturalism, which highlights humans as polyamorous bastards. Jacob Erickson's essay examines Isabella Rossellini's "Green Porno" and Martin Luther's work to develop an irreverent theology. Jay Johnston draws from personal relationships with his late dog, and Master/Pup fetish-play to blur the boundaries between humans and other animals, specifically within ethical and theological discourse. Whitney Bauman reflects on how the very processes of globalization and climate change queer our identities and call for a queer and versatile planetary ethic. Finally, Timothy Morton leads us through a reflection on queer green sex toys to challenge the ontology of agrologistics. Each of these essays in their own way is concerned with fleshing out more meaningful encounters with the planetary community. Without being too ambitious, we hope that these sets of essays will help to open up a new trajectory of conversations at the intersection of religion, nature, and queer theory.

There is growing consensus that life on the planet is in peril if climate change continues at its current pace. At stake is not only the future of many species but of humanity itself. As an increasing number of ecological economists have emphasized, these problems will only be adequately addressed by re-examining economic systems from an ecological perspective, fundamentally calling into question assumptions of unlimited growth and the maximization of shareholder profit foundational to neoliberal capitalism. Religion and ecology scholars have also increasingly emphasized the ways climate change challenges assumed divides between nature and culture, religion and labor, economy and ecology, and calls for critical and constructive engagement with the religion, economy, and ecology nexus. Often, though, religious engagements with economy and ecology have placed emphasis on individual morality, action, and agency at the level of consumption patterns or have suggested mere modifications within existing economic paradigms. Contributors to this volume call into question the adequacy of this approach in light of the urgency of climate change which is always ever entwined with ongoing patterns of exploitation, oppression, and colonialism in current economic systems. Rather than tweaking a system of exploitation, for instance by emphasizing individual consumption or care for human and non-human victims, these authors articulate important opportunities for religious engagement, activism, resistance, and solidarity around issues of production and labor. Recalling that Marx linked agencies and labor of people as well as the other-than-human world, these authors aim to articulate a sense in which liberation of people and the planet are intertwined and can be accomplished only through collaboration for their common good. The basic intuition driving this volume is that while Christianity has by and large become the handmaiden of exploitative capitalism and empire, it might also reclaim latent theologies and religious practices that call into question the fundamental valuation of labor without recognition or rest, of extractive exploitation, and a “winner take all” praxis. In the process, Christianity might reclaim and reinvest in tenuous historical materializations of transformed ecological and economic relationships while economics might be re-informed by a valuation of the shared oikos as well as a just accounting of and renumeration for labor. Together they might serve the aim of the flourishing of all people and the planet.

This timely collection of essays by leading international scholars across religious studies and the environmental humanities advances a lively discussion on materialism in its many forms. While there is little agreement on what ‘materialism’ means, it is evident that there is a resurgence in thinking about matter in more animated and active ways. The volume explores how debates concerning the new materialisms impinge on religious traditions and the extent to which religions, with their material culture and beliefs in the Divine within the material, can make a creative contribution to debates about ecological materialisms. Spanning a broad range of themes, including politics, architecture, hermeneutics, literature and religion, the book brings together a series of discussions on materialism in the context of diverse methodologies and approaches. The volume investigates a range of issues including space and place, hierarchy and relationality, the relationship between nature and society, human and other agencies, and worldviews and cultural values. Drawing on literary and critical theory, and queer, philosophical, theological and social theoretical approaches, this ground-breaking book will make an important contribution to the environmental humanities. It will be a key read for postgraduate students, researchers and scholars in religious studies, cultural anthropology, literary studies, philosophy and environmental studies.

This book borrows from the intellectual labor of queer theory in order to unsettle—or “queer”—the discourses of “religion” and “science,” and, by extension, the “science and religion discourse.” Drawing intellectual and social cues from works by influential theorists such as Michel Foucault, Judith Butler, and Eve Sedgwick, chapters in this volume converge on at least three common features of queer theory. First, queer theory challenges givens that on occasion still undergird religiously and scientifically informed ways of thinking. Second, it takes embodiment seriously. Third, this engagement inevitably generates new pathways for thinking about how religious and scientific “truths” matter. These three features ultimately lend support to critical investigations into the meanings of “science” and “religion,” and the relationships between the two.

Every body contains multitudes, but no body is immune to the ideology of oneness: one true self, one sexuality, one gender, one vision of the world, one true God. For many who identify (or who have been named by others) as transgender, queer, and nonbinary, the refusal to fit within the illusion of one set of sex and gender expectations has been met with violence and suppression. While the myth of oneness is a powerful story that shapes the contours of our societies and our selves, it is not the only myth. Performances, fictions, rituals, and theologies can transform current realities. The(y)ology: Mythopoetics for Queer/Trans Liberation is a manifesto for artists, teachers, theologians, clergy, and activists looking for ways to resist rigid paradigms of gender, sexuality, self, and the sacred. In these pages, we are called to tell new stories about who we are and how we relate to each other within our ecosystems. The myths discussed wrestle with and transform the complex mytho-histories that have birthed and, often, harmed us. No story comes from nothing, and, more radically, perhaps no story is fully irredeemable. In The(y)ology, feminist philosophies join with trans poetics, literary theory with liberation theologies, drag performance with kabbalah, ecologies with pornographies, and ancient theater with queer autobiographies. However ambitious its scope might be, The(y)ology is fundamentally about encouraging us all to think playfully and to play thoughtfully with the mythologies that define our lives. Max Yeshaye Brumberg-Kraus is a poet, playwright, drag artist, and independent scholar living in Saint Paul, Minnesota. They are the co-founder of the House of Larva Drag Co-operative, performing as drag ogress Çicada L'Amour, producing one acts, full-length shows, and cabarets since 2014. In and out of drag, Max has performed at the Guthrie Theatre, Pangea World Theatre, 20% Theatre, In the Heart of the Beast Puppet and Mask Theatre, Rimon (The Minnesota Jewish Arts Council), the Rochester Arts Center, and have also directed a full length show (Circe: Twilight of a Goddess) with Siren Island in Point San Pablo, California. After majoring in classics and theatre at Beloit College, they received their MA in Theology and the Arts from United Theological Seminary of the Twin Cities. Max is former fellow and facilitator with Arts Religion Culture (ARC), and a member of the Green Sabbath Project. They are currently pursuing their MFA in Interdisciplinary Arts at Goddard College, with a focus on queerness and the medieval imagination.

Queer Theologies: The Basics is a concise and illuminating introduction to the study of this controversial and discursive subject area. This book provides an accessible exploration into the major themes within queer studies, queer theologies, and themes of gender and sexuality in Christianity. Topics covered include: The development of queer theologies Queering ‘traditional’ theology Queer theologies in global contexts Queer Bible Queer theologies from queer lives With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to Christian queer theologies as well as broader themes in theology, gender, and sexuality.

This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today’s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.