Media War And Terrorism

Media, War and Terrorism analyses, for the first time, responses to the events of 9/11 and it's repercussions from the point of view of Asian and Middle Eastern countries. Perhaps controversially, the contributors argue that while the US, and to an extent European, media seems largely unified in their coverage and silence in public debate of the events surrounding the attacks on the World Trade Centre, there exists open, critical debate in other parts of the world. By examining the use of media as an instrument of warfare and analyzing the construction of public opinion in mediated electronic warfare, this book clearly shows the difference in perspectives between public opinion in the US and the rest of the world. Moving away from popular assumptions that societies in the West are democratic and progressive and those in the Middle East and Asia are either authoritarian or under-developed, this examination of the media in those countries suggests the exact opposite. In combining an examination of the general, theoretical issues concerning the use of the media as an instrument of warfare with rich, geographically diverse case studies, the editors are able to provide a diverse and intriguing analysis of the impact and inter-connectedness of national and global medias. Bringing together contributions from academics, journalists and media practioners from all over the world, Media, War and Terrorism is an essential read for all of those seeking an informed, non-Western perspective on the events following 9/11.

These candid conversations capture the difficulties of reporting during crisis and war, particularly the tension between government and the press. The participants include distinguished journalists—American and foreign, print and broadcast—and prominent public officials, past and present. They illuminate the struggle to balance free speech and the right to know with the need to protect sensitive information in the national interest. As the Information Age collides with the War on Terrorism, that challenge becomes even more critical and daunting. "We are very careful in what we talk about publicly. We do not want to paint a picture for the bad guys. So we don't talk very much at all about what we're going to do going forward."—Victoria Clarke, Department of Defense "This was a war that was very different. It was conducted primarily by about 200 to 250 special forces soldiers on the ground. There were no reporters with those soldiers until after the fall of Kandahar, until the war was essentially over. There were no eyes and ears, and that's the way the Pentagon wants it."—John McWethy, ABC News "I covered Capitol Hill for a very long time and was always astounded by the nonpolitical motivation of a lot of people that are up there who really do want to make the world better, want to make the U.S. better. So don't come away believing that because there are political implications that there are always political motivations."—Candy Crowley, CNN "There is a feeling among the community, Muslim Americans, and also overseas that we might become the new enemy. But so far nobody knows whether it is just because of the war or if it's going to last."—Hafez Al-Mirazi, Al-Jazeera Cosponsored with the Shorenstein Center on the Press, Politics and Public Policy at the Kennedy School, Harvard University.

This collection of essays covers the media and public debate dimension of the events of 9/11 and beyond, from the point of view of Middle Eastern and Asian countries. The first part of the book deals with the use of the media as an instrument of warfare, the growing significance of religion, the emergence of transnational media and a transnational public sphere and the relationship between the West and the rest of the world. The second part of the book contains nine case studies relating to different parts of the Middle East and Asian world, all with a strong empirical focus, while at the same time elaborating the book's theoretical concerns.

`No book is more timely than this collection, which analyses brilliantly the Western media's relentless absorption into the designs of dominant, rapacious power' - John Pilger This book examines the changing contours of media coverage of war and considers the relationship between mass media and governments in wartime.

This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research. - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a ′war on terror′? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world′s media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.

Exploring the recent increase in anti-American terrorism, this updated study argues that terrorist groups are now exploiting the link between the media and public opinion polls (particularly regarding the popularity of American presidents) in order to publ

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.