Medieval Hagiography

This collection presents-through the medium of translated sources-a comprehensive guide to the development of hagiography and the cult of the saints in western Christendom during the middle ages. It provides an unparalleled resource for the study of the ideals of sanctity and the practice of religion in the medieval west. Intended for the classroom, for the medieval scholar who wishes to explore sources in unfamiliar languages, and for the general reader fascinated by the saints, this collection provides the reader a chance to explore in depth a full range of writings about the saints (the term hagiography is derived from Greek roots: hagios=holy and graphe=writing). The thirty-six chapters contain sources either in their entirety or in selections of substantial length. The great majority of the texts have never previously appeared in English translation. Those which have appeared in earlier translation, are here presented in versions based on significant new textual and historical scholarship which makes them significant improvements on the earlier versions. All the translations are accompanied by introductions, notes, and suggestions for further reading in order to help guide the reader. The first selections date to the fourth century, when the ideals of Christian sanctity were evolving to meet the demands of a world in which Christianity was an accepted religion and when the public veneration of relics was growing greatly in scope. The last selections date to the period immediately prior to the Reformation, a period in which the traditional concept of sanctity and acceptability of de cult of relics was being questioned. In addition to numerous works from the clerical languages of Latin and Greek, the selections include translations from Romance, Celtic, Germanic, and Slavic vernacular languages, s well as Hebrew texts concerning the martyrdom of Jews at the hands of Christians. Originating in lands from Iceland to Hungary and from the Baltic to the Mediterranean, they are taken from a full range of the many genres which constituted hagiography: lives of the saints, collections of miracle stories, accounts of the discovery or movement of relics, liturgical books, visions, canonization inquests, and even heresy trials.

Trans and Genderqueer Subjects in Medieval Hagiographypresents an interdisciplinary examination of trans and genderqueer subjects in medieval hagiography. Scholarship has productively combined analysis of medieval literary texts with modern queer theory - yet, too often, questions of gender are explored almost exclusively through a prism of sexuality, rather than gender identity. This volume moves beyond such limitations, foregrounding the richness of hagiography as a genre integrally resistant to limiting binaristic categories, including rigid gender binaries. The collection showcases scholarship by emerging trans and genderqueer authors, as well as the work of established researchers. Working at the vanguard of historical trans studies, these scholars demonstrate the vital and vitally political nature of their work as medievalists. Trans and Genderqueer Subjects in Medieval Hagiographyenables the re-creation of a lineage linking modern trans and genderqueer individuals to their medieval ancestors, providing models of queer identity where much scholarship has insisted there were none, and re-establishing the place of non-normative gender in history.

This collection of essays explores the multifaceted representation of power and authority in a variety of late antique and medieval hagiographical narratives (Lives, Martyr Acts, oneiric and miraculous accounts). The narratives under analysis, written in some of the major languages of the Islamicate world and the Christian East and Christian West - Arabic, Armenian, Georgian, Greek, Latin, Middle Persian, Ottoman Turkish, and Persian - prominently feature a diverse range of historical and fictional figures from a wide cross-section of society - from female lay saints in Italy and Zoroastrians in Sasanian and Islamic Iran to apostles and bishops and emperors and caliphs. Each chapter investigates how power and authority were narrated from above (courts/saints) and below (saints/laity) and, by extension, navigated in various communities. As each chapter delves into the specific literary and social scene of a particular time, place, or hagiographer, the volume as a whole offers a broad view; it brings to the fore important shared literary and social historical aspects such as the possible itineraries of popular narratives and motifs across Eurasia and commonly held notions in the religio-political thought worlds of hagiographers and their communities. Through close readings and varied analyses, this collection contributes to the burgeoning interest in reading hagiography as literature while it offers new perspectives on the social and religious history of late antique and medieval communities.

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.

Contending that the study of hagiography is significant both for a consideration of medieval literature and for current theoretical debates in medieval studies, this book considers a range of Old French and Anglo-Norman texts, using modern theories of kinship and community to show how saints' lives construe social and sexual relations. Focusing on the depiction of the gift, kinship and community, the book maintains that social and sexual systems play a key role in vernacular hagiography. Such systems, along with the desires they produce and control, are, it is argued, central to hagiography's religious functions, particularly its role as a vehicle of community formation. In attempting to think beyond the limits of human relationships, saints' lives nonetheless create an environment in which queer desires and modes of connection become possible, suggesting that, in this case at least, the orthodox nurtures the queer. This book thus suggests not only that medieval hagiography is worthy of greater attention but also that this corpus might provide an important resource for theorizing community in its medieval contexts and for thinking it in the present. EMMA CAMPBELL is Associate Professor of French at the University of Warwick.

In an attempt to reconstruct an elusive aspect of the medieval Chinese imagination, The Eminent Monk examines biographies of Chinese Buddhist monks, from the uncompromising ascetic to the unfathomable wonder-worker. While analyzing images of the monk in medieval China, the author addresses some questions encountered along the way: What are we to make of accounts in “eminent monk” collections of deviant monks who violate monastic precepts? Who wrote biographies of monks and who read them? How did different segments of Chinese society contend for the image of the monk and which image prevailed? By placing biographies of monks in the context of Chinese political and religious rhetoric, The Eminent Monk explores both the role of Buddhist literature in Chinese history and the monastic imagination that inspired this literature.

Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center. Medieval Liège was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liège and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liégeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. CatherineSaucier is assistant professor of music history at Arizona State University.

In this survey of thirteenth-century codices in Old French verse that contain at least one saint's life, the author finds a great variety among combinations, in contrast to the corpus of medieval Latin hagiographic manuscripts. She interprets the combinations of texts in four collections, demonstrating the value of codicological and textual analysis of entire manuscripts as an approach to medieval vernacular pious literature.