Medieval Hunting

Hunting was a major economic and leisure activity throughout the European Middle Ages, and while aristocratic practices have featured in studies of romantic and narrative literature, hunting in its wider sense, across the social spectrum with attendant male and female roles, has larged been ignored by modern medieval historians. Richard Almond's study brings vividly to life the universality and centrality of hunting to medieval societies, both as an economic necessity and as an expression of medieval humanity's amost atavistic sense of oneness with nature. Medieval Hunting dispels some of the myths and misunderstandings about hunting, including the persistent view that it was exclusively an aristocratic pursuit and a male one at that. Using a wide variety of contemporary textual and art historical evidence, Richard Almond demonstrates convincingly that hunting, including fishing and all manner of poaching, was enjoyed by all classes, and by women as well as men.

Eric J. Goldberg traces the long history of early medieval hunting from the late Roman Empire to the death of the last Carolingian king, Louis V, in a hunting accident in 987. He focuses chiefly on elite men and the changing role that hunting played in articulating kingship, status, and manhood in the post-Roman world. While hunting was central to elite lifestyles throughout these centuries, the Carolingians significantly altered this aristocratic activity in the later eighth and ninth centuries by making it a key symbol of Frankish kingship and political identity. This new connection emerged under Charlemagne, reached its high point under his son and heir Louis the Pious, and continued under Louis's immediate successors. Indeed, the emphasis on hunting as a badge of royal power and Frankishness would prove to be among the Carolingians' most significant and lasting legacies. Goldberg draws on written sources such as chronicles, law codes, charters, hagiography, and poetry as well as artistic and archaeological evidence to explore the changing nature of early medieval hunting and its connections to politics and society. Featuring more than sixty illustrations of hunting imagery found in mosaics, stone sculpture, metalwork, and illuminated manuscripts, In the Manner of the Franks portrays a vibrant and dynamic culture that encompassed red deer and wild boar hunting, falconry, ritualized behavior, female spectatorship, and complex forms of specialized knowledge that united kings and nobles in a shared political culture, thus locating the origins of courtly hunting in the early Middle Ages.

Hunting was a major economic and leisure activity throughout the later European Middle Ages, but while aristocratic practices have featured in studies of romantic and narrative literature, hunting in its wider sense across the social spectrum and with attendant male and female roles - has largely been ignored by modern medieval historians. Richard Almond's study brings vividly to life the universality and centrality of hunting to medieval societies, both as an economic necessity and as an expression of medieval humanity's almost atavistic sense of oneness with nature. ' Medieval Hunting' dispels some of the myths and misunderstandings surrounding hunting, including the persistent views that it was exclusively an aristocratic, male pursuit. Using a wide variety of contemporary textual and art historical evidence, Richard Almond shows that hunting, including fishing and poaching, was enjoyed by women as well as men.

Study of hunting as it appears both in didactic texts, and epic and romance.

The Master of Game is the oldest and most important work on the chase in the English language. Based primarily on Gaston de Foix's Livre de chasse, originally composed in 1387, The Master of Game was written by Edward of Norwich at his leisure between 1406 and 1413, mostly while being held prisoner for having treasonous designs against his cousin, Henry IV. While much of the book is almost an exact translation of de Foix, Edward added five chapters of his own to form the major source for our knowledge of the medieval hunt. The book begins with a description of the nature of popular quarry, such as the hare, deer, and badger, including their behavior, characteristics, and even smells, and then moves to a discussion of various hunting dog breeds and how to train them. The medieval chase was a ritual event, so the book continues with an explanation of the various rules and techniques for a successful hunt, including how food was to be distributed among the hunters, the support persons, and the dogs. Weapons and traps of choice are also described, as well as the different horn calls used for communication. The Master of Game is a unique text for naturalists, hunters, and persons interested in social history. Although hunting is nowadays far removed from most people's experience, it was of major interest in the time of Edward of Norwich for ritual, sport, and, of course, food. Some knowledge of the chase was essential for all persons of medieval times. This edition, the first paperback ever of the original version edited in 1909, includes a hearty foreword by Theodore Roosevelt, who adds some important contextual information about the chase and draws on his own vast hunting experience. A delight to read, even for those who are not keen on the sport, The Master of Game has, as one review exclaimed," all Chaucer's freshness, love of the open sky and fragrant woodland."

The gentlemen of medieval and Renaissance Europe had three all-consuming passions: warfare, courtly love, and hunting with a hawk or hound -- and the philosophy behind the last of the trio really encompasses them all. Hunting, the sport of kings, served as training for battle, a rite of manhood, and a powerful ritualistic pastime. In vivid and engrossing detail, here are all the appropriate methods for hunting deer, boar, wolves, foxes, bears, otters, birds, hares . . . even unicorns! A dazzling diversity of sources (poems, ballads, letters, court directives, royal accounts, gamekeepers' handbooks, psalters) illustrate how hunting and hawking appear throughout medieval art and literature as metaphors and motifs for everything from romance to combat.

This book explores views of the natural world in the late Middle Ages, especially as expressed in Livre de chasse (Book of the Hunt), the most influential hunting book of the era. It shows that killing and maiming, suffering and the death of animals were not insignificant topics to late medieval men, but constituted a complex set of issues, and could provoke very contradictory thoughts and feelings that varied according social and cultural milieus and particular cases and circumstances.