Medieval Miscellany

The varied lives of medieval women, their power and status within society, are depicted through their own writings; questions of medieval culture are linked to those facing humanity in our time; travel, as experienced by the most prestigious ambassador and by the lowliest pilgrim, is explored; and the origins and conditions of health care are examined. These themes have inspired or informed her eight major works, but are revisited here with the clarity, wit and discipline of a great teacher.

This collection of occasional writings by renowned medieval scholar Margaret Wade Labarge considers an eclectic mix of themes and issues in the history of the Middle Ages. The varied lives of medieval women, their power and status within society, are depicted through their own writings; questions of medieval culture are linked to those facing humanity in our time; travel, as experienced by the most prestigious ambassador and by the lowliest pilgrim, is explored; and the origins and conditions of health care are examined. These themes have inspired or informed the author's eight major historical works, but are revisited here with the clarity, wit and discipline of a great teacher. A Medieval Miscellany will give readers already acquainted with Labarge's work new pleasure, and provide an enticing path into medieval lives and time for new readers.

An investigation of the fascinating, not-so-miscellaneous miscellanies

This dazzlingly beautiful book, containing over four hundred full-color illustrations from medieval manuscripts, is basically the Middle Ages speaking for itself. These scenes from medieval life often appear familiar, intensely human, and recognizable, yet also distant. They depict the everyday concerns of people who loved, worried, feasted, starved, warred, and prayed across a vast area from Scandinavia to Constantinople, from Ireland to Sicily, and from Spain to Jerusalem for nearly a thousand years. Many recorded their fears, jokes, and anxieties, especially with their health and pains, as well as their delights. This miscellany reproduces their own words from poems, chronicles, wills, romances, epitaphs, letters, and legal regulations--and all have been translated into modern English. Drawn from history, but in no way a history, A Medieval Miscellany is a mosaic, necessarily incomplete, where the bright tesserae have been gathered from every corner and period of the medieval world.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Medievalia et Humanistica Editorial Board and Submissions Guidelines

In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.