Melgaard Munch

What is the critical relevance of Edvard Munch (1863-1944) to contemporary society? This publication places Munch's oeuvre in dialogue with works by the Norwegian-born, New York-based artist Bjarne Melgaard (born 1967), whose art has often provoked controversy--as was the case with Munch, in his lifetime. Their bodies of creative work are related in numerous ways. Both have worked with reference to their own biography; there is also an artistic kinship between the two in terms of their painterly idioms, motifs and themes. Addressing subjects such as sexuality, gender, death, loneliness and alienation, they both address key issues of modern society. The catalogue explores the dystopian critique of civilization that underlies their respective oeuvres. In addition to a wide range of well-known works by both artists, it presents new pieces by Melgaard that explore the themes he considers of particular importance in Munch's oeuvre.

A brilliant and personal examination by sensational and bestselling author Karl Ove Knausgaard of his Norwegian compatriot Edvard Munch, the famed artist best known for his iconic painting The Scream In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch’s work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch’s legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history’s most significant painters, but the very meaning of choosing the artist’s life, as he himself has done. Including reproductions of some of Munch’s most emotionally and psychologically intense works, chosen by Knausgaard, this utterly original and ardent work of criticism will delight and educate both experts and novices of literature and the visual arts alike.

Through comparative and integrated case studies, this book demonstrates how aesthetics becomes politics in cultural policy. Contributors from Norway, Sweden and the UK analyse exactly what happens when art is considered relevant for societal development, at both a practical and theoretical level. Cultural policy is seen here as a mechanism for translating values, that through organized and practical aesthetical judgement lend different forms of agency to the arts. What happens when aesthetical value is reinterpreted as political value? What kinds of negotiations take place at a cultural policy ground level when values are translated and reinterpreted? By addressing these questions, the editors present an original collection that effectively centralises and investigates the role of aesthetics in cultural policy research.

Ce catalogue d'exposition exxplore la relation entre les artistes Jasper Johns et Edvard Munch.

“The book gives an excellent understanding of a reimagination and recreation of leadership and organisational theory. Jevnaker and Olaisen present new perspectives and represent a new school of modernity and futurism.” - Professor Jon-Arild Johannessen, Kristiania University College and Nord University “Sustainable organizations are becoming imperative in contemporary business, and I highly recommend this book to any reader interested in understanding the fundamental dynamics.” - Professor Georg von Krogh, ETH Zurich This open access book reimagines a deeper sustainability in dynamic organization. Offering multiple perspectives on arts, design thinking, leadership, knowledge and project management, Reimagining Sustainable Organization addresses our need for thinking and coping differently when facing the many unknowns of real-life enterprises in society. Drawing on process philosophy, real-world case studies, and examinations of business practices as well as management research, the authors explore knowledge creation towards reimagining sustainable organization. The book includes frameworks and conceptual tools as well as insights for further explorations. This book will be of interests to students, scholars and teachers, and practitioners who are studying sustainable organization, greener management, leadership ideas, or knowledge and project management. It covers future pressing issues also for the professionals involved in co-creative work across organizational boundaries. Birgit Helene Jevnaker is Professor of Innovation and Economic Organization at BI Norwegian Business School, Norway. Her research focuses on strategic sustainable design, entrepreneurship, innovation and collaboration, organization development, arts, knowledge and learning, and leadership in action. Johan Olaisen is Professor in Information and Knowledge Management at BI Norwegian Business School, Norway. His research focuses on information and knowledge management, philosophy of science and research, corporations and organizational change, leadership and project management. .

The Bloomsbury Handbook of Popular Music and Social Class is the first extensive analysis of the most important themes and concepts in this field. Encompassing contemporary research in ethnomusicology, sociology, cultural studies, history, and race studies, the volume explores the intersections between music and class, and how the meanings of class are asserted and denied, confused and clarified, through music. With chapters on key genres, traditions, and subcultures, as well as fresh and engaging directions for future scholarship, the volume considers how music has thought about and articulated social class. It consists entirely of original contributions written by internationally renowned scholars, and provides an essential reference point for scholars interested in the relationship between popular music and social class.

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