Melvin S Cold Feet

The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.

In author Kelly Irvin's first installment in the Bliss Creek Amish series, readers will find a charming, romantic story of how God works even in the darkest moments. It's been four years since Carl left. Four years since he left the safety of the small Amish community for the Englisch world. And in four years, Emma's heart has only begun to heal. Now, with the unexpected death of her parents, Emma is plunged back into a world of despair and confusion. It's a confusion only compounded by Carl's return. She's supposed to be in love with him...so why can't she keep her mind off Thomas, the strong, quiet widower who always seems to be underfoot? Could the man she only knew as a friend be the one to help her to heal? In a world that seems to be changing no matter how tightly she clings to the past, this one woman must see beyond her pain and open her heart to trust once again.

A spider finds a way to help a mouse with cold feet.

Would you kill for your art? Would it kill for you? A painter who kills with blood-tinged pigment. A tattoo artist with a dark past who treats with demons. A sculptor on Venus who carves his life’s history into ice at the cost of his sanity. A ceramic vase that might avenge the life of a murder victim. A haunted song that drives listeners to kill. Art surrounds us. It entertains and nurtures. And for some it can do far more. It can protect a family over generations or bridge the boundary between the realms of the living and the dead. It can be a curse or a boon, a path to riches or to damnation. In Artifice and Craft, speculative fiction authors Lyndsay E. Gilbert, Laura E. Price, Adam Stemple, Brian K. Lowe, James R. Tuck, Briana Una McGuckin, Jordan Davidson, James Maxey, Madeline Dau, Joel Armstrong, C.E. Murphy, Mark Painter, Alex Bledsoe, Alethea Kontis, Gerri Leen, and Jelena Dunato craft tales of art and artistry that are shaded with the supernatural, tuned to the fantastic, and glazed with the unexpected. So listen, watch, admire. But don’t touch, and don’t turn your back. Because these works of art are far more than they seem.

Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.