Memories And Melancholy

AVAILABLE FOR THE FIRST TIME IN eBOOK! A New York Times Notable Book On the eve of his ninetieth birthday a bachelor decides to give himself a wild night of love with a virgin. As is his habit–he has purchased hundreds of women–he asks a madam for her assistance. The fourteen-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to the master’s work.

A collection of social and cultural articles published in regional newspapers over the past decade.

An Iraqi exile who worked for the CIA but became disillusioned with the Western intervention in his country, an Islamic scholar who took up residence in Turkey and murdered her lovers wife, a safari guide cum tarot reader whose move to London was a breakfast in hell rather than the new dawn he dreamed of these are just some of the colourful characters in Karen Dabrowskas first collection of short stories. The characters in all eleven stories live in London but their lives are shaped by experiences abroad and dreams of a better life outside Europe.

Istanbul, through the mind of its most celebrated writer ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'A declaration of love.' Sunday Times 'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist 'An irresistibly seductive book' Jan Morris, Guardian In a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years. What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique. Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

During WWII, a teenage boy finds his voice, the courage of his convictions, and friends for life in an emotional and uplifting novel by the New York Times and #1 Amazon Charts bestselling author. 1941. Steven Katz is the son of prosperous landowners in rural California. Although his parents don't approve, he's found true friends in Nick, Suki, and Ollie, sons of field workers. The group is inseparable. But Steven is in turmoil. He's beginning to acknowledge that his feelings for Nick amount to more than friendship. When the bombing of Pearl Harbor draws the US into World War II, Suki and his family are forced to leave their home for the internment camp at Manzanar. Ollie enlists in the army and ships out. And Nick must flee. Betrayed by his own father and accused of a crime he didn't commit, he turns to Steven for help. Hiding Nick in a root cellar on his family's farm, Steven acts as Nick's protector and lifeline to the outside world. As the war escalates, bonds deepen and the fear of being different falls away. But after Nick unexpectedly disappears one day, Steven's life focus is to find him. On the way, Steven finds a place he belongs and a lesson about love that will last him his lifetime.

"Maggie understands that splatter for splatter's sake is boring. Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling." -B.R. Yeager, author of Negative Space "And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..." -Christopher Norris, author of Hunchback '88