Memory And Covenant

Memory and Covenant combines a close reading of the deuteronomic, priestly, and holiness traditions with analysis of ritual and scrutiny of the different terminology used in each tradition regarding memory. Ellman demonstrates that the exploration of the concept of memory is critical to understanding these distinct traditions. All three regard memory as a vital element of religious practice and as the principal instrument of covenant fidelity but in very different ways. Ellman explores the place and meaning of memory in each of these textual traditions.

Memory and Covenant applies new insights into the meaning and function of social memory to analyze the two major "religions" of the Pentateuch (D and P) and their relationship to one another. Ellman shows that for the deuteronomic tradition, memory is an epistemological and pedagogical means for keeping Israel faithful to its God and God's commandments, even when Israelites are far from the temple and its worship. The pre-exilic priestly tradition, however, understands that the covenant depends on God's memory, which must be aroused by the sensory stimuli of the temple cult.

A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.

The essays in this volume reflect the effort to recognize the alteration in the intellectual and social contexts in which Jews and Christians gather for prayer, and the undermining of the conjunction between memory and ritualization.

What did it mean to be a Covenanter?

Essential reading for scholars and students interested in sociology and biblical studies In this collection scholars of biblical texts and rabbinics engage the work of Barry Schwartz, Professor Emeritus in the Department of Sociology at the University of Georgia. Schwartz provides an introductory essay on the study of collective memory. Articles that follow integrate his work into the study of early Jewish and Christian texts. The volume concludes with a response from Schwartz that continues this warm and fruitful dialogue between fields. Features: Articles that integrate the study of collective memory and social psychology into religious studies Essays from Barry Schwartz Theories applied rather than left as abstract principles