Metropolitan Tragedy

Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London's urban fabric and the city's judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny. Drawing on a rich archive of printed and manuscript sources, including numerous images of England's capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.

"A critical edition of A Warning for Fair Women introduces new audiences to an important but neglected work of Elizabethan drama"--

In this book leading scholars come together to provide a comprehensive, wide-ranging overview of tragedy in theatre and other media from 1920 to the present. The 20th century is often considered to have witnessed the death of tragedy as a theatrical genre, but it was marked by many tragic events and historical catastrophes, from two world wars and genocide to the proliferation of nuclear weapons and the anticipation and onset of climate change. The authors in this volume wrestle with this paradox and consider the degree to which the definitions, forms and media of tragedy were transformed in the modern period and how far the tragic tradition-updated in performance-still spoke to 20th- and 21st-century challenges. While theater remains the primary focus of investigation in this strikingly illustrated book, the essays also cover tragic representation-often re-mediated, fragmented and provocatively questioned-in film, art and installation, photography, fiction and creative non-fiction, documentary reporting, political theory and activism. Since 24/7 news cycles travel fast and modern crises cross borders and are reported across the globe more swiftly than in previous centuries, this volume includes intercultural encounters, various forms of hybridity, and postcolonial tragic representations. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

Victorian domestic novels routinely detect a savage otherness lurking within the English state and subject. Outlandish English Subjects in the Victorian Domestic Novel charts the development of this irony within evangelical and anthropological discourses and studies its emergence in the major works of Charles Dickens, Charlotte Brontë, Wilkie Collins, and George Meredith. Each of these writers disrupts the certitudes of imperial ideology by appropriating the language of ethnography and using it to describe the social domestic field. Providing fresh readings of both canonical and neglected novels, this original volume will be of interest to students and scholars of Nineteenth-Century literature and Postcolonial studies.

A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

The suspicious death of a New York retail tycoon reveals dangerous cracks in a family’s foundation in this page-turning novel of wealth, jealousy, betrayal, and murder One of New York’s most elegant and exclusive retail establishments, Tarkington’s has been the preferred shopping experience of Manhattan’s elite for decades. But the unexpected death of founder Silas Tarkington has raised serious doubts about the future of the enterprise, and his daughter, Miranda, must weigh the pros and cons of continuing her father’s legacy. Then, at the reading of Silas’s will, disturbing questions arise about the tycoon’s past and suggestions of a dark, secret life threaten to tear the family apart. For Miranda; her elegant socialite mother, Consuelo; her estranged son, Blazer; and Diana, the fieriest and most recent in the late entrepreneur’s long line of mistresses, the truth could destroy much more than the family business—especially as it becomes more and more likely that Silas’s death was no accident. Author Stephen Birmingham has spent his career documenting the lives of the wealthy and powerful in his bestsellers “Our Crowd” and “The Rest of Us”. Putting his unique inside knowledge of the privileged world of the upper crust to excellent use, he has devised a thrilling story of money, power, deception, and treachery that will keep the reader eagerly turning its pages.