Mick Rock Exposed

Mick Rock's photo career began with him sneaking his camera into rock shows; it ignited when he started shooting a practically unknown David Bowie in 1972 and then went on to document the rise and fall of Ziggy Stardust. Since then Mick's become a legend himself, shooting a who's who of rock, punk, and pop icons and capturing the images of stars right as they became part of the pop firmament. Exposed collects 200 of his best photos across nearly 40 years, including unforgettable images of Syd Barrett, Lou Reed, Blondie, Queen, Iggy Pop, the Sex Pistols, the Yeah Yeah Yeahs, the Killers, Lady Gaga, U2, and many more. Featuring a revealing introduction, narrative captions, and an illuminating foreword by playwright Tom Stoppard, Exposed is a gorgeous visual celebration for music fans.

A new, small format edition of the acclaimed rock photographer's definitive collection Mick Rock is the foremost rock photographer of his generation. Here, he reveals his definitive collection of images, telling the story in his own words of his early career and the larger-than-life characters with whom he mixed, from Bowie to Pharrell, Deborah Harry to Karen O. As well as being a retrospective of his work, it is a cultural journey through a time when rock ruled. It is a compendium of experiences, eyewitness accounts, and intimate detail, all culminating in candid incidental visual insights and time-tested iconic imagery that we all recognize today. This is a vivid and memorable account of Rock's adventures behind the camera, a colorful blend of the overt and the intimate, the beautiful, and the irreverent truly exposed.

A unique look at the collaboration between famed rock photographer Mick Rock and Debbie Harry--one of music's greatest stars--and the band Blondie. "I've been photographed by a lot of different people since I started Blondie, but Mick is unforgettable."--Deborah Harry Blondie was the most successful rock act to emerge from New York's seminal and anarchic downtown punk scene of the mid-1970s--and the band's beautiful, multitalented lead singer, Debbie Harry, became one of the most photogenic and photographed rock performers of all time. During the same period, photographer Mick Rock lived and lensed cutting-edge culture in the city, shooting rock 'n' roll greats like David Bowie and Lou Reed. The artistic collaboration between Rock and Harry yielded iconic photos that transcended and transformed the public perception of rock 'n' roll imagery. This book--with a foreword written by Harry herself--explores in depth, both visually and verbally, the unique natural charm and charisma of Debbie's "punk Marilyn Monroe" persona in its prime, and her successful reinvention of that persona for Blondie's glorious comeback of recent years. Mick Rock provides a vivid, memorable account of his larger-than-life adventures behind the camera, revealing just what made Debbie Harry and Blondie so distinctive.

In John Varvatos, the legendary designer reveals his perspective on how rock & roll music and style have influenced his own designs and fashion worldwide. Varvatos’s personally curated collection of more than 250 images are some of the most provocative ever shot by top rock photographers from the late 1960s to today, from the Rolling Stones to the Kings of Leon. The featured photographers are among the world’s finest, including Mick Rock, Bob Gruen, Elliott Landy, Danny Clinch, Lynn Goldsmith, and more. Also included are select images from Varvatos’s own advertising campaigns, featuring artists such as Slash, Iggy Pop, Scott Weiland, and Miles Kane. Varvatos’s captions and incisive commentary on the artist and his or her look accompany each image. Every chapter also contains numerous quotes from the musicians themselves, including Mick Jagger, Keith Richards, Iggy Pop, Jack White, Pete Townshend, Robert Plant, Steven Tyler, and Patti Smith. An extraordinary anthology of some of the finest images in rock & roll and the most influential rock looks in fashion and popular culture, this volume will delight music lovers, and fans of music photography, fashion, and fashion history.

5 Seconds of Summer are a musical obsession to millions. But these four cheeky pop-rockers from Sydney, Australia, are more than just another boyband. Having rocketed into charts (and hearts) across the globe with their infectious pop-punk anthem, 'She Looks So Perfect', they're set for a summer that never ends. Filled with more than 50 full-color photos, 5 Seconds of Summer traces the boys' incredible journey so far -- from their days at Norwest Christian College to the release of their all-conquering debut album (selling in excess of 1.5 million copies, 5 Seconds of Summer stole the top spot in over 50 countries worldwide) and beyond. With a fun profile devoted to each bandmate -- Luke Hemmings, Michael Clifford, Calum Hood and Ashton Irwin -- it tells you all you need to know about 5SOS's unstoppable rise to the top. With details of the first cover songs they ever posted on YouTube and all the gossip from their epic 2013/14 tour with One Direction (the Brit boys have been their friends and mentors from the beginning; naturally 5SOS opened for them on sold-out dates throughout the US and the UK), this is essential reading for all true fans of 5SOS.

When he passed permanently into the next dimension in 2006, Syd Barretts life had developed into something far more significant than he could ever have imagined. The man who turned his back on probable fame, fortune and the entire rock music scene over thirty years ago had become an involuntary legend. Was he a genius or just a madman? The definitive answer to this question will never be known. But Psychedelic Renegades goes a long way towards unraveling the enigma that was Syds personality. Mick Rocks extraordinary images and frank text expose a man with enormous natural charisma, whose moods could be dark and brooding as well as buoyant with madcap laughter. This superbly produced book covers the period 1969-71, and features the photo session in and around Syd's London flat that produced the cover for his first solo album, The Madcap Laughs; it also features images Mick shot for the now famous Rolling Stone interview in 1971, which became the last photos Syd ever posed for.

The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.

“Glam was about make-up, mirrors and androgyny. It was narcissistic, obsessive, decadent and subversive. It was bohemian, but also strangely futuristic. It was Oscar Wilde meets A Clockwork Orange. It was a mutant bastard offspring of glitter. But while glitter was sparkling distraction, glam was anarchy in drag. It was sexy, glamorous, on the edge. It was the moment hippie finally died. It was absolutely rock’n’roll. But it was also fashion, art, theatre, lifestsyle. It was gay, straight, multisexual. It was totally titillating and absolutely naughty. Everybody held hands with everybody, kissed everybody, went home with everybody. It was an age of accelerated discovery, when all the kinks of sexual yearning were flushed out. It was absolutely self-indulgent and it was ridiculously camp. It was a time we thought would never end. A time so long ago now it seems like a dream. But it wasn’t and I have the pictures to prove it.” Mick Rock