Middletown America

The single event that we know as 9/11 is over, but the shock waves continue to radiate outward, generated by orange alerts, terrorism lockdowns, and the shrinking of personal liberties we once took for granted. The stories in this book, of real people faced with extraordinary trauma and gradually transcending it, are the best antidote to our fears. Middletown, America is a book of hope. All Americans were hit with some degree of trauma on September 11, 2001, but no place was hit harder than Middletown, New Jersey. Gail Sheehy spent the better part of two years walking the journey from grief toward renewal with fifty members of the community that lost more people in the World Trade Center than any other outside New York City. Her subjects are the women, men, and children who remained after the devastation and who are putting their lives back to-gether. Sheehy tells the story of four widowed moms from New Jersey who started out scarcely knowing the difference between the House and the Senate, yet turned their sorrow and anger into action and became formidable witnesses to the failures of the country’s leadership to connect the dots before September 11. Sheehy follows the four moms as they fight White House attempts to thwart the independent commission investigating 9/11 and expose efforts at a cover-up. What would become of the young wives carrying children their husbands would never see, wives who had watched their dreams literally go up in smoke in that amphitheater of death across the river? Amazingly, each finds her own door to the light. Here, too, is the story of the widow and widower who met in the waiting room of a mental-health agency and brought each other back from the brink of despair across a bridge of love. Sheehy also reveals how bereft mothers who will never have another son or daughter found reasons to recommit to life. And she follows in the footsteps of the robbed children, documenting the incredible resilience of four-year-olds, the anger of teenagers, the courage of sisters and brothers. Sheehy follows survivors who escaped the burning towers only to find themselves trapped inside a tower of inner torment, from which it took love, family, and faith to free themselves. She is taken into the confi-dence of the night crew at Ground Zero, police officers who worked in that pit for eight months straight and then faced the “returning home” phenomenon. She recounts the confessions of religious leaders who struggled to explain the inexplicable to their flocks. Mental-health professionals confide in her, as do corporate chiefs, educators, friends and neigh-bors, town officials, and volunteers who rose to the occasion and committed themselves to healing their wounded community. As a journalist who conducted more than nine hundred interviews, Gail Sheehy is an impeccable researcher. As a writer with a novelistic gift, she weaves the individual stories into a compelling narrative. Middletown, America illuminates every stage of a tumultuous passage—from shock, passivity, and panic attacks, to rising anger and deep grieving, and on to the secret romances and startling relapses, the realignment of faith, the return of a capacity to love and be loved, and, finally, the commitment to constructing new lives.

Prompted by the overt omission of Muncie's black community from the famous study by Lynd and Lynd, Middletown: A Study in Modern American Culture, the authors uncover the neglected part of the story of Middletown, a well-known pseudonym for the Midwestern city of Muncie, Indiana. It is a uniquely collaborative field study involving local experts, ethnographers, and teams of college students. The book, The Other Side of Middletown, and DVD, Middletown Redux, are valuable resources for community research. Sponsored by the Virginia B. Ball Center for Creative Inquiry, Muncie, Indiana.

Over the years, Middletown has grown from a simple village of 50 people to a city of over 50,000. Located along the Great Miami River, Middletown developed from a farming community into an industrial city located on I-75, a major national highway. The Miami-Erie Canal helped speed Middletown's progress and provided a link between northern and southern Ohio. The canal allowed for further industrial growth with such businesses as grist and saw mills, porkpacking plants, and paper and tobacco plants. Today, Middletown is a steel-producing community with many other important industries. The construction of railroads and new roads and highways also played an important role in Middletown's growth. This work recalls many of the people that brought this success and development to Middletown. The everimproving cameras and the rise of the art of photography allowed much of this town's history to be captured on film. Many of these images, taken by both professionals and amateurs, are recorded in Middletown, Ohio. Join Mr. Miller and Mr. Crout in celebrating a community rich in history and heritage.

Published in 1929, Robert Lynd and Helen Merrell Lynd's Middletown: A Study in Modern American Culture was destined to become a sociological point of reference for the quality of life in an "average" American town in the 1920s. Their Middletown in Transition, a 1937 restudy of the same community—now known to be Muncie, Indiana—provided a second point of reference on community values in the midst of the great American depression. Achieving the status of cultural benchmarks, these two books have generated an enormous secondary literature on Muncie/Middletown, including a two-volume restudy by Theodore Caplow, published in the 1980s, and a series of six documentary films. Back to Middletown differs from the numerous other investigations and analyses of one of the most famous community studies in the history of sociology. The author, an Italian sociologist, examines the complete Middletown saga through the distinctive lens of an outsider, tracing the character and evolution of "middle America" from the Lynds' time down to the present. She has been resourceful and meticulous in her discovery of previously unknown sources—data, documents, and correspondence—that shed new light on the formation and elaboration of the Lynds' Middletown project and on the changing evaluation of the project by generations of scholars. In the process, the book addresses, from a fresh perspective, major issues that have confronted sociology and social anthropology: relative levels of analysis, the relationship of empirical observation to theory building and conceptual frameworks of interpretation, and controversies focusing on the structure of power in America. In addition to its value and import as a theoretical work, the book takes up questions that reflect the contemporary contradictions and dissonances in the American social fabric. As the author demonstrates, the story of Middletown is a continuing narrative, whose end is yet to be written, encapsulating the pain of social and economic alienation, political war, religious messianism, and personal demoralization.

Passage to America is very informative. It is about how and why legal immigrants come to this land, what they actually come for, what struggles they go through, how they blend in, and how they become productive citizens of United States and become part of the American melting pot. The book is nothing but a true story of a family and their struggles with their previous country’s traditionally and historically set system. The book does not intend to give any bad feelings about our previous friends, relatives, or government officials, but the actual feelings displayed in the day-to-day dairy. It is dedicated to children and grandchildren.

In Local Government in Early America, Brian P. Janiskee examines the origins of the "town hall meeting" and other iconic political institutions, whose origins lie in our colonial heritage. This work offers an overview of the structure of local politics in the colonial era, a detailed examination of the thoughts of key founders--such as John Adams and Thomas Jefferson--on local politics, and some thoughts on the continued role of local institutions as vital elements of the American political system.

Hot Rodding began in Southern California in the 1930s and had spread throughout the United States by the mid 1950s, spawning the sport of drag racing and the advent of the Detroit "muscle cars" of the '60s and '70s. Hot Rod Magazine and the National Hot Rod Association promoted the formation of responsible car clubs to combat the delinquent reputation of hot rodders, earned through illegal street races and Hollywood's portrayal in "B" movies. And thus were born the Middletown Pacemakers in 1951. The Pacemakers brought southern Ohio its first reliability runs (1952), custom auto shows (1954), and drag racing competitions-setting national records (1958, '63, '64) and winning national championships (1963, '64, '65). When the hot rodders were not busy upgrading their drive train for more horsepower or "chopping" and "channeling" for improved performance, they could often be seen on the streets of Middletown feeding expired parking meters or rescuing motorists whose cars had broken down or run out of gas. By 1966, as was the fate of so many hot rod clubs, the mass production of Detroit muscle cars ushered the Pacemakers to fold.