Midnight At The Barrelhouse

Looking closely at the limit of both multilingual literary expression and the literary journalism, criticism, and scholarship that comments on multilingual work, Babel's Shadow presents a critical reflection on the fate of literature in a world gripped by the crisis of globalization.

Many listeners first heard “Hound Dog” when Elvis Presley’s single topped the pop, country, and R&B charts in 1956. But some fans already knew the song from Big Mama Thornton’s earlier recording, a giant but exclusively R&B hit. In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis’s appropriation of a Black woman’s anthem. He rethinks the history and influences of rock music in light of Rolling Stone's replacement of Presley’s “Hound Dog” with Thornton’s version in its 2021 “500 Greatest Songs of All Time” list. Taking readers from Presley and Thornton to Patti Page’s “Doggie in the Window,” the Stooges’ “I Wanna Be Your Dog,” and other dog ditties, Weisbard uses “Hound Dog” to reflect on one of rock’s fundamental dilemmas: the whiteness of the wail.

BLACK AND BLUE: THE REDD FOXX STORY

Between 1945 and 1965 rhythm and blues artists made dozens of recordings incorporating West Indian calypso. This book draws musical and cultural connections that make the case for recognizing the significance of West Indian calypso in the history of African American popular music.

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.

Returning for its second year but reimagined in a new impulse format, with a new title, new cover, new mission, and new sensibility, here is The Socialite Who Killed a Nazi with Her Bare Hands, a pithier, quirkier collection of the 164 best page-turning obituaries from The New York Times. Written by top journalists, each story is a gem of a bio, a full life in miniature. There’s the famous: Steve Jobs, including the story of how he was reunited with a sister he never knew, the novelist Mona Simpson. And the almost famous: Ruth Stone, a poet who worked in relative obscurity until she won the National Book Award at the age of 87. The behind-the-scenes, like Arch West, inventor of the Dorito, who pulled America’s snacks out of the 1950s doldrums and created a $5-billion-a-year product, and the out-there, like self-styled anarchist and maverick artist (and real estate mogul and museum director) Bob Cassilly, who died at the controls of his bulldozer while building “Cementland” in St. Louis. And because of the chronological organization of the book, the stories, one next to the other, make for an addictive-as-salted-peanuts book: Mark O. Hatfield, the celebrated antiwar Republican senator from Oregon, next to Nancy Wake of the title, the impoverished New Zealander who grew up to become a high-society hostess and heroine of the French Resistance—the socialite who did, indeed, kill a Nazi with her bare hands.

In Spaces of Conflict, Sounds of Solidarity, Gaye Theresa Johnson examines interracial anti-racist alliances, divisions among aggrieved minority communities, and the cultural expressions and spatial politics that emerge from the mutual struggles of Blacks and Chicanos in Los Angeles from the 1940s to the present. Johnson argues that struggles waged in response to institutional and social repression have created both moments and movements in which Blacks and Chicanos have unmasked power imbalances, sought recognition, and forged solidarities by embracing the strategies, cultures, and politics of each others' experiences. At the center of this study is the theory of spatial entitlement: the spatial strategies and vernaculars utilized by working class youth to resist the demarcations of race and class that emerged in the postwar era. In this important new book, Johnson reveals how racial alliances and antagonisms between Blacks and Chicanos in L.A. had spatial as well as racial dimensions.

Los Angeles Times Bestseller This riveting tour through 1960s Los Angeles is a “history from below, in the very best sense” as it celebrates the “grassroots heroes and struggles” of the social movements of the era (Barbara Ehrenreich, author of Natural Causes). “Authoritative and impressive.” —Los Angeles Times “Monumental.” —Guardian Los Angeles in the sixties was a hotbed of political and social upheaval. The city was a launchpad for Black Power—where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation. The city was home to the Chicano Blowouts and Chicano Moratorium, as well as being the birthplace of “Asian American” as a political identity. It was a locus of the antiwar movement, gay liberation movement, and women’s movement, and, of course, the capital of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research and dozens of interviews with principal figures, as well as the authors’ storied personal histories as activists. Following on from Davis’s award-winning L.A. history, City of Quartz, Set the Night on Fire is a historical tour de force, delivered in scintillating and fiercely beautiful prose.