Midnight In Cairo The Divas Of Egypt S Roaring 20s

A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.

'Beguiling and original...' Marina Warner The thrilling story of Cairo's decadent nightlife in the early 20th century, told with women at the centre. 1920s Cairo: a counterculture was on the rise. A passionate group of artists captivated Egyptian society in the city's bars, hash dens and music halls – and the most dazzling and assertive were women. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife, through the lives of these pioneering women, including dancehall impresario Badia Masabni, innovator of Egyptian cinema Aziza Amir and legendary singer Oum Kalthoum. They exploited the opportunities offered by this new era, while weathering its many prejudices. And they held the keys to this raucous, cosmopolitan city's secrets. Introducing an eccentric cast of characters, Raphael Cormack brings to life a world of revolutionary ideas and provocative art. This is a story of modern Cairo as we have never heard it before. 'A spectacular parade of the extraordinary, bold and brash Egyptian women who shot to fame in the early years of globalised celebrity culture.'-- The Times 'A revelation ... in this tremendous act of historical discovery, Cormack has unearthed the regal figures and buried treasures of Cairo's golden age. He is the Howard Carter of the demi-monde.' -- The Telegraph 'Midnight in Cairo delivers a place, time and people you'll wish you'd personally known. ... Cormack deftly outlines the shifts in political mood and popular tastes that Cairo's entertainment scene both responded to and inspired.' -- TLS 'A captivating journey through [Cairo's] bars, cafes, cabaret clubs and music halls during a magical era when some of its biggest stars were women.' -- The Herald 'Fascinating ... Midnight in Cairo is a fizzing tale of an underexplored period ... [These female performers] changed the terms of Egyptian popular culture and blazed a path for women.' David Gardner, Financial Times

This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.

At the turn of the twentieth century—during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. A central figure in this diverse spectrum was the effendi, an emerging class of urban, male, anti-colonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices. From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1869 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Through scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates and dissent that fostered a new image of national culture and echoed urban life in the struggle for independence.

A thrilling rags-to-riches tale that spans twentieth-century Egyptian history and deftly combines real life and fiction It was in the spring of 1927 that Cairo's attention was captured by the shocking murder of prominent businessman Solomon Cicurel in his Nile-side villa in the upscale Zamalek district. It was a burglary that went wrong and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief. In Ashraf El-Ashmawi's telling, however, there was a fifth accomplice, Abbas, who escaped back to his home in the countryside to lay low until the murder trial blew over. He had not left empty-handed and had kept some documents from Cicurel's villa, ones that he realized would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel's widow, Paula. A web of twists and intrigues run through the life of Abbas, in what unfolds as a tale of modern Egypt--taking in the Second World War, the 1952 revolution and the rise of Gamal Abdel-Nasser, the 1967 war, the Sadat and Mubarak eras--from the 1920s through to 1990.

An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.

Focusing on Egypt during the period 1760 to 1870, this book fills in some of the historical blanks for a dance form often known today in the Middle East as raqs sharki or raqs baladi, and in Western countries as "belly dance." Eyewitness accounts written by European travelers, the major primary source for modern scholars, provide most of the research material. The author shapes these numerous accounts into a coherent whole, providing a picture of Egyptian female entertainers of the period as professionals in the arts, rather than as a group of unnamed "ethnic" dancers and singers. Analysis is given of the contexts of this dance--that was a legitimate performing art form in Egyptian society appreciated by a wide variety of audiences--with a focus on actual performances--and a re-creation of choreography.