Midwestern Women

Examining four centuries of Midwestern women's history, contributors discuss ways these women's lives both resemble and differ from those of women of other regions. Midwestern female experience is shown to be distinctive in terms of degrees of migration, which resulted in the Midwest becoming a cultural crossroads.

Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities--in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.

The Midwest has produced a robust literary heritage. Its authors have won half of the nation’s Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest’s continuing cultural vitality and the stature and distinctiveness of its literature.

This first-ever encyclopedia of the Midwest seeks to embrace this large and diverse area, to give it voice, and help define its distinctive character. Organized by topic, it encourages readers to reflect upon the region as a whole. Each section moves from the general to the specific, covering broad themes in longer introductory essays, filling in the details in the shorter entries that follow. There are portraits of each of the region's twelve states, followed by entries on society and culture, community and social life, economy and technology, and public life. The book offers a wealth of information about the region's surprising ethnic diversity -- a vast array of foods, languages, styles, religions, and customs -- plus well-informed essays on the region's history, culture and values, and conflicts. A site of ideas and innovations, reforms and revivals, and social and physical extremes, the Midwest emerges as a place of great complexity, signal importance, and continual fascination.

The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest. Drawing on recent studies in cultural geography, environmental history, and mythology, as well as literary criticism, The Midwestern Pastoral: Place and Landscape in Literature of the American Heartland relates Midwestern pastoral writers to their local geographies and explains their approaches. William Barillas treats five important Midwestern pastoralists—Willa Cather, Aldo Leopold, Theodore Roethke, James Wright, and Jim Harrison—in separate chapters. He also discusses Jane Smiley, U.S. Poet Laureate Ted Kooser, Paul Gruchow, and others. For these writers, the aim of writing is not merely intellectual and aesthetic, but democratic and ecological. In depicting and promoting commitment to local communities, human and natural, they express their love for, their understanding of, and their sense of place in the American Midwest. Students and serious readers, as well as scholars in the growing field of literature and the environment, will appreciate this study of writers who counter alienation and materialism in modern society.

J.L. Anderson seeks to change the belief that the Midwest lacks the kind of geographic coherence, historical issues, and cultural touchstones that have informed regional identity in the American South, West, and Northeast. The goal of this illuminating volume is to demonstrate uniqueness in a region that has always been amorphous and is increasingly so. Midwesterners are a dynamic people who shaped the physical and social landscapes of the great midsection of the nation, and they are presented as such in this volume that offers a general yet informed overview of the region after World War II. The contributors—most of whom are Midwesterners by birth or residence—seek to better understand a particular piece of rural America, a place too often caricatured, misunderstood, and ignored. However, the rural landscape has experienced agricultural diversity and major shifts in land use. Farmers in the region have successfully raised new commodities from dairy and cherries to mint and sugar beets. The region has also been a place where community leaders fought to improve their economic and social well-being, women redefined their roles on the farm, and minorities asserted their own version of the American Dream. The rural Midwest is a regional melting pot, and contributors to this volume do not set out to sing its praises or, by contrast, assume the position of Midwestern modesty and self-deprecation. The essays herein rewrite the narrative of rural decline and crisis, and show through solid research and impeccable scholarship that rural Midwesterners have confronted and created challenges uniquely their own.

R. Douglas Hurt recounts the settlement of the U.S. Midwest between 1815 and the turn of the twentieth century, arguing that this region proved to be the country's garden spot of the country and the nation's heart of agricultural production.

The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.