Miffy And The Band

Miffy learns how to play an instrument in this Ready-to-Go! Ready-to-Read starring everyone’s favorite bunny! Miffy is determined to join the band even though she can’t play an instrument. After a lot of practice on the recorder will she get another chance? Perfect for kids at the beginning of their reading journeys, Miffy and the Band was written for children who have learned the alphabet and are ready to start reading! And what better way to get kids excited than with a fun story with words they can actually read and starring their favorite sweet, little bunny? Each Ready-to-Go! Ready-to-Read includes a note to parents explaining what their child can expect, a guide at the beginning for readers to become familiar with the words they will encounter in the story, and reading comprehension questions at the end. Each Ready-to-Go! story contains about 100 words and features sight words, rhyming words, and repetition to help children reinforce their new reading skills. In this book, readers will learn fifteen sight words, and four words from two word families. So come on and get reading with Miffy! Stories and images are based on the work of Dick Bruna. ‘Miffy and Friends’ © copyright Mercis Media bv, all rights reserved.

Miffy is determined to join her friends' band even though she does not play a musical instrument.

Since the early 20th century, animated Christmas cartoons have brightened the holiday season around the world--first in theaters, then on television. From devotional portrayals of the Nativity to Santa battling villains and monsters, this encyclopedia catalogs more than 1,800 international Christmas-themed cartoons and others with year-end themes of Hanukkah, Kwanzaa and the New Year. Explore beloved television specials such as A Charlie Brown Christmas, theatrical shorts such as Santa's Workshop, holiday episodes from animated television series like American Dad! and The Simpsons, feature films like The Nutcracker Prince and obscure productions such as The Insects' Christmas, along with numerous adaptations and parodies of such classics as A Christmas Carol and Twas the Night before Christmas.

When Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas. We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements. The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene. This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history. Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.

Tony the Tiger. The Pillsbury Doughboy. The Michelin Man. The Playboy bunny. The list of brand mascots, spokes-characters, totems and logos goes on and on and on. Mascots are one of the most widespread modes of marketing communication and one of the longest established. Yet, despite their ubiquity and utility, brand mascots seem to be held in comparatively low esteem by the corporate cognoscenti. This collection, the first of its kind, raises brand mascots’ standing, both in an academic sense and from a managerial perspective. Featuring case studies and empirical analyses from around the world – here Hello Kitty, there Aleksandr Orlov, beyond that Angry Birds – the book presents the latest thinking on beast-based brands, broadly defined. Entirely qualitative in content, it represents a readable, reliable resource for marketing academics, marketing managers, marketing students and the consumer research community. It should also prove of interest to scholars in adjacent fields, such as cultural studies, media studies, organisation studies, anthropology, sociology, ethology and zoology.

She can keep the doors locked. The lights on. Her fingers crossed. But she can't stop the memories of a terrifying crime. Or keep it from happening again. The murderer took his time choosing his pretty victims. Then he took his time killing them. What was left when he finished made even veteran Boston cop Harry Jordan feel sick. But this time the killer made a mistake. His victim was found alive. Armed with a police sketch of the man, Harry wanted national publicity, the kind he could get from Mallory Malone, the "TV detective." Her top-rated show reenacted heinous crimes and often jogged witnesses' memories enough to shake loose the clue that could break the case. But not this time. This case was different for self-made career woman Mallory Malone. This cop was different. The case scared her; the cop was falling in love with her. Her instincts told her to run. But the killer already knew her name. Her address. And a secret that could destroy them both. Elizabeth Adler was born in Yorkshire, England. She is married to an American lawyer and has one daughter. They have lived in Brazil, England, France, and Ireland and currently live in California. She is the internationally acclaimed author of Léonie, Peach, The Rich Shall Inherit, The Property of a Lady, Fortune Is a Woman, and The Secret of the Villa Mimosa.