Milton And The English Revolution

Remarkable reinterpretation of Milton and his poetry by one of the most famous historians of the 17th Century In this remarkable book Christopher Hill used the learning gathered in a lifetime's study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular imagination: instead of a gloomy, sexless 'Puritan', we have a dashingly original thinker, branded with the contemporary reputation of a libertine. For Hill, Milton is an author who found his real stimulus less in the literature of classical and times and more in the political and religious radicalism of his own day. Hill demonstrates, with originality, learning and insight, how Milton's political and religious predicament is reflected in his classic poetry, particularly 'Paradise Lost' and 'Samson Agonistes'.

A groundbreaking biography of Milton’s formative years that provides a new account of the poet’s political radicalization John Milton (1608–1674) has a unique claim on literary and intellectual history as the author of both Paradise Lost, the greatest narrative poem in English, and prose defences of the execution of Charles I that influenced the French and American revolutions. Tracing Milton’s literary, intellectual, and political development with unprecedented depth and understanding, Poet of Revolution is an unmatched biographical account of the formation of the mind that would go on to create Paradise Lost—but would first justify the killing of a king. Biographers of Milton have always struggled to explain how the young poet became a notorious defender of regicide and other radical ideas such as freedom of the press, religious toleration, and republicanism. In this groundbreaking intellectual biography of Milton’s formative years, Nicholas McDowell draws on recent archival discoveries to reconcile at last the poet and polemicist. He charts Milton’s development from his earliest days as a London schoolboy, through his university life and travels in Italy, to his emergence as a public writer during the English Civil War. At the same time, McDowell presents fresh, richly contextual readings of Milton’s best-known works from this period, including the “Nativity Ode,” “L’Allegro” and “Il Penseroso,” Comus, and “Lycidas.” Challenging biographers who claim that Milton was always a secret radical, Poet of Revolution shows how the events that provoked civil war in England combined with Milton’s astonishing programme of self-education to instil the beliefs that would shape not only his political prose but also his later epic masterpiece.

John Rogers here addresses the literary and ideological consequences of the remarkable, if improbable, alliance between science and politics in seventeenth-century England. He looks at the cultural intersection between the English and Scientific Revolutions, concentrating on a body of work created in a brief but potent burst of intellectual activity during the period of the Civil Wars, the Interregnum, and the earliest years of the Stuart Restoration. Rogers traces the broad implications of a seemingly outlandish cultural phenomenon: the intellectual imperative to forge an ontological connection between physical motion and political action.

Although the poet John Milton was a politically active citizen and polemicist during the English Revolution, little has been written on Milton's concept of nationalism. The first book to examine major aspects of Milton's nationalism in its full complexity and diversity, Early Modern Nationalism and Milton's England features fifteen essays by leading international scholars who illuminate the significance of the nation as a powerful imaginative construct in his writings. Informed by a range of critical methods, the essays examine the diverse - sometimes conflicting - and strained expressions of nationhood and national identity in Milton's writings, to address the literary, ethnic, and civic dimensions of his nationalism. These essays enrich our understanding of the imaginative achievements, religious polemics, and political tensions of Milton's poetry and prose, as well as the impact of his writings in the later seventeenth and early eighteenth centuries. Early Modern Nationalism and Milton's England also illuminates the formation of early-modern nationalism, as well as the complexities of seventeenth-century English politics and religion.

Examines the relationship between the manuscript evidence of Milton's thinking and its representation in his printed works

What happened to the radicals when the English Revolution failed? The Restoration, which re-established Charles II as king of England in 1660, marked the end of “God’s cause”—a struggle for liberty and republican freedom. While most accounts of this period concentrate on the court, Christopher Hill focuses on those who mourned the passing of the most radical era in English history. The radical protestant clergy, as well as republican intellectuals and writers generally, had to explain why providence had forsaken the agents of God’s work. In The Experience of Defeat, Christopher Hill explores the writings and lives of the Levellers, the Ranters and the Diggers, as well as the work of George Fox and other important early Quakers. Some of them were pursued by the new regime, forced into hiding or exile; others compelled to recant. In particular Hill examines John Milton’s late work, arguing that it came directly out of a painful reassessment of man and society that impelled him to “justify the ways of God to Man.”