Mind Flowers Poetry And Problems

Stories to tell. Too much to think of. Poetry and problems. Poems by M. A. Mortén

भारत देश और विश्व भर में अनेक सामाजिक मुद्दे है जो अब तक खत्म हो जाने चाहिए थे पर अब तक खत्म नहीं हो पाए है। डिप्रेशन जैसी एक बड़ी बाधा पूरे विश्व को तोड़ती जा रही है खास कर युवाओं को। दहेज प्रथा, रिश्वतखोरी, आरक्षण, अंतर्जातीय एवम अंतरधर्म विवाह जैसे अनेक मुद्दाओ पर हमारे इस पुस्तक के सह लेखकों ने अपने विचार प्रकट कर उस पर कड़ा प्रहार किया है। इस पुस्तक में सामाजिक मुद्दाओं पे सह लेखकों द्वारा अपने आर्टिकल्स, कविता, निबंध जैसे आदि तरीको से अपनी आवाज उठाई है। हम आशा करते है की आप सभी इस पुस्तक को पढ़कर अपने जिम्मेदारी को समझे और देश और दुनिया के प्रति निष्ठा और ईमानदारी से अपना कर्म करे।

Page proofs for the introduction and text of book, stamped 30 July and 10 August 1897, published by Grant Richards in 1897. With the author's ms. corrections and emendations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study examines the struggle toward that ideal of unitary subjective experience in modern British and Irish poetry from Hardy to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states underrepresents the extent to which the crisis is in fact socio-historically determined.

Excerpt from The Flower of the Mind: A Choice Among the Best Poems This also is all he can plead in regard to a point even more liable to question - what degree Of merit should give rank among the Best. That a Poem Shall be worthy Of the writer's genius, - that it shall reach a perfection commensurate with its aim, - that we should require finish in proportion to brevity, - that passion, colour, and originality cannot atone for serious imperfections in clearness, unity, or truth, - that a few good lines do not make a good poem, - that popular estimate is serviceable as a guidepost more than as a compass, - above all, that Excellence should be looked for rather in the Whole than in the Parts, - such and other such canons have been always steadily regarded. He may however add that the pieces chosen, and a far larger number rejected, have been carefully and repeatedly considered and that he has been aided throughout by two friends Of independent and exercised judgement, besides the distinguished person addressed in the Dedication. It is hoped that by this procedure the volume has been freed from that onesidedness which must beset individual decisions - but for the final choice the Editor is alone responsible. It would Obviously have been invidious to apply the standard aimed at in this Collection to the Living. Nor, even in the cases where this might be done without Offence, does it appear wise to attempt to anticipate the verdict Of the Future on our contemporaries. Should the book last, poems by Tennyson, Bryant, Clare, Lowell, and others, will no doubt claim and Obtain their place among the best. But the Editor trusts that this will be effected by other hands, and in days far distant. Chalmers' vast collection, with the whole works of all accessible poets not contained in it, and the best Anthologies Of different periods, have been twice systematically read through and it is hence improbable that any omissions which may be regretted are due to oversight. The poems are printed entire, except in a very few instances (specified in the notes) where a stanza has been omitted. The omissions have been risked only when the piece could be thus brought to a closer lyrical unity: and, as essentially Opposed to this unity, extracts, Obviously such, are excluded. In regard to the text, the purpose Of the book has appeared to justify the choice of the most poetical version, wherever more than one exists and much labour has been given to present each poem, in disposition, spelling, and punctuation, to the greatest advantage. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.