Mind Forg D Manacles

For William Blake, the idea of slavery was fundamental to his art and writing. Containing over 60 reproductions from Blake's illuminated books, watercolours and engravings, this book includes essays by curator and leading Blake scholar David Bindman, and novelist and literary critic Darryl Pinckney.

Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet’s imagination and precision of language to the healing endeavours of psychoanalysis while making a lucid journey through 2,000 years of transformative poetry from Virgil, Dante and Blake to the contemporary poet Claudia Rankine. Patients enter treatment with the hope of being recognized and the hope for transformation of a painful experience. David Shaddock shows how poetry can guide psychoanalysts towards meeting that hope. The book is based on the proposition that an accurate recognition of what is leads to the opening of what could be. The imaginative space that opens between poem and reader or therapist and patient can be a place of healing and transformation. Poetry and Psychoanalysis will appeal to psychoanalysts and psychoanalytic psychotherapists interested in using literature and creativity as inspiration for both their clinical work and personal growth, as well as all who love poetry.

This book is an exploration of the attitudes towards, and treatments for, madness in the age before the mass asylum and the emergence of the psychiatric profession.

William Blake is one of England’s most fascinating writers; he was not only a groundbreaking poet, but also a painter, engraver, radical, and mystic. Although Blake was dismissed as an eccentric by his contemporaries, his powerful and richly symbolic poetry has been a fertile source of inspiration to the many writers and artists who have followed in his footsteps. In this collection Patti Smith brings together her personal favorites of Blake’s poems, including the complete Songs of Innocence and Songs of Experience, to give a singular picture of this unique genius, whom she calls in her moving introduction “the spiritual ancestor” of generations of poets.