Miracle At St Anna

High in the Tuscan mountains, four soldiers of the US Army's 92nd Division of African-American 'Buffalo' soldiers rescue a traumatised Italian boy from the Germans and stumble into a war-torn villages looking for help. Instead they find themselves stranded between worlds, with the German Army hidden on one side and their racist and largely mismanaged American commanding officers on the other. Floating between myth and reality in a place where belief in magic co-exists with the most horrific acts of war, they are all about to be touched by a miracle.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, and Deacon King Kong James McBride’s powerful memoir, The Color of Water, was a groundbreaking literary phenomenon that transcended racial and religious boundaries, garnering unprecedented acclaim and topping bestseller lists for more than two years. Now McBride turns his extraordinary gift for storytelling to fiction—in a universal tale of courage and redemption inspired by a little-known historic event. In Miracle at St. Anna, toward the end of World War II, four Buffalo Soldiers from the Army’s Negro 92nd Division find themselves separated from their unit and behind enemy lines. Risking their lives for a country in which they are treated with less respect than the enemy they are fighting, they discover humanity in the small Tuscan village of St. Anna di Stazzema—in the peasants who shelter them, in the unspoken affection of an orphaned child, in a newfound faith in fellow man. And even in the face of unspeakable tragedy, they—and we—learn to see the small miracles of life. This acclaimed novel is now a major motion picture directed by Spike Lee.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, Five-Carat Soul, and Kill 'Em and Leave, a James Brown biography. In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of communication for slaves on the run. Liz’s flight and her dreams of tomorrow will thrust all those near her toward a mysterious, redemptive fate. Filled with rich, true details—much of the story is drawn from historical events—and told in McBride’s signature lyrical style, Song Yet Sung is a story of tragic triumph, violent decisions, and unexpected kindness.

An epic saga of hubris , cruelty, and redemption, Now the Hell Will Start tells the remarkable tale of the greatest manhunt of World War II. Herman Perry, besieged by the hardships of the Indo-Burmese jungle and the racism meted out by his white commanding officers, found solace in opium and marijuana. But on one fateful day, Perry shot his unarmed white lieutenant in the throes of an emotional collapse and fled into the jungle. Brendan I. Koerner spent nearly five years chasing Perry's ghost to the most remote corners of India and Burma. Along the way, he uncovered the forgotten story of the Ledo Road's GIs, for whom Jim Crow was as powerful an enemy as the Japanese-and for whom Herman Perry, dubbed the jungle king, became an unlikely folk hero.

Henry Shackleford is a young slave living in the Kansas Territory in 1857, the region a battlefield between anti and pro slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an arguement between Brown and Henry's master quickly turns violent. Henry is forced to leave town with Brown, who believes Henry is a girl. Over the next months, Henry conceals his true identity as he struggles to stay alive. He finds himeself with Brown at the historic raid on Harper's Ferry, one of the catalysts for the civil war.

One of The New York Times' 100 Notable Books of 2017 “A pinball machine zinging with sharp dialogue, breathtaking plot twists and naughty humor... McBride at his brave and joyous best.” —New York Times Book Review From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Kill 'Em and Leave, a James Brown biography. The stories in Five-Carat Soul—none of them ever published before—spring from the place where identity, humanity, and history converge. They’re funny and poignant, insightful and unpredictable, imaginative and authentic—all told with McBride’s unrivaled storytelling skill and meticulous eye for character and detail. McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens. Five strangers find themselves thrown together and face unexpected judgment. An American president draws inspiration from a conversation he overhears in a stable. And members of The Five-Carat Soul Bottom Bone Band recount stories from their own messy and hilarious lives. As McBride did in his National Book award-winning The Good Lord Bird and his bestselling The Color of Water, he writes with humor and insight about how we struggle to understand who we are in a world we don’t fully comprehend. The result is a surprising, perceptive, and evocative collection of stories that is also a moving exploration of our human condition.

In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen's To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen's The Purple Rose of Cairo (1985) as well as with Neil LaBute's Nurse Betty (2000). Tarantino's Kill Bill saga (2003, 2004) plays off elements of Sergio Leone's spaghetti Western C'era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino's Oscar-winning Django Unchained (2012). Lee Daniels's Precious (2009) and Spike Lee's Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.