Mirror Dance

The exciting follow-up to Brothers in Arms. Miles Vorkosigan is in trouble. His brother, a cloned stranger formed from tissue stolen from Miles when he was a child, wants to murder and replace him. Unfortunately, Mark has learned that without Miles, he is . . . nothing.

Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

"A day draws to a close. Helen worries about when her children will get home; Gloria considers her day at work and, again, thoughts cross her mind about telling them at church that she is a lesbian; Gayle prepares for a meeting at the Women's Shelter...; Ellen gets ready for a class. Chip and Jessica plan another party at their house; Diana paces her kitchen, troubled that Meg still intends to see Bronwyn...." These are some of the people who come to life in this unique book about a lesbian community. It is an experiment, both in women's language and in social science method, and is composed of an interplay of voices that echo, again and again, themes of self and community, sameness and difference, merger and separation, loss and change. Although the method of presentation is unusual, the book is based on solid research. The author lived for a year with the community and then spent two intensive months interviewing 78 women who were either members of the community or importantly associated with it. The author began by addressing several basic questions about privacy that quickly led her to explore dilemmas of identity. In time an even more compelling problem emerged: the loss of sense of self, how it occurs and how it may be dealt with in a social setting. The nature of the community itself raised this issue because it was a community of likeness, intimacy, and ideology. It was also a stigmatized or deviant community--and of women, individuals with life experiences that tended to encourage the giving up of the self to others. The book is organized around particular kinds of situations and relationships in the community where conflicts concerning control over identity are especially prominent. It concludes with an essay on the author's method, "Fiction and Social Science." Author note: Susan Krieger is Visiting Scholar, Department of Sociology, Stanford University.

'The ever-witty McPherson has outdone herself' Scottish Field 'All the wit and clever plotting fans of Christie could want' My Weekly Special *Winner of Left Coast Crime's Lefty Award for Best Historical Mystery Novel* Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

A technical and artistic discussion of ballet, focusing on its history, physical requirements, exercises, and training.

The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.

Who Do I See in the Mirror? is the debut book from Philly & Friends. "There is only one me!" As Philly looks at her reflection in the mirror, she realises that from her curly hair to her legs that love to dance, she is unique. But what makes her truly special is her good heart and curious mind. The important message conveyed is for children to love the skin they are in. It's what you are on the inside that matters most. Philly & Friends is a contemporary children's brand created to empower literacy. We offer unique products that encourage confidence, self-love and diversity in our beloved children while supporting underprivileged children around the world. Philly & Friends was born out of a desire to teach children to see beauty in themselves and to believe they can be anything they want to be. ***Children's picture book with a purpose, each book sold ships a book to Africa, empowering literacy.***