Miss America By Day

A Washington Post style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary. The sash. The tears. The glittering crown. And of course, that soaring song. For all its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve. For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism. For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.

Now with more than forty pictures of naked breasts, Howard Stern's Miss America offers remarkable revelations about: Howard's secret meeting with Michael Jackson! The Stern family pact with Adolf Hitler! Howard's never-before-revealed mental illness! With chapters on Howard's ongoing battle with the FCC and his legendary campaign for governor of the state of New York, Miss America covers some of the greatest news stories of recent history—from the Atlantic City penis sandwich to an exclusive with Jackie O's embalming-fluid delivery boy and of course, Philadelphia's own fecal-obsessed Uncle Ed.

Former Miss America Marilyn Van Derbur was 53 years old when she was able to speak publicly the words "I am an incest survivor." It was as important step in her recovery and it brought the ugliness of incest out into the open for millions of others. The devastation and shame of incest, which Van Derbur repressed for many years, stayed with her through adulthood. Here, she shares the wisdom and knowledge she has gained through the personal experiences of herself and others, and tells how children can be protected.

Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.

Recounts the author's experiences as Miss America 1998, providing a history of the pageant and profiling other former winners.

From a double-wide trailer on a farm in Georgia to the 2016 Miss America pageant, Betty Cantrell was not a likely contender for the crown. She won by being herself—mistakes and all. Miss Unlikely takes you through Betty’s unconventional childhood, the surprising pageant journey, an incredible year as Miss America, a fairytale wedding, and everything in between. She offers wisdom on school, boys, self-esteem, choices, disappointments, insecurities, mentors, cyberbullies, and more. Behind-the-scenes moments and previously untold stories show how her faith and family ultimately carried her through difficult times. Betty’s personal and sincere account will remind you the only way to get where you want to go is through God’s unique plan. Find confidence in being you, and turn your dreams into reality.

Middle graders will laugh and cry with thirteen-year-old Vanessa Martin as she tries to be like Vanessa Williams, the first black Miss America. In this semi-autobiographical debut novel set in 1983, Vanessa Martin's real-life reality of living with family in public housing in Newark, New Jersey is a far cry from the glamorous Miss America stage. She struggles with a mother she barely remembers, a grandfather dealing with addiction and her own battle with self-confidence. But when a new teacher at school coordinates a beauty pageant and convinces Vanessa to enter, Vanessa's view of her own world begins to change. Vanessa discovers that her own self-worth is more than the scores of her talent performance and her interview answers, and that she doesn't need a crown to be comfortable in her own skin and see her own true beauty. "It's such an honor to be the focal point of this wonderful book! Without a doubt, it will be inspiring to a new generation of young, talented girls well on their way to promising careers." --Vanessa Williams, Multi-Platinum Recording Artist, New York Times Best-Selling Author, Fashion Designer and star of Television, Film and the Broadway Stage "Like Vanessa has it all and then some! Gritty, poetic, emotionally true, Tami Charles wrings out every hope, every stumble and every triumph of a girl on an uneasy road to possessing her self, her strength and her own beauty. An unforgettable debut." --Rita Williams-Garcia, author of One Crazy Summer and P.S. Be Eleven ♦ "This debut is a treasure: a gift to every middle school girl who ever felt unpretty, unloved, and trapped by her circumstances."— Kirkus Reviews STARRED REVIEW ♦ "Charles evades the clichés and imbues Vanessa with an inner life that's so real and personal it's hard to deny the charm, heartbreak, and triumph of her story. . . . Superb."— Booklist STARRED REVIEW ♦ "Like Vanessa is an emotionally potent, engaging young adult story with a heroine whom it is impossible not to root for. The life lessons that Nessy learns are relevant and worthwhile for everyone."— Foreword Reviews STARRED REVIEW

First time in paperback, this unique biography and cultural history is based on History extensive research and interviews with more than one hundred witnesses from the period. Acclaimed novelist and playwright Susan Dworkin skillfully interweaves the absorbing first-person account of how Bess Myerson became the country’s first, and still only, Jewish Miss America in the same year that World War II ended, with a fresh portrait of what life was like for women and Jews in America in the 1930s and ’40s. Her tale of one girl’s coming of age in prefeminist America is “poignant and appealing . . . as much a cameo of an era as a work of biography.” —ALA Booklist