Miss Blaine S Prefect And The Golden Samovar

A librarian with deceptively dangerous skills is sent back in time to Tzarist Russia in this “laugh-out-loud farce” and homage to Muriel Spark (Publishers Weekly, starred review). Never underestimate a librarian. Comfortable padded and in her middle years, Shona McMonagle may look bookish and harmless, but her education at the Marcia Blaine School for Girls has left her with a deadly expertise in everything from martial arts to quantum physics. It has also left her with a bone-deep loathing for The Prime of Miss Jean Brodie, that scurrilous novel that spread scandalous untruths about the finest educational institution in Edinburgh. Shona’s skills, her deceptively mild appearance, and her passionate loyalty make her the perfect recruit for an interesting new project: time travel to Tzarist Russia, prevent a gross miscarriage of romance, and—in any spare time—see to it that only the right people get murdered. It’s a big job, but no task is too daunting for a prefect from Miss Blaine’s. “A delightful addition to the ranks of comic crime.” —The Guardian, UK

A resourceful middle-aged Scottish librarian travels back in time to stop Macbeth and his wife from killing Duncan while avoiding three dangerous witches. Shona McMonagle is your ordinary, garden-variety librarian: comfortably padded, in her middle years, expert in various arcane martial arts. She also has an impressive knack for time travel (“impressive” may be overstating things: her first two forays—revolutionary Russia, 19th-century France—went less than smoothly). Her latest mission? Head to 11th-century Scotland, cozy up to Macbeth and Lady M, prevent them from murdering Duncan. In the ordinary course of things, this would be a doddle. But then there are the witches, who prove remarkably quick to take offense. And the business of being turned into a mouse. And the fact that the mission is in truth threefold. One, keep Duncan alive and kicking; two, correct the historical record and lay bare the ludicrous lies introduced by that silly Shakespeare play; and three, burnish the honor of the Marcia Blaine School for Girls, the finest institution of pedagogy in the greater Edinburgh area. Can she do it? Of course, she can! NEVER UNDERESTIMATE A LIBRARIAN! Praise for Miss Blaine’s Prefect and the Vampire Menace “Excellent…. The zany plot is a whirling dervish of unexpected events, all narrated with aplomb and wry wit by the eruditeand intrepid librarian,who often hilariouslymisconstrues the clues she ferrets out. Readers will have a rollicking good time.” —Publishers Weekly (starred review) “Effortlessly blends together a number of genres.... Smart, funny and all-round good company, wherever Shona goes, readers will eagerly follow.” —The Scotsman

Never underestimate a librarian. Readers learned that lesson with the Prefect’s first adventure (Miss Blaine’s Prefect and the Golden Samovar: “marvelous” and “a laugh-out-loud farce” —Publishers Weekly, starred review). Now a certain Count from Transylvania is about to learn it as well, when the intrepid Shona McMonagle (comfortably padded, in her middle years, and a whiz at obscure martial arts) time-travels to 19th-century France to help a village being menaced by a mysterious killer. It’s true that Dracula’s name has for more than a hundred years been a byword for terror, but nothing can stop an agent trained by the Marcia Blaine School for Girls.

Exciting and provocative essays in a collection that is fun, entertaining, and deeply serious. In words and images that explore our environment, culture and architecture, that reflect on literary and artistic creation, mortality, mental health, depression, the North (as a place both real and imagined) and education, Imagined Spaces returns the essay to its original activity of having a go, trying and weighing something out, taking a risk.

Never underestimate a librarian. Fifty-something Edinburgh librarian Shona is a proud former pupil of the Marcia Blaine School for Girls, but has a deep loathing for The Prime of Miss Jean Brodie, which she thinks gives her alma mater a bad name. Impeccably educated and an accomplished linguist, mathematician, martial artist, and musician, Shona is selected by Marcia Blaine herself to travel back in time for a crucial mission in Venice. Finding the city afflicted by what appears to be a new outbreak of the plague, Shona soon encounters the Cornetto family of gondoliers. Lately, a number of their passengers have met a watery fate. Coincidence? Unlikely. She dons a mask, goes undercover and seeks inspiration in the library. But the mystery only deepens. Why do the Cornettos seem so flaky and their explanations wafer-thin, even as they proclaim their innocence? What is going on at the printworks? Shona’s powers of deduction, dissection and prowess as a swimmer are put to the test as she realises that a bitter feud is at play. Can Shona unravel the tapestry of lies and get to the truth? It’s a race against time, but it would be a mistake to underestimate a librarian.

Never underestimate a librarian. "Audacious, witty and fun." Herald Intelligent cosy crime series with razor-sharp wit and an unlikely hero, for fans of P.G. Wodehouse and Muriel Spark Intrepid, fifty-something librarian Shona McMonagle, erstwhile Marcia Blaine Academy prefect, finds herself in an isolated French mountain village, where she must solve a mystery involving the mayor, the cheesemonger, the soprano Mary Garden, and even Count Dracula himself. Shona has been personally selected by school founder Marcia Blaine to travel back in time for this important mission in fin-de-siècle France – a curiously Gothic setting. But she finds it all very confusing. Why, for example, have so many people been torn to death by wild animals, what are Maman and the mayor up to, and is the reclusive aristocrat really suffering from toothache? It’s a race against time to solve the mystery. It is also a very tall order – but as Shona is wont to remind herself: Never underestimate a librarian!

A killer of a crossword draws Inspector Tibbett into a mystery with “considerable charm, atmosphere (an Isle of Wight travelogue), and English geniality” (Kirkus Reviews). It’s a slow day at Scotland Yard, so Inspector Henry Tibbett takes a busman’s holiday, immersing himself in the world of puzzling puzzlers. The hijinks kick off with an amusing gift: Someone unnamed has sent Henry the beginnings of a crossword puzzle. Even more mysterious: The clues point to the group of mystery writers to whom Henry has pledged to give a presentation. Most mysterious of all: None of the writers are who they claim to be, and one is a murderer. Which one? For that you’ll need to solve the puzzle. Six across and then down, down, down. Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene

A murder at the hospital draws Sherlock Holmes’s bedridden landlady and Dr. Watson’s wife into another puzzling mystery. Patients are dying in the hospital ward. Surely this isn’t news. But to Mrs. Hudson, ill and dizzy from medication, the deaths—one patient, then another, and all of them women!—seem sinisterly connected. Even if she’s the only person who sees the connection. Mary Watson knows just how she feels, though her focus is less on sick women than on missing boys—the skinny, grubby, poor ones that nobody wanted in the first place. Sherlock Holmes isn’t interested in either issue; he and Dr. Watson have more important puzzles to solve. So once again, it is left to Mary and Mrs. Hudson to help the truly vulnerable, to draw lines between the dying women and the disappearing boys, and to follow those lines to their grim conclusion. “Riveting. . . . A thrilling historical mystery novel about a woman’s work to uncover the twisted nature of humanity’s worst beings.” —Foreword Reviews “[A] solid sequel.” —Publishers Weekly